Buddy Emmons on Drivin' Nails
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Jack Devereux
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Buddy Emmons on Drivin' Nails
I've been working on Buddy's solo from this version of Drivin Nails in my Coffin (video link below), and am trying to figure out what he's doing at about 2:09. He's bouncing back and forth between a C and an A at the 15th fret, which I'm playing on strings 1 and 6 with the A pedal down. However, it really sounds like he's somehow sliding into the A each time, and in the video, it doesn't look like he's playing the first string. Any thoughts? Also, if anybody knows what type of Sho-Bud that is, and what kind of amp he's running through, I'd love to know.
Thanks!
http://www.youtube.com/watch?v=qnEMOQTh27s
Thanks!
http://www.youtube.com/watch?v=qnEMOQTh27s
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Jack Devereux
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Jack Devereux
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Alrighty, the Tab is finished and can be found here:
http://www.jackdevereux.com/posts/buddy-transcription/
I think this is pretty much right, but if you notice any mistakes or a more elegant way to play something, let me know.
My Grandad, who used to kick around in the country music world as a singer/guitar/fiddle player was over earlier today for family Christmas dinner, and I mentioned to him that I was learning some of Buddy's stuff. He said he got to meet and play with Buddy a couple times, and remembered him as a very nice guy. Pretty cool to hear those stories, definitely inspired me to get up and start practicing as soon as everybody went home... Anyway, merry Christmas, hope you dig this great solo!
http://www.jackdevereux.com/posts/buddy-transcription/
I think this is pretty much right, but if you notice any mistakes or a more elegant way to play something, let me know.
My Grandad, who used to kick around in the country music world as a singer/guitar/fiddle player was over earlier today for family Christmas dinner, and I mentioned to him that I was learning some of Buddy's stuff. He said he got to meet and play with Buddy a couple times, and remembered him as a very nice guy. Pretty cool to hear those stories, definitely inspired me to get up and start practicing as soon as everybody went home... Anyway, merry Christmas, hope you dig this great solo!
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Tom Wolverton
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MIchael Bean
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Jack, as it's been mentioned about using the right leg for the C pedal, you can actually see him shift his body position, so it appears he probably is using the right leg. I would've never thought about doing that!
He does one of my favorite licks at 2:14, over the V7 chord. I copped that same lick last week from the Ray Price Austin City limits video.
He does one of my favorite licks at 2:14, over the V7 chord. I copped that same lick last week from the Ray Price Austin City limits video.
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Lane Gray
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I looked at it again. Yup, you can see his hips move. That's definitely right-footing the C pedal.MIchael Bean wrote:Jack, as it's been mentioned about using the right leg for the C pedal, you can actually see him shift his body position, so it appears he probably is using the right leg. I would've never thought about doing that!
2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects
More amps than guitars, and not many effects
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Jeff MacDonald
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Hi all, is Buddy's solo only on this live version. I just bought the single off Itunes and found out , no solo.
Also does anyone have a the Tubman recording of I Love You so Much it hurts w Buddy?
Thanks,
Jeff
Thanks,
Jeff
Macman
Emmons 93 D10 8x5
Carter Starter
Peavey Nashville 112
55-57 Fender "White" Steel
Bunch a Gtrs n Stuff
Emmons 93 D10 8x5
Carter Starter
Peavey Nashville 112
55-57 Fender "White" Steel
Bunch a Gtrs n Stuff
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Bobby Boggs
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Henry, this may have already been covered. And I don't know Buddy's exact pedal set-up for that time period. But on many of the early E9 set-ups from that time period. The C pedal didn't include the 5 string raise. Only the 4th string raise. Or maybe the 4th and something else. But not 4 and 5. Hope this makes sense.Why would you want to use your other foot for the C pedal? Y'all lost me.
b.
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Jeff Mead
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I assumed he had a standard C pedal setup. You can hear him playing the A and B pedals down chord and then raising the E string to an F# separately with the C pedal. Since the B is already raised a tone with the A pedal, the C pedal is just raising the E string a tone.Bobby Boggs wrote:Henry, this may have already been covered. And I don't know Buddy's exact pedal set-up for that time period. But on many of the early E9 set-ups from that time period. The C pedal didn't include the 5 string raise. Only the 4th string raise. Or maybe the 4th and something else. But not 4 and 5. Hope this makes sense.Why would you want to use your other foot for the C pedal? Y'all lost me.
b.
In other words, he's raising the 5th note of the chord to a 6th.
You can get a similar effect by playing the chord 5 frets higher, no pedals and engaging the A pedal to raise the B string a tone but on the video clip, you can see he leaves the bar where it is and brings his right foot over.
The only thing I don't like about my Day setup is that it's impossible to do this trick
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Lane Gray
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I bet he didn't even play it like that all the time.Jeff MacDonald wrote:Hi all, is Buddy's solo only on this live version. I just bought the single off Itunes and found out , no solo.Also does anyone have a the Tubman recording of I Love You so Much it hurts w Buddy?
Thanks,
Jeff
If the show had been the day before or after, his mood would have been different, and so would the ride.
2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects
More amps than guitars, and not many effects
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Henry Matthews
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Day player can play this easy, just move right foot to A & B and pump C with left foot. I'm Day player and tried it and did it first time but as Lane said, a little forethought but don't we use forethought anyway.
Play Day, the only way
Play Day, the only way
Henry Matthews
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.