How attached are you to your guitar?
Moderator: Dave Mudgett
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Bill Llewellyn
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How attached are you to your guitar?
Every now and again, some steel players seem to need to hit the reset button and buy a new PSG. This can be a Very Good Thing, especially if their older PSG was somehow limiting them.
Me? I have this tendency to try and make whatever it is I already own do for me what it needs to do (I pushed my Mac Performa 6115 along for 9 years before I replaced it with a G4; I owned a VW Rabbit for 17 years; and I can cite more examples). That includes my built-like-a-tank 1973 MSA U12. I think I've become "attached" to it.
How attached to your current PSG are you?
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<font size=1>Bill, steelin' since '99 | Steel page | My music | Steelers' birthdays | Over 50?</font><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Bill Llewellyn on 21 August 2004 at 05:33 PM.]</p></FONT>
Me? I have this tendency to try and make whatever it is I already own do for me what it needs to do (I pushed my Mac Performa 6115 along for 9 years before I replaced it with a G4; I owned a VW Rabbit for 17 years; and I can cite more examples). That includes my built-like-a-tank 1973 MSA U12. I think I've become "attached" to it.
How attached to your current PSG are you?
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<font size=1>Bill, steelin' since '99 | Steel page | My music | Steelers' birthdays | Over 50?</font><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Bill Llewellyn on 21 August 2004 at 05:33 PM.]</p></FONT>
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Rex Thomas
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Eric West
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Donny Hinson
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Damir Besic
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I love my guitar because it was bilt for me personaly.By hand and with lots of love.It also has a little metal plate with a memo from my friend (who bild it) to me.This guitar is very special to me and plus ,it sounds better than anything I have ever played before.And for now there is only 6 other Promats in egzistance,few more are being made as we speak (one of those for me again)and they are all labor of love.With this two, my Webb 614 (that I just got from Bobbe) and my Stelling Red Fox five string I`m set for the rest of my life.Finaly.
Db
Db
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Michael Johnstone
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John Daugherty
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I started playing a lapsteel that I built in high school shop class, then a double-neck which I built(1 pedal). Finally got pedals when the fender400 came out. Then a D12 Marlen with 1 knee lever which lowered the Es.
Now I have a modern All-Pull with more knees.
I think I was a better player when I had less to work with. Now I think about all the options I have for playing the same lick. This thinking process slows me down when improvising.
Yes, I am attached to my guitar with all its gadgets and my great sounding effects system but I always wonder if I should have done like my old friend Ralph and just keep on hittin those good basic licks. ......JD
Now I have a modern All-Pull with more knees.
I think I was a better player when I had less to work with. Now I think about all the options I have for playing the same lick. This thinking process slows me down when improvising.
Yes, I am attached to my guitar with all its gadgets and my great sounding effects system but I always wonder if I should have done like my old friend Ralph and just keep on hittin those good basic licks. ......JD
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chas smith R.I.P.
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Eric West
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I've had a couple people ask me why in the world I'd want to spend $2000 for a Marrs rebuild of my old, unused, spare Professional when there are all these "New Guitars" out there for $6000, I have to chuckle and tell them "just wait".
When I get it, I'll be taking apart my totally bush whipped PIII, and show people just how worn out a guitar can be and still be the best one I've ever played..
I think like Mr Remington was with guns, Shot and Buddy were with some of those Sho~Buds.
Designed in months to last centuries.
EJL
When I get it, I'll be taking apart my totally bush whipped PIII, and show people just how worn out a guitar can be and still be the best one I've ever played..
I think like Mr Remington was with guns, Shot and Buddy were with some of those Sho~Buds.
Designed in months to last centuries.
EJL
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John Cadeau
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I have an old Sho-Bud which I very rarely play, but it's a beautiful steel, and my Emmons LeGrande, which I play now. My wife keeps asking me why I need two steel guitars, when I can only play one at a time. I just can't seem to make her understand my attachment to these insrtuments. Heck I can't even understand it myself. I just know that I cannot part with any of these instruments. She knows most steel players are like me. She dreads it when we meet up with another steel player because she will have to sit there and listen to hours of steel talk.
John
John
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Tony Prior
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pretty good topic..
For me I think I am very attached to my Carter D10..not for any reasons with flash and glitter..but rather I am comfortable with it and as I learn new phrasing with different grips and levers it "FITS" me...
I think this is one of the very few Instruments, maybe the only, where it is extremely important for the player to "FIT" the instrument and be comfortable. Just one more piece of the puzzle to get out of the way.
Now the Tele's..thats a different story...they have got to have the neck feel, then the body weight, then the twang..all 3..or it's a no go..at least for me...
I do have "one" that fits all 3 requirements, another thats a fairly close second and a 3rd that has no chance...
I have always wondered if some of the players here who have a Steel at home set-up and a second for gigs..if it takes a bit to get accustomed to the GIG Steel after practicing all week on the HOME Steel..
Thoughts?
t
For me I think I am very attached to my Carter D10..not for any reasons with flash and glitter..but rather I am comfortable with it and as I learn new phrasing with different grips and levers it "FITS" me...
I think this is one of the very few Instruments, maybe the only, where it is extremely important for the player to "FIT" the instrument and be comfortable. Just one more piece of the puzzle to get out of the way.
Now the Tele's..thats a different story...they have got to have the neck feel, then the body weight, then the twang..all 3..or it's a no go..at least for me...
I do have "one" that fits all 3 requirements, another thats a fairly close second and a 3rd that has no chance...
I have always wondered if some of the players here who have a Steel at home set-up and a second for gigs..if it takes a bit to get accustomed to the GIG Steel after practicing all week on the HOME Steel..
Thoughts?
t
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Tim Harr
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Bobby Lee
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My Sierra SD-12 fits me really well. The pedals and levers feel like natural extensions of my body, and they work very smoothly. So, I'm pretty well attached to that guitar. I hope that my new Williams D-12X will eventually feel like that.
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<font size="1"><img align=right src="http://b0b.com/Hotb0b.gif" width="96 height="96">Bobby Lee - email: quasar@b0b.com - gigs - CDs, Open Hearts
Sierra Session SD-12 (Ext E9), Williams D-12 Crossover
Sierra Laptop 8 (E6add9), Fender Stringmaster (E13, C6, A6)</font>
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<font size="1"><img align=right src="http://b0b.com/Hotb0b.gif" width="96 height="96">Bobby Lee - email: quasar@b0b.com - gigs - CDs, Open Hearts
Sierra Session SD-12 (Ext E9), Williams D-12 Crossover
Sierra Laptop 8 (E6add9), Fender Stringmaster (E13, C6, A6)</font>
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Charles Turpin
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I have a Zum U12 that i played for 15 years. ANd when i got through my first surgery with the cancer my wife said if i could have anything i wanted in the world and i could live for it what would it be. I told her i would like to have a Double neck Zum steel with a lightning bolt on the front. Set up as close to Paul Franklins set up as i could get.Which i made it through, and she got it for me.But somehow i just can't retire the old 15 year old U12. So i practice a lot on the double neck. But due to my health when i play family dinners and stuff now, I take the Universal. I am terminal though i fight it everyday, But i won't get rid of that guitar till they lay me cold in the ground. There just developes to many memories between some guitars and there players.
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Eddie Malray
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My first(an only) new guitar was my 1980 Emmons PP. I've tried several othe brands over the last 24 years but I'm glad I never made the mistake of trading the Emmons. I always come back to it. (very shortly). I bought a Super Pro a few months ago an it's a great guitar. But If I had to part with one, it would have to go, I can't imagine life without an Emmons---------Eddie