Tenderly - C6 tab
Moderator: Ricky Davis
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- Posts: 3188
- Joined: 4 Aug 1998 11:00 pm
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Tenderly - C6 tab
<font size="3" face="monospace"><pre>
Tenderly - for C6 steel
EbM7 Ab7#11 Eb-9 Ab7b9
1-----------|---------------|----------------|------|---------------6-|
2-----------|---------------|----------------|------|-----------------|
3--------15-|------------15-|----------------|------|-----------------|
4-----15----|-15(7----15----|-15(7-----------|-6(7~~|~6(7--6~~~~6(7---|
5--15-------|-15---15-------|-15---15--------|-6~~~~|~6(5--6(5--------|
6-----------|-15------------|-15(6-15(6~15(6-|-6~~~~|~6(6--6(6--------|
7-----------|-15------------|-15---15--------|------|------6----------|
8-----------|---------------|------15--------|-6----|-----------------|
9-----------|---------------|-15-------------|------|-----------------|
10----------|-15------------|----------------|------|-6---------------|
{1st ending...........
F-9 Db9 Eb Fm7b5 Bb7 Fm7b5
1-------------|-------------|---|-----|-------8-|---------|--------8-|
2-------------|-------------|---|-----|---------|---------|----------|
3-----------8-|-------------|---|-----|---------|---------|----------|
4--8(7----8---|-8(7~~~~~----|---|-----|---------|-8(7-----|----------|
5--8----8-----|-8---8~~~----|-3-|-----|-----8---|-8-------|-----8~~~-|
6--8----------|-8(6-8(6~8(6-|-3-|-7(6~|~8(6-----|-8(6-7(6~|~8(6~~~~~-|
7-------------|-8---8-------|-3-|-----|-8-------|-8-------|-8~~~~~~~-|
8--8----------|-----8-------|---|-----|-8-------|---------|-8~~~~~~~-|
9-------------|-8-----------|---|-----|---------|---------|----------|
10------------|-------------|-3-|-----|---------|-8-------|----------|
......................................................................}
Bb7 G7b9 C- F13 Bb C7b9 F-9 Bb7
1-------------|---------------|--------|-----------|------------------/|
2-------------|--------3------|--------|-----------|------------------/|
3-------------|-3~3(7----15(7-|--------|-8(7--10---|-8(7-8(7-------15-/|
4-8(7~~~~~--8-|---------------|-15(7-8-|-8----10---|-----8------15----/|
5-8(5~~~~~----|-3-------------|-15(5---|-8(5--10(5-|-8---8(5-15-------/|
6-----8~8(6---|-3-------------|-15-----|-8----10(6-|-8---8------------/|
7-8~~~~~~~----|---------------|-15-----|-----------|------------------/|
8-------------|-3-------------|--------|-----------|-8----------------/|
9-------------|---------------|--------|-----------|------------------/|
10------------|---------------|-15-----|-8(5--10(5-|-----8------------/|
2nd ending
G7b9 C- F F#diminished G- C7b9
1-----------|---------------|--------------------------|----------10-------|
2-----------|-------3-------|--------------------------|-------------------|
3-------5---|-3~3(7----15(7-|-------15L~~~15------15L--|-10- 10------------|
4--8(7--5---|---------------|-15(7--15-------15--------|-----10----------13|
5--8(5--5(5-|-3-------------|-15(5--15(5-----15(5------|-10--10(5----13----|
6--8----5(6-|-3-------------|-15----15(6-----15(6------|-10--10(6----13(6--|
7--8--------|---------------|-15-------------15--------|-------------13----|
8-----------|-3-------------|--------------------------|-------------13----|
9-----------|---------------|--------------------------|-10----------------|
10----------|---------------|--------------------------|------10(5---------|
F- Bb7b9 Eb
1---------------------|------|
2---------------------|------|
3-------------8-------|--3---|
4--8(7-8-8(7----------|--3---|
5--8----------8--8(5--|--3---|
6--8----------8--8(6--|--3---|
7----------------8----|------|
8--8----------8-------|------|
9---------------------|------|
10---------------8(5--|--3---|
</pre></font>
I made numerous revisions, 8 pm EST, Thursday, as promised. Note corrections to bars 14, 15, 16, and bar three of 2nd ending. This is the key is is written in, and the one most commonly suggested at jams.
Obviously, you can't play the roots written on strings 8 9 and 10 with the chords. I put them in case you are playing alone and want to strike them right after the melody chords. Let me know how it works out.
-John <p ALIGN=CENTER><FONT SIZE=1 COLOR="#8e236b">[This message was edited by John Steele on 08-05-99]</FONT></P>
Tenderly - for C6 steel
EbM7 Ab7#11 Eb-9 Ab7b9
1-----------|---------------|----------------|------|---------------6-|
2-----------|---------------|----------------|------|-----------------|
3--------15-|------------15-|----------------|------|-----------------|
4-----15----|-15(7----15----|-15(7-----------|-6(7~~|~6(7--6~~~~6(7---|
5--15-------|-15---15-------|-15---15--------|-6~~~~|~6(5--6(5--------|
6-----------|-15------------|-15(6-15(6~15(6-|-6~~~~|~6(6--6(6--------|
7-----------|-15------------|-15---15--------|------|------6----------|
8-----------|---------------|------15--------|-6----|-----------------|
9-----------|---------------|-15-------------|------|-----------------|
10----------|-15------------|----------------|------|-6---------------|
{1st ending...........
F-9 Db9 Eb Fm7b5 Bb7 Fm7b5
1-------------|-------------|---|-----|-------8-|---------|--------8-|
2-------------|-------------|---|-----|---------|---------|----------|
3-----------8-|-------------|---|-----|---------|---------|----------|
4--8(7----8---|-8(7~~~~~----|---|-----|---------|-8(7-----|----------|
5--8----8-----|-8---8~~~----|-3-|-----|-----8---|-8-------|-----8~~~-|
6--8----------|-8(6-8(6~8(6-|-3-|-7(6~|~8(6-----|-8(6-7(6~|~8(6~~~~~-|
7-------------|-8---8-------|-3-|-----|-8-------|-8-------|-8~~~~~~~-|
8--8----------|-----8-------|---|-----|-8-------|---------|-8~~~~~~~-|
9-------------|-8-----------|---|-----|---------|---------|----------|
10------------|-------------|-3-|-----|---------|-8-------|----------|
......................................................................}
Bb7 G7b9 C- F13 Bb C7b9 F-9 Bb7
1-------------|---------------|--------|-----------|------------------/|
2-------------|--------3------|--------|-----------|------------------/|
3-------------|-3~3(7----15(7-|--------|-8(7--10---|-8(7-8(7-------15-/|
4-8(7~~~~~--8-|---------------|-15(7-8-|-8----10---|-----8------15----/|
5-8(5~~~~~----|-3-------------|-15(5---|-8(5--10(5-|-8---8(5-15-------/|
6-----8~8(6---|-3-------------|-15-----|-8----10(6-|-8---8------------/|
7-8~~~~~~~----|---------------|-15-----|-----------|------------------/|
8-------------|-3-------------|--------|-----------|-8----------------/|
9-------------|---------------|--------|-----------|------------------/|
10------------|---------------|-15-----|-8(5--10(5-|-----8------------/|
2nd ending
G7b9 C- F F#diminished G- C7b9
1-----------|---------------|--------------------------|----------10-------|
2-----------|-------3-------|--------------------------|-------------------|
3-------5---|-3~3(7----15(7-|-------15L~~~15------15L--|-10- 10------------|
4--8(7--5---|---------------|-15(7--15-------15--------|-----10----------13|
5--8(5--5(5-|-3-------------|-15(5--15(5-----15(5------|-10--10(5----13----|
6--8----5(6-|-3-------------|-15----15(6-----15(6------|-10--10(6----13(6--|
7--8--------|---------------|-15-------------15--------|-------------13----|
8-----------|-3-------------|--------------------------|-------------13----|
9-----------|---------------|--------------------------|-10----------------|
10----------|---------------|--------------------------|------10(5---------|
F- Bb7b9 Eb
1---------------------|------|
2---------------------|------|
3-------------8-------|--3---|
4--8(7-8-8(7----------|--3---|
5--8----------8--8(5--|--3---|
6--8----------8--8(6--|--3---|
7----------------8----|------|
8--8----------8-------|------|
9---------------------|------|
10---------------8(5--|--3---|
</pre></font>
I made numerous revisions, 8 pm EST, Thursday, as promised. Note corrections to bars 14, 15, 16, and bar three of 2nd ending. This is the key is is written in, and the one most commonly suggested at jams.
Obviously, you can't play the roots written on strings 8 9 and 10 with the chords. I put them in case you are playing alone and want to strike them right after the melody chords. Let me know how it works out.
-John <p ALIGN=CENTER><FONT SIZE=1 COLOR="#8e236b">[This message was edited by John Steele on 08-05-99]</FONT></P>
-
- Posts: 3188
- Joined: 4 Aug 1998 11:00 pm
- Location: Renfrew, Ontario, Canada
- Bud Harger
- Posts: 1360
- Joined: 4 Aug 1998 11:00 pm
- Location: Belton, Texas by way of Baton Rouge, Louisiana
John,
Thanks for posting this tab. I am really enjoying learning this old classic.
Question on Pedal technique:
What is the proper foot technique for playing C6th combinations of Pedals 6 & 7; Pedals 5 & 7; Pedals 5,6 & 7? Do you use your right foot on Pedal 7 in all three or just in the latter two combinations?
I 'always' use my right foot for Pedal 8, but sometimes trip over myself when the Pedal 7 combinations are present in rapid succession as in "Tenderly".
Thanks for your time.
Bud
Thanks for posting this tab. I am really enjoying learning this old classic.
Question on Pedal technique:
What is the proper foot technique for playing C6th combinations of Pedals 6 & 7; Pedals 5 & 7; Pedals 5,6 & 7? Do you use your right foot on Pedal 7 in all three or just in the latter two combinations?
I 'always' use my right foot for Pedal 8, but sometimes trip over myself when the Pedal 7 combinations are present in rapid succession as in "Tenderly".
Thanks for your time.
Bud
-
- Posts: 3188
- Joined: 4 Aug 1998 11:00 pm
- Location: Renfrew, Ontario, Canada
Hi Bud,
I'm glad you're enjoying the tab. It's a great old tune, isn't it?
I had to smile at your question, as I'm a greenhorn steeler. My forte is chord theory rather than steel technique, but I understand what you mean. I struggle with C6 "footsies" too. Lately I've resigned myself to the thought that you just can't play C6 with one foot, you simply have to get comfortable with taking your foot off the volume pedal. I've found it easiest (and safest) to take your foot off as a chord/note is being sounded rather than between chords. I'd be anxious to hear other's thoughts on this, as I'm not too experienced. What do you think?
Anyway, yes, I play 6 & 7 together with my left foot, but use 2 feet for the rest.
The chord that uses 5,6,&7 may be a little unusual,(the 7b9) but it sure sounds sweet to me with the root on top.
If anyone ever has some old tune like this that they would like tab posted for, fire away. I learn alot doing it when time affords. It's my pleasure and payback for all the kind help I've received from forumites.
-John
p.s. sorry for the double post. Gremlins. <p ALIGN=CENTER><FONT SIZE=1 COLOR="#8e236b">[This message was edited by John Steele on 08-11-99]</FONT></P>
I'm glad you're enjoying the tab. It's a great old tune, isn't it?
I had to smile at your question, as I'm a greenhorn steeler. My forte is chord theory rather than steel technique, but I understand what you mean. I struggle with C6 "footsies" too. Lately I've resigned myself to the thought that you just can't play C6 with one foot, you simply have to get comfortable with taking your foot off the volume pedal. I've found it easiest (and safest) to take your foot off as a chord/note is being sounded rather than between chords. I'd be anxious to hear other's thoughts on this, as I'm not too experienced. What do you think?
Anyway, yes, I play 6 & 7 together with my left foot, but use 2 feet for the rest.
The chord that uses 5,6,&7 may be a little unusual,(the 7b9) but it sure sounds sweet to me with the root on top.
If anyone ever has some old tune like this that they would like tab posted for, fire away. I learn alot doing it when time affords. It's my pleasure and payback for all the kind help I've received from forumites.
-John
p.s. sorry for the double post. Gremlins. <p ALIGN=CENTER><FONT SIZE=1 COLOR="#8e236b">[This message was edited by John Steele on 08-11-99]</FONT></P>
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- Posts: 3188
- Joined: 4 Aug 1998 11:00 pm
- Location: Renfrew, Ontario, Canada