John Hughey plays a JCH
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Richard Sinkler
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John Hughey plays a JCH
I don't believe I have ever seen John play one. It was great to stumble on this video.
https://www.youtube.com/watch?v=jQtYd6UDZR8
https://www.youtube.com/watch?v=jQtYd6UDZR8
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro (D tuning), Recording King Professional Dobro (G tuning), NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .
Playing for 55 years and still counting.
Playing for 55 years and still counting.
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Henry Matthews
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Richard,I've seen John several times playing a JCH. After all, he was part of the company so sure he played one quite often. I don't know if Jimmy's health and his death is what folded the company but JCH's are great guitars. Mine is one of the best guitars I've ever owned and the spitting image to one John is playing in that video.
Thanks for posting that, haven't seen it.
Thanks for posting that, haven't seen it.
Henry Matthews
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
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chris ivey
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Richard Sinkler
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I agree Chris. Both are great in their own right, but there's a magic that happens when they sing together.
Henry, I know he was part of the company and all, but I can't Remember ever seeing him play one. I'm sure I have, but memory is so bad, I can't even remember what I had for breakfast. Oh that's right, I didn't have anything.
Henry, I know he was part of the company and all, but I can't Remember ever seeing him play one. I'm sure I have, but memory is so bad, I can't even remember what I had for breakfast. Oh that's right, I didn't have anything.
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro (D tuning), Recording King Professional Dobro (G tuning), NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .
Playing for 55 years and still counting.
Playing for 55 years and still counting.
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Barry Blackwood
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Henry Matthews
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You should know Damir, lol
You shouldn't have sent me that video of you playing it, it sure sounded good so just had to have it and haven't regretted it for a moment.
You shouldn't have sent me that video of you playing it, it sure sounded good so just had to have it and haven't regretted it for a moment.
Henry Matthews
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
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Damir Besic
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and you know what the best part is, I played that through my Fender Mustang V head with 4x12 cabinet... if you think it sounded good recorded with a cell phone, you should have been at the club...that amp kicked some butt... I just sold my Webb 614 and going back to Mustang lol ....Henry Matthews wrote:You should know Damir, lol
You shouldn't have sent me that video of you playing it, it sure sounded good so just had to have it.
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Franklin
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Richard Sinkler
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Thanks Paul. I am really interested in hearing and seeing where John played one. I heard that he stepped aside and let Jimmy do all the building and selling. I don't know how true that is, but it would also be nice to know. I am a John Hughey fanatic, and can't get enough info about him. John and Jerry Garcia are pretty much the reason I chose to switch from drums to steel guitar.
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro (D tuning), Recording King Professional Dobro (G tuning), NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .
Playing for 55 years and still counting.
Playing for 55 years and still counting.
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Barry Blackwood
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John Billings
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John was playing with Loretta when we opened for her at Ponderosa Park. He had never seen a Kline before, and was very interested in mine. I'd have to ask Joe to be sure, but I think John bought one.
Anybody have a link to John playing "Im Not Lisa?" I hated that song until I heard John play it. I've never been one to learn other's arrangements, but I learned that one!
Anybody have a link to John playing "Im Not Lisa?" I hated that song until I heard John play it. I've never been one to learn other's arrangements, but I learned that one!
Dr. Z Surgical Steel amp, amazing!
"74 Bud S-10 3&6
'73 Bud S-10 3&5(under construction)
'63 Fingertip S-10, at James awaiting 6 knees
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'91 Tele with 60's Maple neck
Dozen more guitars!
Dozens of amps, but SF Quad reverb, Rick Johnson cabs. JBL 15, '64 Vibroverb for at home.
'52 and '56 Pro Amps
"74 Bud S-10 3&6
'73 Bud S-10 3&5(under construction)
'63 Fingertip S-10, at James awaiting 6 knees
'57 Strat, LP Blue
'91 Tele with 60's Maple neck
Dozen more guitars!
Dozens of amps, but SF Quad reverb, Rick Johnson cabs. JBL 15, '64 Vibroverb for at home.
'52 and '56 Pro Amps
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Richard Sinkler
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True. But they were the first players I heard. I knew who John Hughey was before I knew who Buddy Emmons was. Greg Lasser switched my first ZB to a day setup. It was probably 5 years after before I knew who Jimmy Day was.Barry Blackwood wrote:Interesting choice - I would have considered them more or less polar opposites..John and Jerry Garcia are pretty much the reason I chose to switch from drums to steel guitar.
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro (D tuning), Recording King Professional Dobro (G tuning), NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .
Playing for 55 years and still counting.
Playing for 55 years and still counting.
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Jack Stoner
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A story about John Hughey and early JCH's, that was told to me by a friend in Nashville that got it from John. When they did the Conway Twitty Riverboat TV show, that aired on TNN, the steel sound track was done with an Emmons because John couldn't get the sound he wanted from the JCH.
Considering the sound of a JCH the "sound issue" was later resolved.
Considering the sound of a JCH the "sound issue" was later resolved.
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Mitch Ellis
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Dean Holman
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I think John used to build the cabinets. I'm also thinking John left JCH around 1993 or sometime around there. I just remember that when I went to work for Ricky Skaggs which was in '94', John was playing an Emmons. I'm pretty sure he played the Emmons up till around '99' or sometime around there is when he started playing a Zum. It was not long after John left that Jimmy tried to start a new company and guitar called Crawford-Parks. That never got off the ground so Jimmy made a few changes and went back to building the JCH guitars around '97'. I know this cause I was Jimmy's neighbor and I worked for Jimmy for a couple of years. I helped cut parts for the new JCH guitars. After I left, Buck Reid helped Jimmy out. I'll have to say Jimmy was a perfectionist. I played 4 or 5 of the older JCH guitars but in my opinion, the newer ones were better. I learned a lot from Jimmy and sure do miss him. I thought John always sounded great on his JCH along with other JCH players.
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Jerry Roller
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I have an interesting story about John and the JCH. I can't remember the year but I attended a concert at the Fair Grounds in Ft. Smith, AR in an open rodeo arena. I was seated a rather great distance from the stage and John was playing steel. I could not make out the brand so after the show I made my way to the front of the stage as John was "tearing down". The guitar had logo on it shaped like the state of Tennessee. John spotted me and spoke. I asked him what brand guitar is that. He said it is a JCH and that he and Jimmy Crawford was building them. The J stood for John and Jimmy, the C stood for Crawford and the H stood for Huey. I then noticed the end plate and said "you are building a push pull?" I recognized it because I had recently had Bryan Adams to build me an 81 push pull. John sheepishly grinned and said well this is an Emmons with our name plate on it because we are just started building them and I don't have one yet. We talked a while and I told him I had an Emmons and for some reason I told him I operated a cabinet shop. He became very interested and asked me to come to their bus so he could possibly get some help. I went with him to the bus and he told me they were having a problem cutting the slot for the bottom neck deck mica to fit into the edge of the front neck deck. I told him about a slotting cutter for a router. I don't know if they wound up using such a slotting cutter or not but that was how I met John. Some years later we played several steel shows and became friends. Perhaps I had a small part in the development of the JCH but probably not. I sure miss him at the steel shows. I have I believe the last black lacquer Emmons he had before he changed to Zumsteel guitars. It is actually a very dark black cherry dye that shows the flame maple thru the finish but looks very dark grey/black under lights. It has a special meaning to me. I can't play it without thinking of John.
Jerry
Jerry
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Steve Hinson
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Jerry,I was playing lead guitar with George Jones around the time that you areJerry Roller wrote:I have an interesting story about John and the JCH. I can't remember the year but I attended a concert at the Fair Grounds in Ft. Smith, AR in an open rodeo arena. I was seated a rather great distance from the stage and John was playing steel. I could not make out the brand so after the show I made my way to the front of the stage as John was "tearing down". The guitar had logo on it shaped like the state of Tennessee. John spotted me and spoke. I asked him what brand guitar is that. He said it is a JCH and that he and Jimmy Crawford was building them. The J stood for John and Jimmy, the C stood for Crawford and the H stood for Huey. I then noticed the end plate and said "you are building a push pull?" I recognized it because I had recently had Bryan Adams to build me an 81 push pull. John sheepishly grinned and said well this is an Emmons with our name plate on it because we are just started building them and I don't have one yet. We talked a while and I told him I had an Emmons and for some reason I told him I operated a cabinet shop. He became very interested and asked me to come to their bus so he could possibly get some help. I went with him to the bus and he told me they were having a problem cutting the slot for the bottom neck deck mica to fit
into the edge of the front neck deck. I told him about a slotting cutter for a router. I don't know if they wound up using such a slotting cutter or not but that was how I met John. Some years later we played several steel shows and became friends. Perhaps I had a small part in the development of the JCH but probably not. I sure miss him at the steel shows. I have I believe the last black lacquer Emmons he had before he changed to Zumsteel guitars. It is actually a very dark black cherry dye that shows the flame maple thru the finish but looks very dark grey/black under lights. It has a special meaning to me. I can't play it without
thinking of John.
Jerry
talking about(I think)...we were on tour with Conway and Merle Haggard and I
remember the black Emmons with the JCH logo on it...I busted John on it too!
Conway was in on the guitar deal too...I think they told him the"C"stood for"Conway"...
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Steve Hinson
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According to Deanie Richardson(Patty's great fiddle player),she worked with PL a while back and Patty is alive and well and singing as great as ever.Mitch Ellis wrote:I'm sorry to hijack the thread, but did Patty Loveless pass away? I hope not but if so, when?Barry Blackwood wrote:Ah, that Patty. Sure miss her.
Mitch
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Dean Holman
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Richard Sinkler
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There must be several versions as to what JCH stood for. John also told me:
Too bad neither are with us to clarify it.He said it is a JCH and that he and Jimmy Crawford was building them. The J stood for John and Jimmy, the C stood for Crawford and the H stood for Huey.
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro (D tuning), Recording King Professional Dobro (G tuning), NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .
Playing for 55 years and still counting.
Playing for 55 years and still counting.
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chris ivey
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Dean Holman
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I would say that being Conway / "Harold Jenkins ", was the one that financed the company, I'm 100% percent positive the J stood for Jenkins. I can't attest to what Hughey told people but I can attest to the fact that Conway was the major financial contributer thus would only be fair that the J would stand for Jenkins. However, it's not really wrong to say that the J can also stand for Jimmy and John as well as Jenkins. I just think it happens to be one of those ironic coincidences that they all had names with a J.
