I just got this beauty back from Lynn this morning after a complete tear-down and rebuild, including addition of a 6th knee lever. Beautiful workmanship, clean and tight changes, the best playing push-pull I ever touched, and some kinda tone that just won't quit. I could not be happier! Thanks Lynn!
Congrats on that awesome, Emmons Original, Dave. I came very close to pulling the trigger on that horn when Jonnie King was selling it. Nice to see that Lynn did some tweaking for you. Lynn's an awesome guy that I'm proud to call my friend.
I've owned quite a few Emmons Originals. My main horn now is a '69, rosewood D-10 that was once Lynn's guitar. I love my '69. I'm jealous though... I always have wanted a Emmons Original, D-10, wood-neck, bolt-on. Your guitar is great and reminds me of the one Hal Rugg had back in the 70s. I believe Jay Ganz now owns that horn.
Again, congratulations on that wonderful guitar. I have no doubt that Lynn has put the "icing on the cake" on it for you. I noticed you had Lynn add the 9th string lower on the E9th... good idea..!!
Lynn seems to he doing well all things considered, Jeff, I was lucky to catch him at a slow moment.
I will be bringing this one with on my next run to NY, Tiny, I promised Stu Schulman I would bring it by. Lynn stripped it out, reflocked it and rebuilt it from scratch. Gave me $50 for the copious leftover hardware, it was something of a waddation, all better now. Let's connect and you can at least pick a few on it!
That sounds great Dave. Stu and I have been planning on getting together but have been sidelined due to the virus. When you head to NYS we'll meet up at Stu's,,, that should be fun !!
I noticed in your photos that Lynn had moved the knee levers back to a more normal, Emmons, factory placement. I remember seeing some added, non-original hardware in previous photos like you mention.
Please give my best to Lynn. I think I'll call him very soon anyway as it's been a little while.
Wow!
Reminds me of my mom’s lemon meringue pie,and that’s a good thing.
Today I pulled my 1975 D10 Stafford(aluminum mica)out and set it up to delve into C6 world. Man does that guitar sound and play wonderful.
John .
Dave you're on a roll!! That is a beaut! Lynn is the best!! He rebuilt my 68 D10 (just the mechanical, I had taken it apart cleaned it and couldn't get it back together!) and it's just rock solid. Wish I had done the full treatment but it plays and sounds great and that's pretty much what I was after. Congrats brother, that is a beauty!!
Check out my for sale posting titled 67 PP cut-Tail for another example of Lynn Staffords outstanding work. Hes got the Midas touch, and I too am proud to call him friend.
Steel Guitar Services:
Live performance and recording. Instruments, repairs and lessons. Fresh bait/discount sushi.
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I is so comforting to let someone like Lynn take your guitar to work on with absolutely no worries about the workmanship being done. Thanks Lynn for being so amazing !!!
Dave, did you recently acquire that guitar? If not it has a twin that was floating around Nashville at a popular vintage guitar shop a year or so ago. The black fade on the end of the cabinet was identical.
Tyler Hall wrote:Dave, did you recently acquire that guitar? If not it has a twin that was floating around Nashville at a popular vintage guitar shop a year or so ago. The black fade on the end of the cabinet was identical.
Tyler,
This is most likely the very same guitar. Dave bought it from Forumite, Johnie King who probably acquired it locally.
Many thanks to everyone above that posted their very kind remarks about my workmanship. They are very much appreciated.
Just to set the record straight, I didn't fully restore this beautiful guitar. I disassembled the entire under carriage and reassembled it correctly, (as it should have been done in the first place). I also added a new C6 LKR lever, along with a few extra necessary touches of my own along the way to improve playability and such.
Oh, I forgot to mention that Johnie built an outstanding, very stout shipping crate to make sure Dave got his guitar safely. He built a 1/2" plywood box, lined with 1" insulation foam and covered the box with cardboard. Everything (including the cardboard) was glued and stapled together, except for the lid, which was held in place with deck screws.
I don’t get on here much any more but just had to comment on this beautiful guitar. It is beyond awesome and sure it sounds same way and if Lynn had his hands on it, it’s perfect.
Henry Matthews
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
Would anyone who has played PPs offer an opinion of how a lacquer wood neck Emmons like this sounds compared to a Mica/Aluminum model?
As one might expect, the wood neck tends towards a darker, warmer sound with less of the high end shimmer one hears from guitars with aluminum necks. More meat, less stardust.
My Superpro has aluminum necks, it sounds lively and bright, with a touch more shine on it than the common Shobud tone.