Who gig with a Fender?
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Jean-Sebastien Gauthier
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Who gig with a Fender?
I gig with my Fender 1000 and love it. I have the ABC pedals and Eb lever, I will add the F lever soon, I will have to make a stop because the changer is tuned to F# for the C pedal but its not a big deal.
The C6 neck is tuned to C13 with no pedals, its like my Clinesmith so I can play play my straight steel stuff (I dont like the pedal sound on C6) but if want to add pedals I will be able in the future.
I like the tone and the look, mine play very smooth and stay on pitch. The only thing I don't like is the weight but all this massive wood help for the sound (it sound like a straight steel) and the pitch stability.
I wounder if other gig with a Fender, any story, experience tips?
The C6 neck is tuned to C13 with no pedals, its like my Clinesmith so I can play play my straight steel stuff (I dont like the pedal sound on C6) but if want to add pedals I will be able in the future.
I like the tone and the look, mine play very smooth and stay on pitch. The only thing I don't like is the weight but all this massive wood help for the sound (it sound like a straight steel) and the pitch stability.
I wounder if other gig with a Fender, any story, experience tips?
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Rick Barnhart
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Jean-Sebastien Gauthier
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John Scanlon
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This is the model that's basically a Sho-Bud, right, but with a Fender name badge on the middle in the front? I understand those are definitely solid, giggable guitars.
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Ethan Shaw
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Tim Whitlock
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A 1958 Fender 1000 has been my main guitar for the last 15 years. I absolutely love pretty much everything about it - except the weight as you mentioned, but it is tolerable.
The 1000 is perfect for old school western swing, country and rockabilly. My tunings are D9 with one chromatic (ABC Emmons pedals and pedal 4 lowers the Ds). I have 4 pedals on the C6 neck that give me two different C13s and two versions (7th and minor 7th) of the IV chord. Like Jean-Sebastien, I do not care for the moving tone C6 style. I use the C6 pedals only to change the chord structure.
I find the simple cable system and changer work extremely well, there's no discernable cabinet drop and the pickups are fantastic. I have tried more modern guitars but keep coming back to the 1000. It is the perfect guitar for my music.
The 1000 is perfect for old school western swing, country and rockabilly. My tunings are D9 with one chromatic (ABC Emmons pedals and pedal 4 lowers the Ds). I have 4 pedals on the C6 neck that give me two different C13s and two versions (7th and minor 7th) of the IV chord. Like Jean-Sebastien, I do not care for the moving tone C6 style. I use the C6 pedals only to change the chord structure.
I find the simple cable system and changer work extremely well, there's no discernable cabinet drop and the pickups are fantastic. I have tried more modern guitars but keep coming back to the 1000. It is the perfect guitar for my music.
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John Scanlon
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Whoops - I guess I was thinking of a different model - maybe the "artist" series?
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Robert Parent
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The Fender 1000 is the old cable operated model from the 50's. Dual 8 string necks, most had no knee levers just floor pedals. I played one for the first 3 years I played PSG.John Scanlon wrote:Whoops - I guess I was thinking of a different model - maybe the "artist" series?
John is likely thinking of the late 70's Fender models which were built by Sho Bud.
Robert
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Robert Parent
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Roman Sonnleitner
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Bob Russell
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Jean-Sebastien Gauthier
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Jean-Sebastien Gauthier
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John Ely is my steel teacher and mentor, his the one that encourage to play a Fender cable guitar knowing my taste for music and tone, he help me a lot to setup it well. John is an amazing player with the best touch and tone, a lot like Jerry Byrd but he can swing hard and jazz. He also great on E9 pedal steel.David Nugent wrote:Surprised that no one has mentioned the steel player on the 'Midwest Country' show (believe that his name is John Ely). Great player and that old Fender has one of the sweetest tones that I have heard.
What I like the most about my Fender is that, like a good lap steel, it sound a lot like a guitar. The tone seem the give the notes to the audience in a more direct way. Modern steel sound more sterile to me.
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Tim Whitlock
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Here is a clip of me with my band Ethyl and the Regulars. You may notice I have a 'doo-wah' button installed in place of my tone control.Jean-Sebastien Gauthier wrote:Nice to hear Im not alone! Ethan, Tim, Roman, Bob and Donny is it possible to hear the music you made with your Fender?
https://www.youtube.com/watch?v=L8BN2xJM-Lo
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Roman Sonnleitner
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OK, here we go:
https://www.youtube.com/watch?v=3uX2kC-Wp38
Be gentle, I'm just an amateur, playing the music I love for fun - not a pro like most of you guys here!
https://www.youtube.com/watch?v=3uX2kC-Wp38
Be gentle, I'm just an amateur, playing the music I love for fun - not a pro like most of you guys here!
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Roman Sonnleitner
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Donny Hinson
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Ethan Shaw
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Here's some jazz and Western swing. Some of this is a stringmaster, some of it is my 1000:
http://www.cdbaby.com/cd/ethanshaw
This is all my 1000, Mooney style:
https://m.youtube.com/watch?v=JznMNkiVXRE
Here's my 1000, playing heavy rock:
http://chilicoldblood.bandcamp.com
http://www.cdbaby.com/cd/ethanshaw
This is all my 1000, Mooney style:
https://m.youtube.com/watch?v=JznMNkiVXRE
Here's my 1000, playing heavy rock:
http://chilicoldblood.bandcamp.com
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Bob Carlucci
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These are a few clips of me alone, no band- with my Fender 800 just doodling.. It was a perfectly wonderful steel, and I should never have let it go.. Steel demo 1 and 2 are the Fender 800... Just blowing licks for the most part, but you'll get the idea..
.. Never mind, messed up the link.. In any case the old Fender cable jobs were wonderful steels with a sweet unique voice.. Played very well too, IF you set them up right... bob
.. Never mind, messed up the link.. In any case the old Fender cable jobs were wonderful steels with a sweet unique voice.. Played very well too, IF you set them up right... bob
Last edited by Bob Carlucci on 14 Sep 2014 5:04 am, edited 1 time in total.
I'm over the hill and hittin'rocks on the way down!
no gear list for me.. you don't have the time......
no gear list for me.. you don't have the time......
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Mike DiAlesandro
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Bob Carlucci wrote:These are a few clips of me alone, no band- with my Fender 800 just doodling.. It was a perfectly wonderful steel, and I should never have let it go.. Steel demo 1 and 2 are the Fender 800... Just blowing licks for the most part, but you'll get the idea..
https://soundcloud.com/stream
Bob, you played quite nice on this track!!:
https://soundcloud.com/spongebob-7/untitled-3
I thnk your link is non-functional, it goes directly to Soundclouds main site.
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Tim Whitlock
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My tone pot died so I asked my friend John Pope if we could replace it with a doo-wah button, like the ones on some of the old Gibsons. John designed it and we installed it. It's basically a button type switch, instead of a pot, that routes the highs to ground when activated. There is a regular .047 cap and then another cap which filters out the clicking sound you get when you engage the switch.Roman Sonnleitner wrote:Tell us more!Tim Whitlock wrote: You may notice I have a 'doo-wah' button installed in place of my tone control.
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Jean-Sebastien Gauthier
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Marty Broussard
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I just received my 2000 back from Jim Palenscar. We did some RADICAL mods and I'll be playing this guitar more in the future on my Tracy Byrd Shows. It now has 8&4, no cabinet drop and is now ergonomicaly more comfortable for me to play. When I get back home I plan to post pics of it. (We cut 1-1/2" right out of the center and relocated the neck selector and tone controls between the necks.)
RETIRED
Former steel guitarist for Tracy Byrd & The Byrd Dawgs, Mark Chesnut & The New South Band, Mark Nesler & Texas Tradition, Wayne Toups & ZydeCajun, Belton Richard & The Musical Aces
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin
Former steel guitarist for Tracy Byrd & The Byrd Dawgs, Mark Chesnut & The New South Band, Mark Nesler & Texas Tradition, Wayne Toups & ZydeCajun, Belton Richard & The Musical Aces
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin