JCH guitars

Instruments, mechanical issues, copedents, techniques, etc.

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Charlie Moore
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JCH guitars

Post by Charlie Moore »

Anybody know about these guitars,would love to have a couple pics of the under carriage,and a little history...thanks in advance....CM

p/s not sure if I posted in right spot....
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Erv Niehaus
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Post by Erv Niehaus »

These guitars were built by Jimmie Crawford. He was famous for the "Crawford Cluster" knee lever arrangement.
Scott Truax

Jch

Post by Scott Truax »

Charlie,

Try talking with Buck Reid, Tommy Minniear or Gary Rittenberry. I think they might have as much knowledge about JCH as anyone.

Scott
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Jeff Porter
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Post by Jeff Porter »

Jon Graboff started a registry at one time.
He's a member so maybe you can send him a pm.

This might help:
http://bb.steelguitarforum.com/viewtopi ... hlight=jch
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Mitch Ellis
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Post by Mitch Ellis »

I was told that they were built by Jimmy Crawford and John Hughey.

J-Jimmy/John
C-Crawford
H-Hughey

Mitch
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Doug Jones
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Post by Doug Jones »

J - Jenkins (Conway Twitty)
C - Crawford
H - Hughey
Quentin Hickey
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Post by Quentin Hickey »

Jimmy was also a great steel player, I have an Emmons course with him teaching some great stuff.
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Charlie Moore
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JCH guitars

Post by Charlie Moore »

I wonder why Hughey played Zum guitars?,I have acquired a JCH D10,and would like to find a vertical knee lever kit and would love to see the under side cause It looks like something is missing that was in front of the changer,ANY help would be helpful,thanks all replies ....Charlie
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Brett Day
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Post by Brett Day »

I've heard that John played a JCH at one time. I think "Look At Us" was recorded with a JCH
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Walter Stettner
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Post by Walter Stettner »

Don't forget about Lloyd Green's JCH serial# 1054 which he had from 1988 and 2002. What a great guitar this is! :D

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Kind Regards, Walter
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Charlie Moore
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JCH guitars

Post by Charlie Moore »

The ser# on mine is 92LG 922 anybody know what year it is?,still would like a picture of the bottom of a D10,thanks guys I really appreciate your input....CM
Use it up,wear it out,make it do,or do without.....
Paul King
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Post by Paul King »

If my memory serves me right Buck Reid plays a JCH steel guitar.
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Post by Brett Day »

Paul King wrote:If my memory serves me right Buck Reid plays a JCH steel guitar.
He used to play a JCH but now he plays an Infinity
Dean Holman
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Post by Dean Holman »

Hughey had left the JCH company a few years prior to playing Zums. In fact, he even went back to playing Emmons guitars before going with Zums. Jimmy had quit building JCH's around mid nineties to start a new guitar company called Crawford/Parks which never really got off the ground. He made a few design changes on his guitars and went back to building JCH guitars back in the late nineties. I and Buck and a few others had what we called the newer JCH'S.
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Richard Sinkler
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Post by Richard Sinkler »

If I'm not mistaken, I believe the "J" stands for "J"immy and "J"ohn. I believe that's what John told me.
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro (D tuning), Recording King Professional Dobro (G tuning), NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .

Playing for 55 years and still counting.
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Doug Jones
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Post by Doug Jones »

Unless I'm way off the mark, my recollection was John Hughey approached his long time employer Harold Jenkins (aka Conway Twitty) to help fund a steel guitar company he wanted to begin with Jimmy Crawford. Conway agreed to put up the "start" money; thus the J, C & H. Maybe one of the ole Nash-guys from the mid to late '80s can corroborate this story.
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Post by Jerry Hedge »

Doug Jones wrote:Unless I'm way off the mark, my recollection was John Hughey approached his long time employer Harold Jenkins (aka Conway Twitty) to help fund a steel guitar company he wanted to begin with Jimmy Crawford. Conway agreed to put up the "start" money; thus the J, C & H. Maybe one of the ole Nash-guys from the mid to late '80s can corroborate this story.
Doug, that what I've always heard.
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Post by Dean Holman »

The J did stand for Jenkins. That's what I was told from Jimmy because Conway did have an interest in the company and yes, Conway was Harold Jenkins. I can see where the J could've stood for all three but the C and the H already stood for Crawford and Hughey and JCH were the initials of their last names.
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Post by David Nugent »

Met Rusty Parks a few years back in Ct. where he was appearing at a local fair. The 'Crawford/Parks' that he was playing appeared and sounded very similar to the 'JCH' guitars that I had seen and heard.
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Post by Fred Hilburn »

Hey Charlie sent a pm
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Post by Tommy Minniear »

Charlie,
Here is a picture of the changer end of an SD-10 JCH. I believe this is what you were asking about. Jimmie called it the "sound post", like in a violin or fiddle. Others have called it a "tone bar". This is what the scissor assemblies of the changer rest against:

Image

Hope this helps.
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Richard Sinkler
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Post by Richard Sinkler »

I stand corrected. I must have misunderstood what John was saying. I don't remember him mentioning Conway, but that was a long time ago. The memory ain't what it used to be. :\
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro (D tuning), Recording King Professional Dobro (G tuning), NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .

Playing for 55 years and still counting.
Dean Holman
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Post by Dean Holman »

On the newer JCH'S the sound bar was butted up to the endplate. That was one of the changes he had made. I only saw one Crawford/Parks guitar and that guitar went to Russ Hicks. It was an SD10.
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Walter Stettner
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Post by Walter Stettner »

This is Lloyd Green's guitar from the underside:

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Kind Regards, Walter
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Bill Cunningham
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Post by Bill Cunningham »

At the risk of repeating third party info, rumors, gossip, etc. I seem to remember hearing that John parted ways with Jimmie on the JCH business because John wanted to have a consistent product, and Jimmie, ever the inventor, tinkerer, engineer, etc. was constantly refining the design and every guitar was different from the last one!
Bill Cunningham
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