Your favorite Buddy Emmons Story

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Drew Howard
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Post by Drew Howard »

I recall taking a Sony Mavica, one of the first consumer digital cameras on the market, to Scotty's in '95 or '97.
It was 1 megapixel and the quality was horrible, but it was digital. Buddy expressed interest, and so there I was, a dummy trying to to explain the camera to the greatest that ever was, resting his head on his hand, listening to my every (dumbasss) word :)

I LOVE YOU BUDDY!!!
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Bob Hoffnar
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Post by Bob Hoffnar »

In 87 I wanted to learn how to play the pedalsteel but could not find one in NYC. I heard about this weird convention in St Louis so went there. I walk into the ballroom and there is Buddy Emmons standing behind a bunch of pedalsteels. So I go over and say something stupid like "Hey, you are Buddy Emmons !". I couldn't believe it ! He said "yes I am". So I told him I wanted to buy a pedalsteel so I could learn how to play and I had $1000 on me. He smiled and said "buy this one" It was a black MCI S10. I in my informed consumer way asked why I should buy that one. So he told me , "Well it is a pedalsteel and it works and it is only $1000". That was good enough for me.

Over the years I was lucky enough to see him play a bunch of times and even hang out a bit. I also called him a number of times and he was always patient and helpful.

There is no one that could fill his shoes. Other people can carry on and move the instrument forward but there is only one original catalyst.

When I have hung with legendary players having drinks and going over pedalsteel stuff the conversation always ends up in the same place. Once you get in deep enough to the pedalsteel it is all Buddy Emmons.
Bob
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Tony Prior
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Post by Tony Prior »

I was taking the elevator down at the St Louis Convention, I entered the car, there was Buddy and Johnny B. I couldn't help myself, I told Johnny that if he needed a player last minute to ring me up, he laughed, Buddy laughed then said, I'll give you $50 if you sit in for me ! I then said to Johnny, you would be wise not to call me ... :) Buddy was just grinnin' away...
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Chris Templeton
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Post by Chris Templeton »

Another story: I think it was the time Buddy recorded on "Houston" with the Gatlin Brothers and he told me he was driving to or from the session in Florida when he saw the space shuttle blow up in the sky.
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Michael Johnstone
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Post by Michael Johnstone »

When I attended the St Louis convention for the first time in the mid 80s and ran into one of the only people I knew from L.A. which was Thumbs Carlile. At one point late in the convention Thumbs and I were sitting at a table in the basement bar and Emmons comes in and joins us at our table cause he and Thumbs were old friends. Thumbs introduced me as a steel player from L.A.and I shook his hand thinking - Man I'm really "in crowd" now. Well someone in the bar had a 6 string C6 lap steel crudely made from an unfinished 2x6 with frets drawn on with a magic marker etc and was playing it thru a Pignose amp. It was being passed around with various guys taking turns playing it and inevitably the rig found its way to our table so Buddy could take a shot. I looked up and realized everyone in the bar had got up and crowded around our table to see what Buddy was gonna come up with. Of course Buddy smoked a fast bebop blues and left everyone dumbfounded. He finished with a flurry of pentatonic licks and then - silence - except for the humming from the unshielded pickup thru the Pignose. He finally said "Well,that was fun" then turned and shoved the steel in front of me and said: "Here ya go!" Then more silence that quickly erupted into laughter as I slinked away to a free stool at the bar next to Jimmy Day and ordered a double.
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Michael Douchette
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Post by Michael Douchette »

I had done many sessions with Buddy, playing rhythm guitar and harmonica. I was NOT a steel player. Then, I got the gig playing steel for Tammy Wynette. (I had to learn fast!)

We went to Europe for a bunch of package shows by Mervyn Conn. I got on the bus at Heathrow to head to the Royal Garden Hotel in Kensington, and Buddy grabbed the seat next to me.

"Mike! What are you doing here? Who are you with?"

"I'm here with Tammy, Bud."

"Tammy? I don't recall her records having much harp on them; what are you playing?"

(Whisper with mouth covered) "Steel."

"What? I didn't hear you."

(Whisper with mouth covered again) "Steel."

"Mike, I can't hear you. What are you playing?"

"STEEL, Bud. I'm playing steel."

He laughed all the way to the hotel... :lol: :lol:
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Post by Andrew Roblin »

Buddy used to come by the repair department up on the second floor at Sho-Bud to visit his friend Shot Jackson.

I saw Buddy at Sho-Bud when I worked there, 1979-83. When Buddy visited, it made everyone's day.

Shot always called Buddy "hame jaw."

I wonder why. Does anyone know?
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Larry Behm
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Post by Larry Behm »

No one loved Buddy more than Jimmy Crawford. One night in St Louie Jimmy, Russ Hicks, Randy Rienhard (sp), another guy and myself were up in a room shooting the sh.. Jimmy began to talk about Buddy and big old bawl baby tears started running down his face, he loved the Big E. Would loved to have hung around those two when they were together over the years.

I miss them both.
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Eric Philippsen
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Post by Eric Philippsen »

Buddy was born and raised in Mishawaka IN, which adjoins or butts right up against South Bend. Even taken as a whole it was a pretty small. Herb Remington and and Sneaky Pete also hailed from the same place. One thing's for sure, in the company of their names I hesitate to even hint at being from there, too.

Anyway, when Buddy and Jeff Newman took their classes on the road as seminars I took a couple. I had the opportunity to talk with Buddy about that hometown area, the local clubs we both knew, the other steel players around at the time, the fact his dad worked at Bendix and some other subjects. I do remember the far-away look he had in his eyes when he spoke of them all. I think he got a kick out of remembering.

Dang, I will miss him.

[edited to correct mistake - John, you are correct.]
Last edited by Eric Philippsen on 2 Aug 2015 6:26 am, edited 2 times in total.
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Post by John Billings »

I thought Jerry Byrd was from Lima, Ohio?
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Jim Lindsey (Louisiana)
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Post by Jim Lindsey (Louisiana) »

Over the years I've grown to regard Sierra guitars as the well-built high quality steels that they are; but, at the risk of being crucified by a few Sierra players out there, there was a time when (for reasons I can't even put my finger on) I despised Sierra guitars and considered them as bottom-of-the-barrel steels. It was during that time when I had those ill feelings toward Sierra guitars that Buddy got that white Crown he played for awhile ... and it was that guitar that was the catalyst that allowed me to break ice with "The Big E".

I'd known Buddy as an acquaintance (through Gary Hogue) for a few years, but each time I saw him it was always the same; I'd manage to utter "Hello, Mr. Emmons, it's so nice to see you" and then I'd clam up unable to speak. Buddy must have thought me the most bashful steel player to ever live because our encounters were always the same.

Right after Buddy got that white Sierra Crown, Gary Hogue and I were strolling around the Dallas show talking and we spied Buddy and Jimmy Day at Buddy's table/booth in the main ballroom. Gary wanted to say hello to him, so we headed over.

As Gary launched into conversation with Buddy & Jimmy, I just stood there mute and dumb staring at Buddy sitting behind that Sierra guitar. After several moments, Gary remembered me and said, "Hey, Buddy, you remember my friend, Jim?"

Buddy looked at me, smiled brilliantly and said, "Yes, I sure do. What do you think of my new axe?" and he pointed to his Sierra ... what followed was a total surprise to me, Buddy, Jimmy and Gary ...

I just stood there with, I guess, a look of dismay and said, "Oh, man, Buddy, I didn't think you'd stoop so low!" ....... OMG! What did I just say? What did I just do? This was, I'm sure, the last thing in the world Buddy expected to hear ... his jaw dropped open and his expression was one of total shock ... Jimmy day exploded laughing and stood there slapping his knee so hard, his face red with laughing, and we thought he'd have to go outside for some fresh air ... Gary Hogue looked at me in a horrific manner as if I'd just sprouted real devil horns and a tail.

That moment of awkward shocked silence lasted only a brief second or two, but it seemed an eternity for me as I tried to shrink inward and turn invisible ...

Then Buddy burst out laughing and said, "So, why don't you tell me what you really think?" and he joined into genuine good-hearted laughter with Jimmy Day, who still looked on the verge of a complete apoplexy.

In short order, we were all laughing ... actually, loud enough that people around us were beginning to stare ... Buddy looked at Jimmy Day and said, "Looks like the kitten's grown some teeth!" which set Jimmy off again and then Buddy noticed I had my camera and surprised me by saying, "Well, break out that camera and come sit for a photo. This is a real Kodak moment. It's not everyday I get my teeth bashed in at a steel show!" and he exploded laughing again and actually gave me a friendly pat on the shoulder.

Gary took the camera and snapped this picture of me, Buddy and Jimmy ...

Image

The funniest thing was that my blunder had really broken some ice with him. Thereafter, whenever I'd see him at steel shows, we'd talk and laugh and have really nice fun visits.
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Lynn Stafford
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Post by Lynn Stafford »

Larry Behm wrote:Lynn Stafford, Robin Suskind, Chas Smith, John Carter and myself attended a Buddy/Jeff week long seminar in Stockton Ca in the early 80's. Lynn asked Buddy if we called Harley James back in Portland if he would talk to him, no brainer there.

Hello, Harley this is Buddy Emmons,
Buddy Emmons
Yea it really is me.

We all had a good laugh over that one and a great memory for all of us to this day.

I tell all of my students, listen to Buddy, listen to Buddy, listen to Buddy you will be a better steeler if you do.
Well, there is actually more to this story... I hope I get this right.

A few of us had been wondering if Buddy played the Gatlin Brothers hits "Houston" and "The Lady Takes The Cowboy" on E9 or C6. Of course Buddy put us straight when we asked him but our friend, Harley still didn't know for sure. We all felt bad that Harley wasn't able to be there with us, so we wanted to play a prank on him to cheer him up. Of course Harley didn't believe Buddy was actually on the phone but when we asked him to clarify that it was the E9 neck he used on those two songs, he realized he was indeed talking to Buddy and we all burst out laughing.

I have another funny story...

My wife, Kathy and I were at the St Louis convention in 2006 and I think Buddy was trying to decide if he favored a ZumSteel Hybrid or the standard model. I was in the ZumSteel room test driving a D-10 Hybrid, when unbeknownst to me, Buddy was standing there with Bruce Zumsteg watching me play! When I finished up some song I was playing, Bruce walked up to let me know that Buddy wanted to know if I was finished, so he could sit down to play this guitar. At this point, I was a bit flustered, so I certainly wasn't about to play any more with him in my presence. I quickly rose up and stepped aside so Buddy could sit down. My recollection is that he decided in favor of the Hybrid model and played one on the main stage that evening.
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Harold Dye
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Post by Harold Dye »

Back in the the 80's and 90's we had a steel guitar club here in North Alabama and sometimes would have some of the Nashville pickers attending. We were able to get Buddy and Jeff Newman to come and give a seminar and also do some playing. On one occasion Buddy was playing and told a story. He said as a youngster he started taking steel lessons from an instructor. The instructor would have a session with him and then give him a song to practice until the next lesson, I would imagine something he did not like or want to play. He said he would fool around with other things until the next lesson. He said the instructor became so frustrated he told his Dad "this kid will never be a steel player". Needless to say the place erupted in laughter when he told this.
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Chris Templeton
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Post by Chris Templeton »

In Buddy's basement, I remember a picture on his wall of members of the Cherokee Cowboys or Ernest Tubb's group, looking down, all with bald heads.
I asked him what that was all about and he said he had talked the members of the band into shaving their heads mohawk style.
When Ray Price or Ernest Tubb saw this, he said "you have 5 minutes to get that s**t off your heads", so they all had to go bald and use some kind of black grease or shoe polish to paint on "hair" until some hair grew back. There might have been another picture with them in cowboy hats with the added "hair".
(PS I was thinking about the bald heads and they might have even had numbers painted on top. I could be wrong about that).
Last edited by Chris Templeton on 3 Aug 2015 7:04 pm, edited 2 times in total.
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Dan Hatfield
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Post by Dan Hatfield »

I think I posted this story years ago, but I will drop it in here again. I think it was in the mid to late nineties, my lady (at the time) and I made the trip from Missouri to Las Vegas to see the Everly Bros at the Orleans hotel and casino. The main reason I wanted to go was to see Buddy as I was very curious how he would sound sitting in as the band leader for the Everlys. So we go by the hotel the night before the show we were to see, because I wanted to check out the hotel and just see if I might be able to spot Buddy coming out of the showroom after their show that night. Lo and behold we walk into the casino right after the show has ended, and there in the distance I see a familiar figure sitting at the bar with a fan sitting beside him (none other than the Big E). So I go up to him, say hello and tell him we are going to come see him the next night. He says "well, catch me when I walk out after the show and we'll have one at the bar." Sure enough, the next night, after the show, he walks out, recognizes us, and the three of us sit at the bar for about 45 minutes and shoot the bull. Talk about an unforgetable experience! I was amazed at how open he was about his life and experiences. He talked a bit about how when he left Nashville to go to LA to work for Roger Miller, it was mainly because he was so broke he had to have a job. He described how his bar bill seemed to always be more than his pay. I was also touched by his humility as he talked about working with both Ray Charles and Henry Mancini (as alluded to by Bob Taillefer). He seemed so much in awe of both men and was so honored to have had the opportunity to work with them. That night was an experience I will cherish forever.
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Post by Lyle Clary »

In 2007 Buddy was at a steel show in Benton Illinois. Buddy and I were talking and every once in a while I would call him "Bud". A mutual friend whom will remain nameless whispered that he did not like to be called "Bud". I apologized to Buddy and asked ," By the way Buddy what did your Dad call you?" "Bob" he replied and we both had a good laugh.
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Joe Casey
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Post by Joe Casey »

This is one of my favorite Buddy storys.Taken from ask Buddy on the Buddy Emmons web page
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Post by Lyle Clary »

Joe, Smiley retold that story to me at a steel jam Sunday afternoon in Goodlettsville. Oh by the way. Smiley was wearing a derby.
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Roger Rettig
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Post by Roger Rettig »

That was indeed a great night, Joe ( and I wore one of those derbies). Buddy was having issues with his wrist and, when I asked him how it was feeling before the gig, he said: 'It's gonna be a crap-shoot!'.

Of course, he knocked it out of the park even if he was in some discomfort. It was his first time out in a while and and Smiley's prank was great fun - there must have been fifty steel players sitting there including some of Nashville's finest!
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Post by Smiley Roberts »

Thanks Joe Casey for posting that I'm having a hard time with "E" passing. Its always tough losing a friend and it's even tougher when losing a Hero. That particular night he was backing up Johnny Bush at the Midnight Jamboree. It was priceless watching his expression when he looked up and seen us all looking up at him in the Derby's. It is going to take me awhile to get over him being gone.
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Barry Blackwood
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Post by Barry Blackwood »

Buddy and fans..

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Mark Wayne
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Post by Mark Wayne »

My favorite Buddy Emmons story:
Back in 2009, I requested mechanical license from Buddy to record one of his songs.
I didn't know if it was an act of kindness, or humor....ha

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Bobby Burns
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Post by Bobby Burns »

My favorite personal Buddy story happened in the mid 80's at one of the Smokey Mountain Steel Guitar Conventions in Knoxville. I'd been playing in a local band in Chattanooga with Herby Wallace, Little Herby, Gary Davis, and my brother Joey. We were real proud that Herby was playing with us. We played a lot of old standard honky tonk country, and western swing. It was a really good band, but not the kind of thing that was popular in Chattanooga clubs at time.
Anyway, Herby got us to go to the convention to play his set with him. We were a very excited bunch of 20 something year old kids, to say the least.
When we first walked in, we met Buddy and Bobbe Seymore. They came up to our table, and they all just started giving each other a hard time and such. we were amazed that Buddy Emmons knew our friend Herby, and came over to give him a hard time.
Buddy had a nice camera outfit, and was taking pictures of everything all weekend. When we were setting up to play our set, I looked out, and Buddy was kneeling on the floor just right in front of the stage. Herby casually looked up and said, "uhh, Buddy. are you sure you can fit all of me in at that range?" To which Buddy gave a thumbs up and replied, "Don't worry Herb, I've got on the wide angle lens!"
I'm gonna miss them both!
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Mark van Allen
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Post by Mark van Allen »

I've always enjoyed the iconic BE tales of his dedication to the instrument, like practicing in the dark, and practicing nothing but harmonics for hours back stage at the Opry. I've often thought about just how much effort went into his mastery.

Here are a couple of stories from my own experience.
I was playing acoustic guitar studying blues and ragtime when I bought a copy of "Suite Steel". Listening to Buddy's version of "Wichita Lineman" made me go out and buy a steel, and join a band the same day. It was absolutely a mind-bending paradigm shift for me.
One of the things I practiced relentlessly was vibrato, trying to get it smooth and sweet. I thought I was coming along pretty well…
In early 1977 Buddy was touring small clubs and playing shows with local pickup bands. A friend and I showed up right before the downbeat at the show in Michigan, and the only table open was directly in front of Buddy. We snagged it and were treated to personal interchanges all afternoon, including Buddy agreeing to "bless my fingerpicks". But the thing that BLEW my mind was the variety, depth, emotion, color, and musicality in his vibrato. Changing, morphing, through different speeds and feels, from none to deep, fast to tantalizingly slow… I got schooled that day on just how much I hadn't seen and heard, how much there was in each and every small nuance of playing, 3 feet from my nose. Just incredible.

6 or 7 months later I showed up early to Scotty's ISGC and was checking out the vendors. Buddy was sitting at a booth tearing it up on a D-10. Oddly, no one was around, and after a minute he looked up and said hi, possibly recognizing me, and at least acting as if he did! I told him how "Wichita" had grabbed my ear and heart, and asked him about a particular move he did, which he preceded to show me, along with variations and permutations. Amazingly, he patiently waited while I ran and grabbed some paper and repeated what he'd shown me so I could quickly tab it out. I learned some tidbits there that I use to this day. Generous, and kind.

That night they recorded the amazing "1977 Live at Scotty's ISGC" album live in the main ballroom. I still believe Buddy was at the top of his game that year, and that night. I was leaning on the stage apron in front of his guitar, and I swear I can hear myself hollering in the crowd on the recording. To this day, one of the most moving, exciting, and stunning musical experiences of my life. I always recommend any fan of great music in general, but especially steel guitar, seek out that album. Genius and beauty.

I am so grateful for having Buddy and his music in my life.
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Roger Rettig
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Post by Roger Rettig »

Great response, Mark.
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