Appreciating the great Pete Drake
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Gary Hoetker
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Appreciating the great Pete Drake
In reading the various posts on this Forum for the past 20 years or so, I don't recall Pete Drake being mentioned favorably to the other recognized pedal steel giants like Emmons, Green, Mooney, to name a few. Yet I find Pete to perhaps be the most versatile and innovative of all of them
from purely a listening and melodic standpoint. Maybe that's why he was a much sought after session player. His turnaround on Conway Twitty's Decca recording "Together Forever" circa 1966 posted below might be one of the most beautiful ever. Thanks Pete. You were/are AWESOME !!
https://www.youtube.com/watch?v=cjhDMnNt4XE
from purely a listening and melodic standpoint. Maybe that's why he was a much sought after session player. His turnaround on Conway Twitty's Decca recording "Together Forever" circa 1966 posted below might be one of the most beautiful ever. Thanks Pete. You were/are AWESOME !!
https://www.youtube.com/watch?v=cjhDMnNt4XE
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Tom Quinn
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You are right Gary. Here's a better copy of the song without the distortion:
https://www.youtube.com/watch?v=H-Tpo7guol0
https://www.youtube.com/watch?v=H-Tpo7guol0
I need an Emmons!
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Gary Hoetker
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scott murray
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I think quite a few of us are in awe of much of Pete's work, and the extra care he took to give so many records a unique, even customized sound.
Paul Franklin in particular speaks very reverently of Pete. he was never too flashy, just the consummate studio pro who served the artist and the song as best he could. he was also one of the kindest and most nurturing figures in Nashville by all accounts.
if all he'd ever played was Tammy Wynette's version of Apartment No.9, that would be enough for me. what an iconic and beautiful sound.
Paul Franklin in particular speaks very reverently of Pete. he was never too flashy, just the consummate studio pro who served the artist and the song as best he could. he was also one of the kindest and most nurturing figures in Nashville by all accounts.
if all he'd ever played was Tammy Wynette's version of Apartment No.9, that would be enough for me. what an iconic and beautiful sound.
Last edited by scott murray on 7 Aug 2017 11:44 am, edited 1 time in total.
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Gary Hoetker
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Damir Besic
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some of my favorite steel playing was done on George Jones recordings , and I always thought it was done by Buddy Emmons , only to find out just recently that all that playing I loved so much, and was influenced by, was done by no other but Pete Drake, my whole life I loved his music, but didn't even know it was him who was playing it....
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Cartwright Thompson
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I always loved the story about Pete and Buddy and the wad of $100 bills...
I also love this tune and have never been able to totally figure it out:
https://youtu.be/RMwR1kXuGzk
I also love this tune and have never been able to totally figure it out:
https://youtu.be/RMwR1kXuGzk
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scott murray
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cool tune Cartwright and nice tone.
seems more than a little influenced by Buddy's performance on Night Life, and was released just a year later.
the 100 dollar bill story is a good one but I think Buddy claimed it never happened. Buddy also said he came up with the "talking" steel guitar effect but had no use for it. Pete took it and ran.
seems more than a little influenced by Buddy's performance on Night Life, and was released just a year later.
the 100 dollar bill story is a good one but I think Buddy claimed it never happened. Buddy also said he came up with the "talking" steel guitar effect but had no use for it. Pete took it and ran.
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Per Berner
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If any pedal steel player ever had a unique, instantly recognizable sound, it was Pete Drake. Some say his playing was a bit weird and rather simple, the same few licks over and over – but I like that style, especially his use of the volume pedal. His sound was an integral part of so many 70s hits – George Jones, Tanya Tucker's Columbia recordings, and so many others. Billie Jo Spears? Early John Anderson stuff? The late great Billy Sherrill seemed to employ Pete on all the stuff he produced.
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Glenn Suchan
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One of my favorite songs, as well as favorite examples of steel accompaniment by Pete Drake:
https://www.youtube.com/watch?v=zj0pX2lB6mg
Keep on pickin'!
Glenn
https://www.youtube.com/watch?v=zj0pX2lB6mg
Keep on pickin'!
Glenn
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scott murray
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Buddy did play on some George Jones recordings, mostly in the 60s before heading to LADamir Besic wrote:some of my favorite steel playing was done on George Jones recordings , and I always thought it was done by Buddy Emmons , only to find out just recently that all that playing I loved so much, and was influenced by, was done by no other but Pete Drake, my whole life I loved his music, but didn't even know it was him who was playing it....
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Damir Besic
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yes, and Lloyd played on some as well, but the playing (like on He stopped loving her today) I fell in love with was all Pete ... when I talk about "crying steel guitar' that is what Im thinking of ...scott murray wrote:Buddy did play on some George Jones recordings, mostly in the 60s before heading to LADamir Besic wrote:some of my favorite steel playing was done on George Jones recordings , and I always thought it was done by Buddy Emmons , only to find out just recently that all that playing I loved so much, and was influenced by, was done by no other but Pete Drake, my whole life I loved his music, but didn't even know it was him who was playing it....
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Brint Hannay
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Wow, just the other day hearing it on Willie's Roadhouse I was wondering who that was on "He Stopped Loving Her Today". I never would have guessed Pete Drake!Damir Besic wrote: the playing (like on He stopped loving her today) I fell in love with was all Pete ... when I talk about "crying steel guitar' that is what Im thinking of ...
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Rick Abbott
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I had the same experience with Pete Drake. I had his sound etched into my mind and am deeply influenced by him and didn't know it was him! One day I put on some youtube videos of him and was astounded to hear him playing the way I try to play. Blew my mind. He is the sound of popular pedal steel.
RICK ABBOTT
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Andy Volk
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Pete using is the "talking" effect (pioneered by Alvino Rey) at Owen Bradley's "Quonset Hut" studio. Mid 1960s?


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Mike Holder
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Not to mention his great playing on Dylan's "Nashville Skyline" and my all time favorite "All Things Must Pass" by George Harrison,..so cool!
I thought Nashville was the roughest, but I know I’ve said the same about them all.
I received my education, drivin through the Nation listenin to Paul!.. ( Franklin that is! )
I received my education, drivin through the Nation listenin to Paul!.. ( Franklin that is! )
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David Gertschen
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Glenn Suchan
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Pete pushin' tha boundary in 1968 with blues guitarist Harvey Mandel:
https://www.youtube.com/watch?v=ouTPcV54qlw
and in 1971 with iconic progressive folk/old timey band, The Holy Modal Rounders:
https://www.youtube.com/watch?v=gNS6MXg-umQ
Keep on pickin'!
Glenn
https://www.youtube.com/watch?v=ouTPcV54qlw
and in 1971 with iconic progressive folk/old timey band, The Holy Modal Rounders:
https://www.youtube.com/watch?v=gNS6MXg-umQ
Keep on pickin'!
Glenn
Last edited by Glenn Suchan on 9 Aug 2017 5:36 am, edited 2 times in total.
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Andy Volk
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Mike Holder
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I had most f Mandel's records, forgot he had Pete on that cut but do remember it was the first time I heard Freddie Roulette on his Snake album on a track called Levitation...my world changed that day.
I thought Nashville was the roughest, but I know I’ve said the same about them all.
I received my education, drivin through the Nation listenin to Paul!.. ( Franklin that is! )
I received my education, drivin through the Nation listenin to Paul!.. ( Franklin that is! )
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David Gertschen
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