
MSA---New Studio Pro, SD-10, 3 x 5---Jet Black
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Carl Williams
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MSA---New Studio Pro, SD-10, 3 x 5---Jet Black
Here's my new MSA Studio Pro. I'd like to thank the MSA folks, Kyle Bennett, Mitchell Smithey, and last but certainly not least, Sonny Bennett. Thank each of you for your skills and dedication to building such a fine steel guitar...the wait was well worth it! Carl


Last edited by Carl Williams on 19 Jan 2017 4:52 pm, edited 4 times in total.
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Jack Ritter
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J R Rose
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Carl Williams
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Darvin Willhoite
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NICE guitar Carl, I know you will love it.
Darvin Willhoite
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, a restored MSA Classic SS, several amps, new and old, and a Kemper Powerhead that I am really liking. Also a Zum D10, a Mullen RP, and a restored Rose S10, named the "Blue Bird". Also, I have acquired and restored the plexiglass D10 MSA Classic that was built as a demo in the early '70s. I also have a '74 lacquer P/P, with wood necks, and a showroom condition Sho-Bud Super Pro.
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, a restored MSA Classic SS, several amps, new and old, and a Kemper Powerhead that I am really liking. Also a Zum D10, a Mullen RP, and a restored Rose S10, named the "Blue Bird". Also, I have acquired and restored the plexiglass D10 MSA Classic that was built as a demo in the early '70s. I also have a '74 lacquer P/P, with wood necks, and a showroom condition Sho-Bud Super Pro.
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Mike Perlowin RIP
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Congratulations. MSA is as good as it gets. You are going to love your new guitar.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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Carl Williams
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Carl Williams
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Archie Nicol R.I.P.
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Carl Williams
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Your wife's nickname is cool, I have the "White Knight".




Darvin Willhoite
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, a restored MSA Classic SS, several amps, new and old, and a Kemper Powerhead that I am really liking. Also a Zum D10, a Mullen RP, and a restored Rose S10, named the "Blue Bird". Also, I have acquired and restored the plexiglass D10 MSA Classic that was built as a demo in the early '70s. I also have a '74 lacquer P/P, with wood necks, and a showroom condition Sho-Bud Super Pro.
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, a restored MSA Classic SS, several amps, new and old, and a Kemper Powerhead that I am really liking. Also a Zum D10, a Mullen RP, and a restored Rose S10, named the "Blue Bird". Also, I have acquired and restored the plexiglass D10 MSA Classic that was built as a demo in the early '70s. I also have a '74 lacquer P/P, with wood necks, and a showroom condition Sho-Bud Super Pro.
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Carl Williams
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Carl Williams
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White Knight ---- Black Knight
Well Darvin, great minds think alike...I'll show my "great mind/wife" your grand "White Knight"...Thanks for posting it for us all to see. I know you've been an MSA owner for years and can certainly understand your loyalty to the brand. As I mentioned above, I had 25 yrs of MSA and happy to start my 26th year with this new steel. Thanks, Carl
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Malcolm McMaster
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Carl Williams
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Lane Gray
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John Roche
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Lane Gray
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John Roche
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Lane Gray
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Because the 10th string is probably a 12¹ (core gauge determines the pull response²), you might have better luck with the tenth going one hole higher on the changer.
¹typically they try to keep wrapped and core sizes close to the same. The core is usually close to a third of the total size of the string, since the wrap will be counted twice, once on the left, once on the right. To get to 38, you can either use a 12 core and a 13 wrap, a 10 core and a 14 wrap, or a 14 core and a 12 wrap other variations are possible, but silly.
²that's why a wound 6th is so weird, a third of 22 is going to be either a 7 or 8, the easiest way to get 22 is a core of 8 and a wrap of 7. Someone making strings specifically for the pedal steel might choose a core of 10, but a wrap of 6 is going to be QUITE fine. I may call Sid and bend his ear tomorrow.
¹typically they try to keep wrapped and core sizes close to the same. The core is usually close to a third of the total size of the string, since the wrap will be counted twice, once on the left, once on the right. To get to 38, you can either use a 12 core and a 13 wrap, a 10 core and a 14 wrap, or a 14 core and a 12 wrap other variations are possible, but silly.
²that's why a wound 6th is so weird, a third of 22 is going to be either a 7 or 8, the easiest way to get 22 is a core of 8 and a wrap of 7. Someone making strings specifically for the pedal steel might choose a core of 10, but a wrap of 6 is going to be QUITE fine. I may call Sid and bend his ear tomorrow.
Last edited by Lane Gray on 19 Jan 2017 7:53 pm, edited 1 time in total.
2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects
More amps than guitars, and not many effects
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Carl Williams
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MSA Legend Rodding
John and Lane...hope ya'll solved the Franklin pedal ridding issue on John's MSA. How do you like your Legend John? Thanks, Carl