Ideas for 4th pedal changes, E9th
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Alan Harrison
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Ideas for 4th pedal changes, E9th
I presently have the Franklin change on my fourth E9th pedal but don't use it. Would appreciate any ideas on changes I might add to the fourth pedal. I use the Day setup. Thanks.
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Ian Rae
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Alan - while you're waiting you might care to glance at this - I asked a similar question not long ago...
http://bb.steelguitarforum.com/viewtopic.php?t=272661
http://bb.steelguitarforum.com/viewtopic.php?t=272661
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John Swain
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Richard Sinkler
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I do the same. Works much better for me on a pedal than a knee lever.John Swain wrote:Tommy White plays Day and the 1+2 string raise on pedal 4.
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Alan Harrison
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Richard Sinkler
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I lower 5 & 10 on my first ( zero) pedal. I never use it there any more than on a lever. Need to find something else to put on there.
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Alan Harrison
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Thanks For The Suggestions
I put a Norm Hamlet change Larry Petree suggested. Works nice in combo with the A pedal. Lowers the 3rd string to G and raises the 6th string to A. Thanks to all of you who made suggestion, I really appreciate them. I've got them all written down for possible future changes.
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Fred Thompson
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Richard Sinkler
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Yes. I play Day setup. I had the Bb's on my LKV. Didn't use it there, so I put my F#'s to G changes back on there, which I do use. So I put the Bb's on my 5th pedal (my C,B,A pedals are 2,3, and 4) next to the A pedal. Still rarely used it. Decided to split my 2nd string lever into two levers to get rid of the half stop. So, my 1st and 2nd string raises had to go to the floor. I put them on the 5th pedal next to my A pedal. I did like the B to Bb alone to get a II9 sort-of chord. It was identical to the 5th pedal on C6, well, kind of. It was like the lowering of the G string on C6. That is the only thing I use the Bb for. I can live without the minor it produces with a split in the pedals down position.Tom Gorr wrote:Is that because you play the day setup...I would expect 5 and 10 lower should sit next to the A pedal
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Richard Sinkler
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For a better idea of my tuning, here it is:
[tab]
LKL1 LKL2 LKV LKR 1 2 3 4 5 RKL RKR
F#..............G........................G#
D#..C#...................................E....D
G#...............................A
E........D#..........F.......F#
B........................Bb..C#......C#
G#...............................A................F#
F#.............G
E........D#..........F
D
B........................Bb..........C#[/tab]
[tab]
LKL1 LKL2 LKV LKR 1 2 3 4 5 RKL RKR
F#..............G........................G#
D#..C#...................................E....D
G#...............................A
E........D#..........F.......F#
B........................Bb..C#......C#
G#...............................A................F#
F#.............G
E........D#..........F
D
B........................Bb..........C#[/tab]
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro (D tuning), Recording King Professional Dobro (G tuning), NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .
Playing for 55 years and still counting.
Playing for 55 years and still counting.
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Mike Perlowin RIP
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I have the same change, but it's on a zero pedal.Jim Pitman wrote:I have flatting my 3rds, (G#s to G) on my fourth pedal.
Though not a standard E9 thing, seems logical to me.
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Alan Harrison
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Thanks
You have given me many ideas to try and I really appreciate it....
Mullen (Black) Pre G-2 9x7, B.L. 705 PUP's, Evans SE 200 Telonics NEO 15-4, BJS Bar, Peterson Strobo Flip, Steelers Choice Seat, Folgers Coffee and Hilton Pedals.
"I Steel Without Remorse"
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Lee Dassow
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I flatten my G#'s to G on my zero pedal on my 12 string ext.E9th. However this change is on the 4th
pedal on my S-10. I think I prefer it on the zero pedal though. Tennessee Lee
pedal on my S-10. I think I prefer it on the zero pedal though. Tennessee Lee
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Steve Leal
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I recenty purchased a steel with a fourth pedal, and immediately added the change that Earnest Bovine uses. Raise 6th string a whole tone (G# to A#). I am finding it to be very useful in multiple positions.
1. Two frets down from open position, it works well along with A pedal activated and deactivated. Creates a great bluesy scale position.
2. Three frets up from open position, it works in conjunction with Es raised and A pedal. Allows for same cool sounding scale mentioned above but in higher position.
(Note: I also lower my 9th string a half tone on the same lever that lowers my Es. Helps when delivering these scales.
3. When Es are lowered to play B6th position, this pedal along with A pedal gives you the "Girl from Ipanena" lick/chord that is heard on a C6 pedal.
4. When Es are lowered to play minor chord, this raise gives a cool disonent passing note.
Try it, I know you will like it and find even more uses for it!
1. Two frets down from open position, it works well along with A pedal activated and deactivated. Creates a great bluesy scale position.
2. Three frets up from open position, it works in conjunction with Es raised and A pedal. Allows for same cool sounding scale mentioned above but in higher position.
(Note: I also lower my 9th string a half tone on the same lever that lowers my Es. Helps when delivering these scales.
3. When Es are lowered to play B6th position, this pedal along with A pedal gives you the "Girl from Ipanena" lick/chord that is heard on a C6 pedal.
4. When Es are lowered to play minor chord, this raise gives a cool disonent passing note.
Try it, I know you will like it and find even more uses for it!
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Brint Hannay
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