Who uses a 12 on 3rd string?
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Bowie Martin
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Who uses a 12 on 3rd string?
Seems like someone suggested using a 12 on the third string. Many/any of you guys do it?
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Roger Crawford
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I’ve used a 12 for a long time. Not due to breaking an 11 (my Mullen hasn’t broken a string since I’ve owned it), but rather the tonal balance is better to my ear with the 12. The gauge difference required an adjustment with the nylon tuners, but nothing had to be moved on a bell crank or moving a rod in the changer hole. Try it for yourself and see if you like it.
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Craig A Davidson
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Dale Rottacker
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For lots of years now ... wish I'd done it sooner cause it was a fortuitous change
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Richard Sinkler
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For probably the last 10 years. Never broken one.
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Playing for 55 years and still counting.
Playing for 55 years and still counting.
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Ricky Davis
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I do; for over 20 years at least.

.013p
.015p
.012p
.014p
.018p
.022w
.026w
.030w
.034w
.038w
Ricky

.013p
.015p
.012p
.014p
.018p
.022w
.026w
.030w
.034w
.038w
Ricky
Last edited by Ricky Davis on 23 Jun 2024 5:26 am, edited 1 time in total.
Ricky Davis
Email Ricky: sshawaiian2362@gmail.com
Email Ricky: sshawaiian2362@gmail.com
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Jerry Overstreet
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Yep, been using a 12 since the 80s on all my guitars except a couple of Sierra 25 keyless. I like a 12 on them, but it's a real hassle to get them up to pitch on a keyless. I even got a longer screw and worked on the lever for more travel on the string, but it was still a chore. So I generally just conceded to use 11s on them. I also had Lamar and Williams keyless guitars...different design keyheads so not as fussy....but if they gave me trouble, I would just use 11s.
I like the more compatible sound of the 12 with the other strings but I don't go berserk if I run out of them and have to use an 11.
I like the more compatible sound of the 12 with the other strings but I don't go berserk if I run out of them and have to use an 11.
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Larry Allen
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12
I switched to.012s on my old Sho-Buds and Excels to balance the volume in the 80’s. Also feels the same as the others.. 
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Michael Sawyer
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Donny Hinson
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I went to a .012 about 20-25 years ago. Not because of a breakage problem, but just to get a better, fuller sound. I started to notice, especially on my studio work, that the 3rd was weaker, thin sounding. And while I could correct the problem with technique on slower stuff, i wasn't skilled enough to pull that off on faster songs.
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Chuck Lemasters
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Roger Rettig
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First, I stepped up to an '0115" then, finally, to an .012". Same as others here - not because of breakage but for a fatter tone.
I made the change maybe fifteen years ago.
The lesson I learned with the E9th 3rd, I carried over to my Telecasters; now, I retain fairly light wound strings but have stepped up the gauges on strings 1,2 and 3. Altogether, a much better response from my guitars.
I made the change maybe fifteen years ago.
The lesson I learned with the E9th 3rd, I carried over to my Telecasters; now, I retain fairly light wound strings but have stepped up the gauges on strings 1,2 and 3. Altogether, a much better response from my guitars.
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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Jerry Overstreet
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Re: 12
So Larry, are you Excels keyed or keyless? Long or short scale? Any issues with a 12 ga. if they are keyless?Larry Allen wrote:I switched to.012s on my old Sho-Buds and Excels to balance the volume in the 80’s. Also feels the same as the others..
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Larry Allen
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.012
Aloha Jerry. All Excels (4) are keyless 1 short and 3 long scales..I had a Sho-bud I got from a Cajun who converted it to Keyless..Palenscar sold it for me years ago.. no issues , only the Live steel strings broke. Several .012s. The ‘unnamed’ seller was a real ass—-. Told me I didn’t know how to change them!!! Went to NYXL then.. none break! Easy to get the gauges I use for Ext E9 S10s.. 
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Darvin Willhoite
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I use a .012 on my Push/Pulls, .011 on everything else.
Darvin Willhoite
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, a restored MSA Classic SS, several amps, new and old, and a Kemper Powerhead that I am really liking. Also a Zum D10, a Mullen RP, and a restored Rose S10, named the "Blue Bird". Also, I have acquired and restored the plexiglass D10 MSA Classic that was built as a demo in the early '70s. I also have a '74 lacquer P/P, with wood necks, and a showroom condition Sho-Bud Super Pro.
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, a restored MSA Classic SS, several amps, new and old, and a Kemper Powerhead that I am really liking. Also a Zum D10, a Mullen RP, and a restored Rose S10, named the "Blue Bird". Also, I have acquired and restored the plexiglass D10 MSA Classic that was built as a demo in the early '70s. I also have a '74 lacquer P/P, with wood necks, and a showroom condition Sho-Bud Super Pro.
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I always have!
When you grab 3 & 5 it just feels better
WC
When you grab 3 & 5 it just feels better
WC
World Class Songwriter
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1980 Sho-Bud Pro II & 1977 Sho-Bud Pro l
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First owner of Steelseat.com
1980 Sho-Bud Pro II & 1977 Sho-Bud Pro l
Lawrence 610 Pickups
1979 Peavey LTD
1980 Peavey Nashville 400
Goodrich L-120
Toured with Tim McGraw, Alan Jackson, Ty England, Marty Haggard, Whitey Morgan, BB Watson, Opryland USA's Country Music USA Show, Jeff Carson, Dale Watson, Leroy Van Dyke, Lucky Tubb & more
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Tommy Auldridge
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.012 third string
Always have.. And a .036 on the 9th. string. Thanks, Tommy.....