Don Helms’ E6 tuning
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- Peter Krebs
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Don Helms’ E6 tuning
OK. I’m baffled. Everything in this tuning makes sense to me except the A in the bass;
(Hi to Lo: G# E C# B G# E C# A). Why the A in the bass? To have a maj 7th chord (or a m6 chord) on the lower four strings? Please enlighten me! Thanks! PK
(Hi to Lo: G# E C# B G# E C# A). Why the A in the bass? To have a maj 7th chord (or a m6 chord) on the lower four strings? Please enlighten me! Thanks! PK
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Hey Peter. I don't have the specific answer to your question but check out the thread below yours on "E13 instructional resources". I have been exploring E13 and in the process discovered that I had a Mel Bay book on Don Helms' music which I had purchased from the SGF store, and I confirmed that it is still available there. It's a bit confusing to me because the title says "E13 non-pedal" but quickly goes on to explain that the tuning you describe is actually E6, and that's the tuning Don used for all of the Hank music. I am sure that we will see more knowledgeable answers to the question here, so I look forward to that.
- Joe A. Roberts
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Have you tried playing the tuning? I agree that it seems strange on paper, having what appears to be a fourth down there.
As you hinted in your post, that A in the bass can be the root of an A major 7th or 9th chord, or the third of a rootless F#min9th or even min11th chord.
So when actually playing it, the tuning has a readily obvious, beautiful sound.
If we put the C6th pedal steel tuning in E instead of C, we get, hi-to-lo:
f# G# E C# B G# E C# A E
There's the Don Helms tuning right in the middle 8 strings!
People also use the same middle 8 of pedal C6th on non-pedal pitched in C:
E C A G E C A F
Here's an example from Mike Neer playing the intro to Night Life:
https://www.youtube.com/watch?v=aUU1vlz7CV4
Late forum poster Al Marcus used a similar E6th-based tuning in the late 30s and 40s for popular standards, hi-to-lo:
E C# B G# E C# A F# (so foregoing the high G# on top for a low F# instead, snazzy. Can also be easily tuned to the low E root).
I don't think Don Helms used the low A back in the 50s, or maybe I haven't heard an example. He probably added it later, and even then I'm not sure he used it much.
I agree that this family of tunings don't give a "true" E13th sound, but they really do have a unique, lush sound.
I love that major 9th sound these tunings have, I don't use any of them regularly, but I do often retune my B11th D# string down to D to get a straight D major 9th on the top 5 strings:
E C# A F# D C# A B
As you hinted in your post, that A in the bass can be the root of an A major 7th or 9th chord, or the third of a rootless F#min9th or even min11th chord.
So when actually playing it, the tuning has a readily obvious, beautiful sound.
If we put the C6th pedal steel tuning in E instead of C, we get, hi-to-lo:
f# G# E C# B G# E C# A E
There's the Don Helms tuning right in the middle 8 strings!
People also use the same middle 8 of pedal C6th on non-pedal pitched in C:
E C A G E C A F
Here's an example from Mike Neer playing the intro to Night Life:
https://www.youtube.com/watch?v=aUU1vlz7CV4

Late forum poster Al Marcus used a similar E6th-based tuning in the late 30s and 40s for popular standards, hi-to-lo:
E C# B G# E C# A F# (so foregoing the high G# on top for a low F# instead, snazzy. Can also be easily tuned to the low E root).
I don't think Don Helms used the low A back in the 50s, or maybe I haven't heard an example. He probably added it later, and even then I'm not sure he used it much.
I agree that this family of tunings don't give a "true" E13th sound, but they really do have a unique, lush sound.
I love that major 9th sound these tunings have, I don't use any of them regularly, but I do often retune my B11th D# string down to D to get a straight D major 9th on the top 5 strings:
E C# A F# D C# A B
- Allan Revich
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- K Maul
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The bottom three strings are a regular A chord which goes well with the B11 tuning Don had on the back neck. It's the same tuning as the very standard C6 with F in the bass string but up 4 half steps to E.
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Modified C6
I think these Helms intervals would make a very useful C6 modification too.
F A C E G A C E
I imagine that some among you have already tried it or are currently using it?
EDIT:
I see that Andy Volk had posted this tuning before, and that it is the same as the bottom eight strings of a 10 string C6 pedal steel tuning.
F A C E G A C E
I imagine that some among you have already tried it or are currently using it?
EDIT:
I see that Andy Volk had posted this tuning before, and that it is the same as the bottom eight strings of a 10 string C6 pedal steel tuning.
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I was watching the old clips of Don Helms with Hank Sr. and noticed that there were bar slants not shown in the book. I suspect the book was written after Don recovered from his stroke.
Both the Don Helms and Little Roy Wiggins books are good places to begin steel guitar. Though, I would recommend just going with the C6 version of the tuning and playing 4 frets higher.
Both the Don Helms and Little Roy Wiggins books are good places to begin steel guitar. Though, I would recommend just going with the C6 version of the tuning and playing 4 frets higher.
- Bill McCloskey
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