Ohia Lehua Special

Lap steels, resonators, multi-neck consoles and acoustic steel guitars

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Jerry Wagner
Posts: 126
Joined: 13 Jul 2011 10:04 pm
Location: California, USA

Ohia Lehua Special

Post by Jerry Wagner »

This project is evolving, and I’d appreciate any feedback, positive or negative. I’ve been working on this 7-String guitar for about a year, off & on, at a local Maker-Shop in Santa Rosa: https://www.180studios.org/

I’d had some ideas kicking around for a while, and 180 Studios provided a way to do it. So if you happen to have a Maker-Shop in your area, look into it. You could meet some interesting new friends, including guitar players & makers. Unfortunately, it’s shut down now due to C-19.

This is a little 24”-scale travel guitar. Steinberger 40:1 locking tuners are well-suited to lap steel. This compact 7-String tuner layout works well, with quick & easy string replacement. One problem: The string tension is too high (~38#) for my .013 gage Hi-G string, so I use a Gotoh UPTL tuner there. But if your highest string is tuned to E, you can use all locking Steinberger tuners.

I found some 6-year old Ohia Lehua (57 lbs/ ft3) at a hardwood supplier in Berkeley, and I’d been thinking about I’iwi & Apapane birds on a fretboard for a couple of years. In due course, it all came together. I used VGDF for the first prototype. The body’s milled on a ShopBot and the fret board is engraved & cut on a Gweike Laser.

I like the 24” scale, and the tone, sustain & tuning stability of a semi-hollow high-density wood body. My vintage guitars have single coil pickups, but I decided to use an EMG active PU (made in Santa Rosa); like the PU that’s on Alan Akaka’s Asher 8-String. Very even tone & volume across all strings; and, if you like, just push-pull the volume knob to switch from single coil to humbucker mode.

Specs:
7-Strings & 24” Scale Length; Overall L x W x D: 28” x 6-3/4” x 1-½”
Weight: 5.25 lbs
Pickup: EMG 707-TW-X, Active PU
Tuners: 40:1 Ratio Steinberger Locking Gearless; Gotoh UPTL @ Hi-G
Nut & Bridge: 1/2” x 1/2” x 1/8” brass angle, with hide glue + (2) screws each
String spacing @ Nut: 2-1/16”
String Spacing @ Bridge: 2-½”
Fretboard, Saddle Trim & Back Panel: Laser-engraved acrylic with ivory in-fill
Body: Ohia Lehua; (1st working prototype, VGDF)

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George Piburn
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Is Awesome enough?

Post by George Piburn »

:D Sweet :D
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Nic Neufeld
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Location: Kansas City, Missouri

Post by Nic Neufeld »

Wow!

Something really powerful about 'ohi'a lehua...driving around the big island, near recent lava flows its amazing to see the flowering lehua as a first colonizer...

Really cool instrument and it might be a bit unfair to characterize it as just a "travel guitar", with the full scale and electronics I bet its a professional grade instrument!
Waikīkī, at night when the shadows are falling
I hear the rolling surf calling
Calling and calling to me
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Allan Revich
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Location: Victoria, BC
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Post by Allan Revich »

Those are pretty darn nice!
Current Tunings:
DADF#AD
fDADF#AD

https://papadafoe.com/lap-steel-tuning-database
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Don Kona Woods
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Joined: 11 Dec 2004 1:01 am
Location: Hawaiian Kama'aina

Post by Don Kona Woods »

Jerry. Very interesting that you chose the Ohia Lehua wood. What was your reason for choosing this wood? As opposed to Koa wood?

Interesting I had a Koa wood steel guitar with strings through the body. Had a great tone. Koa wood is very precious to the Hawaiians.
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Jerry Wagner
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Joined: 13 Jul 2011 10:04 pm
Location: California, USA

Post by Jerry Wagner »

Aloha Don,
I decided to use Ohia for a few reasons. I've been playing a Rickenbacher B7 for several years. It actually was a B6 originally, but I converted it with some help from Jason Lollar on the PU and a local luthier friend who made a 24" scale walnut neck for it. I really like the B7 bakelite tone and sustain, and it stays in tune better with the walnut neck. The density of bakelite is about 80 lbs/ ft3; walnut is about 1/2 that.

So I decided to use a high density wood this guitar, and discovered that Ohia is indeed very high density, and was available to me locally at a reasonable price. I was especially pleased about this because I wanted to engrave the 2 native birds feeding on the Ohia blossoms on the fretboard. Ohia is not considered to be an acoustic tone wood, but for an electric lap steel cavity body I think it's ideal. I've not seen any Ohia wood that's highly figured like Koa, but I think the color and grain are quite appealing, nonetheless. And Ohia is about 50% higher density than Koa. But I might try Koa; why not? I have another design, with a more traditional body shape, that I want to make; but it will have to wait until my Maker Shop opens up again.
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Nic Neufeld
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Joined: 25 Sep 2017 8:10 am
Location: Kansas City, Missouri

Post by Nic Neufeld »

Here's me just talking like I know what I'm talking about, I'm not a builder...but just from a symbolic perspective it would be cool to combine koa and 'o'hia...thinking, offhandedly, you could have a figured koa top on a ohia body "frame" and neck similar to your current design.

Another silly idea, I wonder if it is possible to incorporate stuff like the green olivine crystals that rain down after the eruptions in HI? Maybe for accents or dot inlays.
Waikīkī, at night when the shadows are falling
I hear the rolling surf calling
Calling and calling to me
Joe Breeden
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Joined: 15 Jul 2010 9:55 am
Location: Virginia, USA

Post by Joe Breeden »

Wow. Sweet looking guitars Jerry. Like the layout of the tuners. Joe
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