Maybe one of you keyless enthusiasts can tell me something about this little steel I bought from a forum member some years back. He said it was found at a pawn shop in Texas. Anybody know who might have made it?
Question: do any of you feel that there is a noticeable difference in sustain or tone with keyless guitars? I know that can be subjective but I have to ask because I can see the advantage of a smaller/sturdier cabinet.
RETIRED
Former steel guitarist for Tracy Byrd & The Byrd Dawgs, Mark Chesnut & The New South Band, Mark Nesler & Texas Tradition, Wayne Toups & ZydeCajun, Belton Richard & The Musical Aces
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin
Marty, I have three keyless steels, all different makes, and none are lacking in sustain or tone, but it's hard to say how much being keyless contributes to that. I'd be interested in Paul's opinion - I think he has heard and played some steels before and after they were converted from keyhead to keyless.
Thank you Bruce. I'm hoping for level headed/experienced feedback such as yours. Thank you again and I hope I get more similar to yours. I wish I could have asked Buddy, Herby, and Jeff before they passed away. I've seen vids/photos of them playing keyless models and it would be great to know how they felt about each one they played.
RETIRED
Former steel guitarist for Tracy Byrd & The Byrd Dawgs, Mark Chesnut & The New South Band, Mark Nesler & Texas Tradition, Wayne Toups & ZydeCajun, Belton Richard & The Musical Aces
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin
I have one of Jeff Newman's old Kline guitars.I know for a fact that Jeff really liked Klines, he owned (paid for with his own $$$) at least 2 of them. The one I have is the one he played at the 1983 ISGC.
Blue mica for gigs. Wood set up at home. The mica one, in a pinch can be set up at a gig and played without tuning. They sound different as well, but not much.
RETIRED
Former steel guitarist for Tracy Byrd & The Byrd Dawgs, Mark Chesnut & The New South Band, Mark Nesler & Texas Tradition, Wayne Toups & ZydeCajun, Belton Richard & The Musical Aces
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin
Yes Johnie this is a new Excel. It is an incredible steel guitar ! I never have to tune my pedals or knee levers, just at the key head on each neck and it is perfect.
Johnie you’re the one that turned me on to keyless steels and I’m completely hooked. I wont be buying any keyed steels again. For me personally there is no down side. I think they look cool as well.
I've had a couple of keyless Sierras, a keyless Excel, and a Sonny Jenkins keyless lapsteel. Here's what I'm playing nowadays--a LoneStar PP keyless that I got from Johnie.
The keyless system on this is not as refined as on the Excel or the Jenkins although it works well (I personally think that Sonny's system is the best), but combined with the Push Pull tone, it's a really great guitar. I like it better than my Sierras or Excel because it plays great and sounds great. Very small footprint too. You tune it, and it stays there. Tune it at the pegheadless, and it's there.
It's not everybody's axe--I'm used to tuning and adjusting push pulls and pull release guitars, so no big deal to me, but it would be to a lot of folks.
Anyway, it's a guitar that you're not likely to find for sale anywhere, but it's a gooden.