Gene Parsons Doing Fender 400 and 800 Restorations
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- Lee Rider
- Posts: 760
- Joined: 20 Jan 2008 12:38 pm
- Location: Fort Bragg, California, USA
- Contact:
Gene Parsons Doing Fender 400 and 800 Restorations
Gene got his first Fender pedal steel from Leo Fender back in the late '60's and still has it. He has done many Fender cable guitar restorations over the years and is now offering that service to folks who are aficionados of this mechanical system for steel guitars. He manufactures/installs knee levers, services changers, polishes metal parts and adds pedals.
Contact Gene directly through his website stringbender.com if interested or contact me and I'll get the message to him.
Contact Gene directly through his website stringbender.com if interested or contact me and I'll get the message to him.
You do not have the required permissions to view the files attached to this post.
Bowman SD10 push pull 3x5, Modified Hudson PedalBro, Sarno Tonic preamp, Furlong split, Altec 418B in Standel Custom 15, '67 Showman with D-130F in cabinet, Ganz Straight Ahead, custom Wolfe 6 string dobro, '52 Gibson Century 6, Gallagher OM with acoustic StringBender, '67 Martin D-35s (#3).
- Jerry Overstreet
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- Dennis Montgomery
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Re: Gene Parsons Doing Fender 400 and 800 Restorations
As someone who played a 400 for many years and added my own knee levers, these look beautiful! Much nicer than my $50 worth of odds and ends from the Home Depot hardware aisle 

Hear my latest album, "Celestial" featuring a combination of Mullen SD12 and Synthesizers:
https://www.youtube.com/watch?v=mhh6b_x ... Ww493qAouK
Hear my album, "Armistice" featuring Fender 400 on every song:
https://www.youtube.com/playlist?list=P ... 7lPEtsplyW
Hear my Pedal Steel Only playlist featuring Mullen G2 SD12 on covers like Candyman, Wild Horses, Across the Universe & more...
https://www.youtube.com/playlist?list=P ... NrvnJObliA
https://www.youtube.com/watch?v=mhh6b_x ... Ww493qAouK
Hear my album, "Armistice" featuring Fender 400 on every song:
https://www.youtube.com/playlist?list=P ... 7lPEtsplyW
Hear my Pedal Steel Only playlist featuring Mullen G2 SD12 on covers like Candyman, Wild Horses, Across the Universe & more...
https://www.youtube.com/playlist?list=P ... NrvnJObliA
- Chris Templeton
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- Location: The Green Mountain State
Re: Gene Parsons Doing Fender 400 and 800 Restorations
My favorite Fender player, Sneaky Pete Kleinow: https://www.youtube.com/watch?v=SMeFHAaZ_gE
Excel 3/4 Pedal With An 8 String Hawaiian Neck, Sierra Tapper (10 string with a raised fretboard to fret with fingers), Single neck Fessenden 3/5
"The Tapper" : https://christophertempleton.bandcamp.c ... the-tapper
Soundcloud Playlist: https://soundcloud.com/bluespruce8:
"The Tapper" : https://christophertempleton.bandcamp.c ... the-tapper
Soundcloud Playlist: https://soundcloud.com/bluespruce8:
- William Seeders Mosheim
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Re: Gene Parsons Doing Fender 400 and 800 Restorations
So cool! I have a Fender Tele with a B-Bender Gene installed. His work is incredible. Such a sweet guy as well.
- Lee Rider
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- Location: Fort Bragg, California, USA
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Re: Gene Parsons Doing Fender 400 and 800 Restorations
Gene was in the Burritos with Pete and played with him for quite a few years. I hear a lot of Pete in Gene's pedal steel playing. There are some recordings with both Gene and Pete playing their Fender pedal steels (Gene plays an 800).Chris Templeton wrote: 13 Mar 2025 9:58 pm My favorite Fender player, Sneaky Pete Kleinow: https://www.youtube.com/watch?v=SMeFHAaZ_gE
Bowman SD10 push pull 3x5, Modified Hudson PedalBro, Sarno Tonic preamp, Furlong split, Altec 418B in Standel Custom 15, '67 Showman with D-130F in cabinet, Ganz Straight Ahead, custom Wolfe 6 string dobro, '52 Gibson Century 6, Gallagher OM with acoustic StringBender, '67 Martin D-35s (#3).
- Chris Templeton
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- Location: The Green Mountain State
Re: Gene Parsons Doing Fender 400 and 800 Restorations
I had two Fender 400's, one with pedals and knees and the other I had used for parts and was a non-pedal, with a C6th on it.. Since it only had legs, I tried putting it on top of the other and sat for pedal steel and stood up for lap steel.
Lee - Thank Gene for turning me on to his lawyer, Larry Johnson Esq., via Stephen Barncard. He got me my design patent for a concave neck for stringed instruments: https://patents.google.com/patent/USD98 ... oq=D980899 .
I think it would be a great for double bass and smaller hands. For classical guitar, it puts the thumb directly behind the neck, where it's supposed to be.
Many guitarist fretting hand thumb rides up the side of the neck and even on to the fretboard. A concave neck doesn't interfere with this technique.
Buddy had me shop back 2 guitars back to Sierra when he went back to a keyed guitar. He said the reason was because people were used to seeing a keyed guitar, though I suspect it was because it was a pain to change strings.
Ned Steinberger designed the second compensated bridge and the raised fretboard for my Tapper and he said how difficult it was to change public opinion about guitar designs. His double ball end strings to quickly change strings is genius, but it didn't revolutionize the whole guitar industry.
I attached pics of my classical and electric prototypes. Not the drill holes to check for the truss rod depth.
Lee - Thank Gene for turning me on to his lawyer, Larry Johnson Esq., via Stephen Barncard. He got me my design patent for a concave neck for stringed instruments: https://patents.google.com/patent/USD98 ... oq=D980899 .
I think it would be a great for double bass and smaller hands. For classical guitar, it puts the thumb directly behind the neck, where it's supposed to be.
Many guitarist fretting hand thumb rides up the side of the neck and even on to the fretboard. A concave neck doesn't interfere with this technique.
Buddy had me shop back 2 guitars back to Sierra when he went back to a keyed guitar. He said the reason was because people were used to seeing a keyed guitar, though I suspect it was because it was a pain to change strings.
Ned Steinberger designed the second compensated bridge and the raised fretboard for my Tapper and he said how difficult it was to change public opinion about guitar designs. His double ball end strings to quickly change strings is genius, but it didn't revolutionize the whole guitar industry.
I attached pics of my classical and electric prototypes. Not the drill holes to check for the truss rod depth.
You do not have the required permissions to view the files attached to this post.
Excel 3/4 Pedal With An 8 String Hawaiian Neck, Sierra Tapper (10 string with a raised fretboard to fret with fingers), Single neck Fessenden 3/5
"The Tapper" : https://christophertempleton.bandcamp.c ... the-tapper
Soundcloud Playlist: https://soundcloud.com/bluespruce8:
"The Tapper" : https://christophertempleton.bandcamp.c ... the-tapper
Soundcloud Playlist: https://soundcloud.com/bluespruce8:
- Lee Rider
- Posts: 760
- Joined: 20 Jan 2008 12:38 pm
- Location: Fort Bragg, California, USA
- Contact:
Re: Gene Parsons Doing Fender 400 and 800 Restorations
ttt
Bowman SD10 push pull 3x5, Modified Hudson PedalBro, Sarno Tonic preamp, Furlong split, Altec 418B in Standel Custom 15, '67 Showman with D-130F in cabinet, Ganz Straight Ahead, custom Wolfe 6 string dobro, '52 Gibson Century 6, Gallagher OM with acoustic StringBender, '67 Martin D-35s (#3).
- Lee Rider
- Posts: 760
- Joined: 20 Jan 2008 12:38 pm
- Location: Fort Bragg, California, USA
- Contact:
Re: Gene Parsons Doing Fender 400 and 800 Restorations
ttt
Bowman SD10 push pull 3x5, Modified Hudson PedalBro, Sarno Tonic preamp, Furlong split, Altec 418B in Standel Custom 15, '67 Showman with D-130F in cabinet, Ganz Straight Ahead, custom Wolfe 6 string dobro, '52 Gibson Century 6, Gallagher OM with acoustic StringBender, '67 Martin D-35s (#3).
- Lee Rider
- Posts: 760
- Joined: 20 Jan 2008 12:38 pm
- Location: Fort Bragg, California, USA
- Contact:
Re: Gene Parsons Doing Fender 400 and 800 Restorations
T-T-T
Bowman SD10 push pull 3x5, Modified Hudson PedalBro, Sarno Tonic preamp, Furlong split, Altec 418B in Standel Custom 15, '67 Showman with D-130F in cabinet, Ganz Straight Ahead, custom Wolfe 6 string dobro, '52 Gibson Century 6, Gallagher OM with acoustic StringBender, '67 Martin D-35s (#3).