Le Grande Serial numbers ?
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George Webb
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Tony Glassman
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I have an LL2: s/n 7xx that has the thicker machined14-hole bell-cranksBobby Boggs wrote:John in the 800's and 900's I've seen both 4 and 14 hole bellcranks as we know them today. Hal Rugg got the first 14 hole crank guitar. serial # 6xx. I have the 2nd. Serial# 6xx and Jeff Peterson has a 6xx or 7xx with 14 hole cranks. Both Hals, mine and likely Jeff Peterson have the thicker machined 14 hole bellcranks. Mine was delivered in late Oct 1990. But was held up because Ron wanted to go with the 14 hole cranks due to the amount of 1/2 tone stops I had and I load my pedals and knee's heaver than most. Especially for that time period. Otherwise mine would have arrived earlier with 4 hole bellcranks.
Edited to say I'm sure their were a few more machined 14 hole bellcrank guitars than the above mentioned. But I have no idea how many. Also I seem to remember seeing several Lashley Legrande guitars with the counterforce that were branded Lashley Legrandes. This was in the very early days of the counterforce. And they may have even been Labeled LII's. Again, this was a long time ago.

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Tim Carr
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Emmons / Lashley LeGrande purchased circa 1992 stamped 859L. Grey Burl mica with 14 hole bell cranks. Three knees were added to the C6 by Jim Palenscar around 2015 and now it sits as an 8+8.


Last edited by Tim Carr on 31 Oct 2021 7:32 pm, edited 7 times in total.
Emmons LL D-10 8x8
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Emmons VP, MatchBox 7A
NV-112 w/Fox mod, PF-350
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Roger Rettig
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Tony G.:
Interesting to see those heavier-gauged bell-cranks! I had completely forgotten this but, several years ago I found that, on my E-Eb lower (LKL in my case), the bell-crank was breaking at the weld (close to the cross-shaft). It would fracture at first and then, under strain, the crack would open up and 'let go'. It was a pain-in-the-neck because it always happened when I was busy, usually wnen I was away 'on the road', and would require me robbing my C6 neck of a bell-crank so I could soldier on.
Passing through Nashville on the way to my FL home, somebody suggested these heavier bell-cranks. I'm not sure who - maybe Bobbe Seymour but it's more likely to have been Dave Robbins at that particular time. If memory serves me right, they were an after-market part and were of a much higher quality than the standard BCs that came as standard om the guitars. I believe that they're cast in one piece and not welded. Whoever did the 'mod' for me had worked out a kind of linked double-bell-crank arrangement - I can't illustrate it here because my steel is currently in transit from the UK - that removed all tension from the function.
I haven't had any trouble with it since and, as I said, I'd quite forgotten it until I saw the photo above.
Interesting to see those heavier-gauged bell-cranks! I had completely forgotten this but, several years ago I found that, on my E-Eb lower (LKL in my case), the bell-crank was breaking at the weld (close to the cross-shaft). It would fracture at first and then, under strain, the crack would open up and 'let go'. It was a pain-in-the-neck because it always happened when I was busy, usually wnen I was away 'on the road', and would require me robbing my C6 neck of a bell-crank so I could soldier on.
Passing through Nashville on the way to my FL home, somebody suggested these heavier bell-cranks. I'm not sure who - maybe Bobbe Seymour but it's more likely to have been Dave Robbins at that particular time. If memory serves me right, they were an after-market part and were of a much higher quality than the standard BCs that came as standard om the guitars. I believe that they're cast in one piece and not welded. Whoever did the 'mod' for me had worked out a kind of linked double-bell-crank arrangement - I can't illustrate it here because my steel is currently in transit from the UK - that removed all tension from the function.
I haven't had any trouble with it since and, as I said, I'd quite forgotten it until I saw the photo above.
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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Artur Nutz
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Adair Torres
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Roger Rettig
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Adair:
What colour is it? If it's black (or, maybe, rosewood), then the preassembled bodies-and-end-plates would have sold faster in those finishes.
Based on my (August, 1998) SD-10 being 1886L, I'd guess 1995 at the earliest, maybe '96.
Hard to tell with Artur's Cayman Green one: a nice finish, but not a best selling one. His '1600' might not have left Burlington until later - '97/'98? But that's a guess and impossible to quantify.
(I reached out to JoAnne Aycoth recently - Jim's widow - simply to stay it touch; they were such good people. I haven't heard back yet. She would know about late-'90s LeGrande shipments.)
What colour is it? If it's black (or, maybe, rosewood), then the preassembled bodies-and-end-plates would have sold faster in those finishes.
Based on my (August, 1998) SD-10 being 1886L, I'd guess 1995 at the earliest, maybe '96.
Hard to tell with Artur's Cayman Green one: a nice finish, but not a best selling one. His '1600' might not have left Burlington until later - '97/'98? But that's a guess and impossible to quantify.
(I reached out to JoAnne Aycoth recently - Jim's widow - simply to stay it touch; they were such good people. I haven't heard back yet. She would know about late-'90s LeGrande shipments.)
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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Adair Torres
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Roger Rettig
Hello....
Mine is Black, I bought it in 1994.
SD10 LLG II
Mine is Black, I bought it in 1994.
SD10 LLG II
Adair Torres - Boss at TowerS Steel Guitars
__________________
Zum D10 8X7 Wineberry 2010.
Emmons SD10 3X8 Black 1994.
Derby D10 8X8 Rosewood 2008.
TowerS SD10 3X5 Imbuia Mica Finish 2018
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Zum D10 8X7 Wineberry 2010.
Emmons SD10 3X8 Black 1994.
Derby D10 8X8 Rosewood 2008.
TowerS SD10 3X5 Imbuia Mica Finish 2018
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Roger Rettig
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As black would sell fast, that makes their output only around 200 guitars over four years.
Doesn't sound like quite enough to sustain a business. Of course, the Aycoths took over in '98 and perhaps things were in disarray at that point. Ron Sr 's health was failing and there was considerable debt.
It must have taken some unraveling.
Doesn't sound like quite enough to sustain a business. Of course, the Aycoths took over in '98 and perhaps things were in disarray at that point. Ron Sr 's health was failing and there was considerable debt.
It must have taken some unraveling.
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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Harold Power
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I have a Lashley Legrande S/n 539L. According to an email, which I got from Rebecca Lashley back in April 2007 saying it was built 5-24-1988 with 8 pedals and 8 knees. Single coil pickups,Schaller keys,and 11 compensators. The finish is DGRAY. It has 4 hole bell cranks. Due to extreme deafness, I have not played this guitar in the past 6 years. The guitar is in excellent condition and has beautiful tone.H.P.
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scott murray
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Larry Hopkins
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LE GRANDE lll
I have a white LEGRANDE lll ,serial no. 2180L,sd-10
Larry
Larry
Last edited by Larry Hopkins on 14 Dec 2023 12:21 pm, edited 2 times in total.
,peavey renown 115,Vegas 400, Peavey envoy, peavy bandit 65 head,baby bloomer
2 -Nashville 400, Emmons SD-10 legrande lll ,Emmons Black Rock ,sho-bud pac a seat,,Jackson Madison 63;
2 -Nashville 400, Emmons SD-10 legrande lll ,Emmons Black Rock ,sho-bud pac a seat,,Jackson Madison 63;
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Roger Rettig
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Larry Hopkins
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Roger Rettig
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Scott's is most definitely a double-neck; I think he has 10+12!!!
Double-necks or SD-10s, it makes no difference to the run of the numbers. My '98 Sapphire Blue SD-10 (1886L) had the end-plate cut out for a D-10. Quite a few had that. It confirms that, in some cases, the actual configuration could be either, depending on what was next on the build-list; a completed body with end-plates (with two cut-outs) could become an SD-10 or a D-10.
Double-necks or SD-10s, it makes no difference to the run of the numbers. My '98 Sapphire Blue SD-10 (1886L) had the end-plate cut out for a D-10. Quite a few had that. It confirms that, in some cases, the actual configuration could be either, depending on what was next on the build-list; a completed body with end-plates (with two cut-outs) could become an SD-10 or a D-10.
Last edited by Roger Rettig on 14 Dec 2023 1:08 pm, edited 1 time in total.
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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scott murray
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Larry Hopkins
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Roger Rettig
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Skh
Just to add to the general info.....
I have a black D10 Short Key-Head with 8+4.
343L
Original bill of sale dated 6/30/86.
And of course my LG3 #2085L (10/2000).
I have a black D10 Short Key-Head with 8+4.
343L
Original bill of sale dated 6/30/86.
And of course my LG3 #2085L (10/2000).
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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Ron Pruter
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Roger Rettig
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Eric Philippsen
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I have what looks to be an early D10 SKH. It’s white and has 9 pedals although there’s an existing crossbar for a 10th pedal, too. I just got it and haven’t had a chance to clean it up and check out all its details. 4 knee levers. It looks to maybe have had a 5th KL. Kind of dirty and grimey but I think it’ll clean up nice.
Serial number is low - 068L. I don’t know what year that might be. I’m guessing maybe the first or second year of production what with its 4-hole bellcranks?
Many years ago I had a black D10 SKH. For some reason I sold it. Should never have done that so this one’s a keeper.
Serial number is low - 068L. I don’t know what year that might be. I’m guessing maybe the first or second year of production what with its 4-hole bellcranks?
Many years ago I had a black D10 SKH. For some reason I sold it. Should never have done that so this one’s a keeper.
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Lynn Martin
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