Steel Guitar Magic Hawaiian Style

Lap steels, resonators, multi-neck consoles and acoustic steel guitars

Moderator: Brad Bechtel

Post Reply
User avatar
Peter Krebs
Posts: 136
Joined: 23 Nov 2018 11:09 pm
Location: Portland, Oregon, USA
Contact:

Steel Guitar Magic Hawaiian Style

Post by Peter Krebs »

Picked up this CD recently which features Billy Hew Len and Barney Isaacs, Jr on steel(s). The rest of the band are all heavy-hitters. Great record, if you’ve never heard it. It sounds to me like both Barney and Billy are playing on each track and it’s cool to hear how they back each other up, trade/share fills and melodies, etc. Can someone help me identify which steel is Barney and which is Billy? The liner notes are pretty slim. Thanks!
Traps and Horseshoes! Horseshoes and traps!
User avatar
David Venzke
Posts: 1463
Joined: 24 Jul 2006 12:01 am
Location: SE Michigan, USA

Post by David Venzke »

User avatar
Peter Krebs
Posts: 136
Joined: 23 Nov 2018 11:09 pm
Location: Portland, Oregon, USA
Contact:

Post by Peter Krebs »

This is perfect. Thanks for reposting the thread!
Traps and Horseshoes! Horseshoes and traps!
User avatar
Nic Neufeld
Posts: 1400
Joined: 25 Sep 2017 8:10 am
Location: Kansas City, Missouri

Post by Nic Neufeld »

It was a nice reminder of when I was brand new to the forum and to this music :). And a great treat to hear from Jeff Au Hoy, who I later got to chat with in HNL.

What I'd really love to know, but I'm not sure anyone still living could say, is how he had his A6 copedent set up on his Fender 400!
Waikīkī, at night when the shadows are falling
I hear the rolling surf calling
Calling and calling to me
User avatar
David M Brown
Posts: 955
Joined: 15 Nov 2016 7:47 am
Location: California, USA
Contact:

Post by David M Brown »

Nic Neufeld wrote: What I'd really love to know, but I'm not sure anyone still living could say, is how he had his A6 copedent set up on his Fender 400!
Me too.

I also noticed that many of the pictures and rare videos of Billy show him playing non-pedal steels.
Roger Fletcher
Posts: 86
Joined: 15 Jul 2013 7:37 am
Location: United Kingdom

Post by Roger Fletcher »

I had the huge pleasure of sitting right in front of Billy for around 3 hours one evening in the Blue Dolphin room back in 1976. He was playing the Fender 400 standing and rarely used the pedals in those 3 hours.

He later played a Frypan in A6. Interestingly, Herb Remington and Tom Morrell also moved from pedal steel to non-pedal. I'm sure aging was a factor, but probably also an increasing awareness of how much they could do without pedals. When asked if he could do everything on his 10 string non-pedal, Tom Morrell answered "I can do enough".
User avatar
Nic Neufeld
Posts: 1400
Joined: 25 Sep 2017 8:10 am
Location: Kansas City, Missouri

Post by Nic Neufeld »

These old timers were gigging and probably a combination of...I won't call it laziness, but a certain desire for physical efficiency, with a "you know what, this is good enough". I've even found myself doing the same where I realize I can play songs I previously needed a different tuning for in my main tuning so that I don't have to haul a doubleneck around.

And a 400 is no joke to haul around (and set up, tear down) compared to a lap steel.
Waikīkī, at night when the shadows are falling
I hear the rolling surf calling
Calling and calling to me
User avatar
Nic Neufeld
Posts: 1400
Joined: 25 Sep 2017 8:10 am
Location: Kansas City, Missouri

Post by Nic Neufeld »

These were a couple ideas I thought about tinkering with.
Image
Waikīkī, at night when the shadows are falling
I hear the rolling surf calling
Calling and calling to me
User avatar
Joe A. Roberts
Posts: 436
Joined: 24 Mar 2021 6:23 pm
Location: Seoul, South Korea

Post by Joe A. Roberts »

The interesting thing about Tom Morrell is he at one point had one of the most complicated copedents I've ever seen, especially for the time. (12 strings and 4 knees!)
Certainly the largest range, with Eb presumably below the E string of a bass, to high Bb.
Interesting that he decided to ditch the pedals later on. I guess he'd been there, done that!

Image

And Vance Terry too; one of the greatest non-pedal players ever and he had perhaps THE most complicated copedent ever with stacked pedals and all.

It is a shame that Jules Ah See died before the world really got to see what he could do with pedals...

Is this Billy Hew Len on pedal steel? Awesome musicians all around...
Lena Machado - Ho'onanea (1962):
https://www.youtube.com/watch?v=nH9hlmI7H0M


Thanks for sharing your copedent Nic some cool ideas there.
Nic Neufeld wrote: I've even found myself doing the same where I realize I can play songs I previously needed a different tuning for in my main tuning so that I don't have to haul a doubleneck around.
I know that feel for sure. Like the realization hits: wait a second, why is this tune I spent so much time working out on x specialty tuning working out so well if not better on C13th?! :whoa: :lol:
User avatar
Nic Neufeld
Posts: 1400
Joined: 25 Sep 2017 8:10 am
Location: Kansas City, Missouri

Post by Nic Neufeld »

Joe A. Roberts wrote: Is this Billy Hew Len on pedal steel? Awesome musicians all around...
Lena Machado - Ho'onanea (1962):
https://www.youtube.com/watch?v=nH9hlmI7H0M
From the liner notes it is indeed BHL:
HO'ONANEA, 1962
Benny Saks worked his magic in this arrangement of Ho'onanea weaving his plaintive piano work within the velvet touch of steel guitarist Billy Hew Len. Lena holds her trademark high notes for all eternity on this second taste of her classic Hawaiian ode to love.
I didn't hear any too obvious pedal "tells"...until his pa'ani, specifically that run at 2:33, that sounded a bit like stuff I've heard Basil Henriques do. Pretty sweet.
Waikīkī, at night when the shadows are falling
I hear the rolling surf calling
Calling and calling to me
Post Reply