Rickenbacker D8
Moderator: Brad Bechtel
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- Location: Leicester, England.
Rickenbacker D8
I am not a lap steel player but a friend of mine brought this Rickenbacker to me to set up for him, one neck is set up for C6 but have no idea what the other neck should be set to. It comes in the original case plus a stand. Also he would like to get an idea of it's value. Any help would be very much appreciated. Thanks Dave.
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- Posts: 702
- Joined: 23 Jan 2001 1:01 am
- Location: Leicester, England.
Re: Rickenbacker D8
Considering the amount of looks on this I am amazed that no one has made made a reply. surely someone in the States knows something about this instrument. Is it worth anything or not. Well thank you for your interest Dave.
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Re: Rickenbacker D8
$1000 to $1400 , C6 and E13 . That's a starting point for discussion at least .
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Re: Rickenbacker D8
Thankyou Mr Fletcher I thought it must be worth something. I am in the UK so in this country it is not worth a lot as there are very few lap steel players and those that we do have are more interested in Fender. Anyway Thanks again. Dave.
- Tim Whitlock
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Re: Rickenbacker D8
I have the D6 version of your lap steel. I have C6 and Leon's E13 on mine, for old country styles and western swing. A lot depends on what type of music you want to play.
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Re: Rickenbacker D8
Thankyou Tim, would you give the same valuation for the guitar I have?
- Ken Pippus
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Re: Rickenbacker D8
That value sounds about right. Though it’s a small market of shoppers, scarcity over there likely increases the price a bit.
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Re: Rickenbacker D8
I agree - C6 and E13 will go a long ways.J Fletcher wrote: 18 Apr 2025 8:13 am $1000 to $1400 , C6 and E13 . That's a starting point for discussion at least .
- Tim Whitlock
- Posts: 1963
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- Location: Colorado, USA
Re: Rickenbacker D8
I agree with the others $1000 - $1400. The stand is quite rare and will move it towards the upper end of that range, if it's included.Dave Seddon wrote: 18 Apr 2025 9:30 am Thankyou Tim, would you give the same valuation for the guitar I have?
- Michael Kiese
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Re: Rickenbacker D8
https://reverb.com/item/77189527-ricken ... t=77189527
There is a D8 being listed for $870 out of Bakersfield, California right now. The listing is 7 months old and no one is biting.
From what I understand, the D8 Rickenbacher’s are notorious for being the least liked horseshoe Ricks.
That said, you can make any steel a player if you put the right gauge strings on it for your tuning and scale length, and pair it with a properly matched volume pot.
If you want to play Western Swing, C6 and E13 (Noel’s or Leon’s) is common.
I highly recommend C6 and A6. It’s a highly giggable setup. The majority of Hawaiian and Western Swing stuff lives on a major 6 tuning. C6 and A6 combined will cover all the common keys of songs and place them in comfortable positions.
A6 is also easily converted to B11, if you want to learn a few one-off songs in that tuning.
I learned a few songs on Noel Boggs’s E13, and found that I really don’t use it much for my gigs. I play Hawaiian music, pop, and jazz, so I live on the major 6 tunings.
B11 and E13 are more like specialty “strum” tunings where you strum a whole chord with the melody on top. I prefer B11 more than E13, it’s a bit more lush sounding.
There are no solutions, only trade offs. Experiment and find what you like. Most important is to have fun and enjoy!
There is a D8 being listed for $870 out of Bakersfield, California right now. The listing is 7 months old and no one is biting.
From what I understand, the D8 Rickenbacher’s are notorious for being the least liked horseshoe Ricks.
That said, you can make any steel a player if you put the right gauge strings on it for your tuning and scale length, and pair it with a properly matched volume pot.
If you want to play Western Swing, C6 and E13 (Noel’s or Leon’s) is common.
I highly recommend C6 and A6. It’s a highly giggable setup. The majority of Hawaiian and Western Swing stuff lives on a major 6 tuning. C6 and A6 combined will cover all the common keys of songs and place them in comfortable positions.
A6 is also easily converted to B11, if you want to learn a few one-off songs in that tuning.
I learned a few songs on Noel Boggs’s E13, and found that I really don’t use it much for my gigs. I play Hawaiian music, pop, and jazz, so I live on the major 6 tunings.
B11 and E13 are more like specialty “strum” tunings where you strum a whole chord with the melody on top. I prefer B11 more than E13, it’s a bit more lush sounding.
There are no solutions, only trade offs. Experiment and find what you like. Most important is to have fun and enjoy!
Aloha,
Mike K

Rickenbacher ACE (my #1), Rickenbacher A25 Frypan, Rickenbacher Bakelite (Post War), 7 string Rickenbacher Bakelite (Pre War), 6 string 1937 Epiphone Electar, 7 string 1937 Epiphone Electar, 8 string Jan Van der Donck Frypan, 1955 Q8 Fender Stringmaster, 1950 Supro w/ Valco pup, 1961 Supro w/ Valco pup, 1957 National New Yorker.
Mike K
Rickenbacher ACE (my #1), Rickenbacher A25 Frypan, Rickenbacher Bakelite (Post War), 7 string Rickenbacher Bakelite (Pre War), 6 string 1937 Epiphone Electar, 7 string 1937 Epiphone Electar, 8 string Jan Van der Donck Frypan, 1955 Q8 Fender Stringmaster, 1950 Supro w/ Valco pup, 1961 Supro w/ Valco pup, 1957 National New Yorker.