It's probably an additional pickup. Buddy experimented with multiple pickups a lot. He came up with something called the "Emmons String Machine", three pickups mounted over the strings, driving three fuzz tones that could be mixed in various ways to simulate violin sounds. I don't know if that's what he's using in the picture, but it could be.
That is the Emmons String Machine. A friend actually owns one!
E9 INSTRUCTION If you want to have an ongoing discussion, please email me, don't use the Forum messaging which I detest! steelguitarlessons@earthlink.net
I've owned two of those Emmons String Machines in the past. They were fun to play with at home, but way too much setup and hassle on a live gig, especially in today's world of small stomp boxes that do so much.
I think Foxx built the Emmons String Machine to Emmons specs. I remember seeing a picture of one that looked exactly like the E.S.M. with a Foxx logo on it. Probably built for standard guitar with smaller pickups. Foxx did make an effect called the Tone Machine that was smaller. I've search on line for a picture of the Foxx box that looks just like the Emmons String Machine, but I can't find one. I saw one for sale on eBay about 15 years ago.
I can't say how many were made as I was not in the business end of the Emmons Guitar Company but at best it was relatively few.
I don't remember the exact year they came out but I used it on a 1975 recording so it would have to have been a year or so before that.
The Foxx Tone Machine was my choice because of it being the distortion unit I was using for my work at the time.
I have no recollection of the settings or functions. I used it solely for string sounds. Three rods mounted vertically on the end of my guitar, and attached to those rods were three horizontal rods with single pole pickups that swiveled over the strings I chose for the harmonies. Most of the time I used strings 4, 6, and 10 for wide inversions and a fatter sound.
I used it mostly for demo sessions but the song I mentioned above was Canon in D Major on the Flying fish label. The album title is Buddy Emmons / Steel Guitar and referred to it as the "Rainbow album."
I used to have and use a Foxx Tone machine all the way back in the 70s when I was a teen. I loved that thing and still use fuzz boxes (my favorite currently the Fuzz face). Anyway, the tone machine had an octave up, too, like the Octavia, but better!
Links to streaming music, websites, YouTube: Links
A scientist story: At his house, Buddy had some Nashville music newspaper that interviewed him, probably from the early '70's, where he said that in the future, we'll be able to think pedal steel changes.
Given where computers and technology are heading, he'll probably be proved right.
Chris Templeton wrote:A scientist story: At his house, Buddy had some Nashville music newspaper that interviewed him, probably from the early '70's, where he said that in the future, we'll be able to think pedal steel changes.
Given where computers and technology are heading, he'll probably be proved right.
A leap beyond the electro-mechanical actuation mechanisms that have been discussed so often.
And when it comes to pass, still some prodigal thinker will think beyond what the rest of us can imagine.