How many people play more C6 than E9?
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Adam Tracksler
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How many people play more C6 than E9?
I've been finding myself hanging out on the close neck a bit more lately. Wondering how many others play the C6 neck more?
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Billy Easton
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Tom Gorr
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I have been spending considerable time getting familiar with the C6 neck of a D10....its a decked out C6 coped with 5 pedals and 5 levers... so it has been my main neck for a half year.
I don't get along very well with the D string and C pedal of a traditional E9 neck and coped so I generally play a custom coped E9 B6 Uni 12 with D string and C pedal work arounds which I prefer. ..whenever I want the whiney sounds...
I don't get along very well with the D string and C pedal of a traditional E9 neck and coped so I generally play a custom coped E9 B6 Uni 12 with D string and C pedal work arounds which I prefer. ..whenever I want the whiney sounds...
Last edited by Tom Gorr on 9 Aug 2015 11:46 am, edited 1 time in total.
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Paddy Long
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Quentin Hickey
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Right now I am spending more time on C6 than E9 becasue I am trying to get acquainted with it. Some people have told me that its an easier tunning to learn when I first started and well, I have to dissagree. I find it more intense and less straight forward than E9. It is really fun once you start learning stuff on it though.
Last edited by Quentin Hickey on 9 Aug 2015 5:29 am, edited 1 time in total.
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b0b
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I play D6 so I always have the C6 pedal sound available, and I have the E9 A+B pedals on it to get old school country sounds.

I have a Carter D-10 at home, but I never perform with it. When I play with bands, I just take the little 8-string. The audience doesn't know the difference. Heck, most musicians don't know the difference. Sometimes I record with the Carter E9th, to get that exact timbre.

I have a Carter D-10 at home, but I never perform with it. When I play with bands, I just take the little 8-string. The audience doesn't know the difference. Heck, most musicians don't know the difference. Sometimes I record with the Carter E9th, to get that exact timbre.
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Lefty
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Doug Jernigan had an interesting take on that when he was at the steel guitar show here.
He said that C6th gets him to the steel guitar shows, but E9th gets him to Kroger.
I have heard other pro players say that 90% of Nashville recording dates are for E9th.
I am spending about 75% of my practice time on C6th (still learning), and enjoying it.
Lefty
He said that C6th gets him to the steel guitar shows, but E9th gets him to Kroger.
I have heard other pro players say that 90% of Nashville recording dates are for E9th.
I am spending about 75% of my practice time on C6th (still learning), and enjoying it.
Lefty
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James Quillian
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There are sounds I like on both necks as well as lap steel. I see the need to be proficient on each in order to be a complete steel player. I really enjoy the c6 neck the most.
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C6 for an Audient (singular of 'audience')
Coming from non-pedal A6, I'm all about C6 with high G. I require a 6th string raise to get my favorite major chord(C @ 7th fret-marker). Music theory is more rewarding to apply in C6, to my thinking. Working on E9, seems low end is sacrificed, and for me, licks and melody become more prominent than fat chords. Maybe I prefer C6 because I'm the only one being entertained, an appreciative audient.
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Ian Rae
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50/50, deliberately so. I'm only a beginner and I don't want to neglect either. (Although I play a uni now, the two are still separate in my mind.)
I find the B6 side fascinating, but the only gigs I've done so far were totally E9. Rock'n'roll, anyone?
I find the B6 side fascinating, but the only gigs I've done so far were totally E9. Rock'n'roll, anyone?
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John Wilson
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I've always been odd
100% on E9/E6
I think I can get it all with a 4 and 4
John
I think I can get it all with a 4 and 4
John
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I guess I spend most of my time on the bottom neck these days trying to make up for the years when it was an armrest. I really thought it would be harder than it is and I'm sorry I didn't take it up sooner.
I know Curly Chalker had the C6 on the front neck but I don't like that at all. I prefer not to reach over to play the front neck but hey what can you do? That's where the E9 is. I just like playing closer to my body and absolutely love the C6 sound with the fat chord voicings. Whatever tuning I play the most would have to go on the back neck for me. I'm not sure whose responsible for the standardizing the front to E9 and the rear to C6 but it sure is fine by me.
Sorry for any little topic drift.
I know Curly Chalker had the C6 on the front neck but I don't like that at all. I prefer not to reach over to play the front neck but hey what can you do? That's where the E9 is. I just like playing closer to my body and absolutely love the C6 sound with the fat chord voicings. Whatever tuning I play the most would have to go on the back neck for me. I'm not sure whose responsible for the standardizing the front to E9 and the rear to C6 but it sure is fine by me.
Sorry for any little topic drift.