I am losing my chops
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Tony Glassman
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David Wright
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Larry Behm
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I found the answer, move to Phoenix. Since coming back in Nov I have really noticed joint stiffness.
Gosh I guess what they say is true.
Do not let Patti see this and do not call her, she would have us packed up and out of here in a week.
Larry Behm
Gosh I guess what they say is true.
Do not let Patti see this and do not call her, she would have us packed up and out of here in a week.
Larry Behm
'70 D10 Black fatback Emmons PP, Hilton VP, BJS 3 1/2” long bar, Boss GE-7 for Dobro effect, Zoom MS50G, Quilter Toneblock 202 and Quilter TT 15 cab with JBL K130, Joyo Ebow.
Fred Kelly D3-H-8 Delrin speed pick (White), Dunlop finger picks-.0225
Phone: 971-219-8533
Fred Kelly D3-H-8 Delrin speed pick (White), Dunlop finger picks-.0225
Phone: 971-219-8533
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Dave Bertoncini
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Gary Lee Gimble
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Larry,
If I may be so bold and respectfully suggest, for the remainder of your life, purchase another 15K worth of effects. You'll be so busy tweaking and reporting said toys, diminishing chops will no longer, will not ever, be a topic De Jour

If I may be so bold and respectfully suggest, for the remainder of your life, purchase another 15K worth of effects. You'll be so busy tweaking and reporting said toys, diminishing chops will no longer, will not ever, be a topic De Jour
Assorted gear and a set of hands...
https://www.facebook.com/garythelee
https://www.youtube.com/user/ZumEmm
https://www.facebook.com/garythelee
https://www.youtube.com/user/ZumEmm
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Alan Tanner
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Larry Hamilton
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Larry Behm
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I have been working 2 night a week for the last 3 years.
Larry
Larry
'70 D10 Black fatback Emmons PP, Hilton VP, BJS 3 1/2” long bar, Boss GE-7 for Dobro effect, Zoom MS50G, Quilter Toneblock 202 and Quilter TT 15 cab with JBL K130, Joyo Ebow.
Fred Kelly D3-H-8 Delrin speed pick (White), Dunlop finger picks-.0225
Phone: 971-219-8533
Fred Kelly D3-H-8 Delrin speed pick (White), Dunlop finger picks-.0225
Phone: 971-219-8533
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John De Maille
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Yes, but, I've found that, that only works with a steel friendly band. I worked many shows where I'm restricted to regimented confines of playing. Very restricted with no chance for improvisation. You get to play, but, it's lke a dog with a muzzle. If you can work with a band that really appreciates the steel, that gives you a free hand, then, you can experiment and play more freely. One band that I used to work with was like that. The guitar player and I worked out our parts on stage and traded licks and took turns backing up the singer. It was very successful and I was able to really hone my craft to a fine knife edge. Of course, that was yesterday and gigs were plentiful, back then. Nowadays, I play part time in a band, where, I have freedom to play, but, the gigs are not regular. So, the ring rust is showing and my skills aren't what they were, which, is also affected by my age. The desire is there, but, the ability is waning. I'm at a different plateau now. It's hard to accept, but, it is what it is, I guess.Dave Grafe wrote:I would venture that if you were playing shows several nights a week like you use to do your chops would soar...
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Bob Carlucci
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You stated it well John.. Pretty common scenario that many of us can relate to.. However, I have heard you play, and you have plenty of ability.John De Maille wrote:Yes, but, I've found that, that only works with a steel friendly band. I worked many shows where I'm restricted to regimented confines of playing. Very restricted with no chance for improvisation. You get to play, but, it's lke a dog with a muzzle. If you can work with a band that really appreciates the steel, that gives you a free hand, then, you can experiment and play more freely. One band that I used to work with was like that. The guitar player and I worked out our parts on stage and traded licks and took turns backing up the singer. It was very successful and I was able to really hone my craft to a fine knife edge. Of course, that was yesterday and gigs were plentiful, back then. Nowadays, I play part time in a band, where, I have freedom to play, but, the gigs are not regular. So, the ring rust is showing and my skills aren't what they were, which, is also affected by my age. The desire is there, but, the ability is waning. I'm at a different plateau now. It's hard to accept, but, it is what it is, I guess.Dave Grafe wrote:I would venture that if you were playing shows several nights a week like you use to do your chops would soar...
Lets imagine a good local band gave you a call.. They play well, often, and loved the steel, and allowed you to shine...
Your playing would quickly become very satisfactory to your ear.. You just aren't playing as much,, and probably not playing with the same level musicians as you did years ago... I can relate...bob
I'm over the hill and hittin'rocks on the way down!
no gear list for me.. you don't have the time......
no gear list for me.. you don't have the time......
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Tony Glassman
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I've never been satisfied w/ my chops.
Playing 2 days a week or month is usually just about enough to get get over the initial frustration and settle in.
Only when when I played 6-7 nights/week, was I relaxed enough to play fluidly and get my thoughts across.........but,never satisfied. I always thought my chops could improve.
Playing 2 days a week or month is usually just about enough to get get over the initial frustration and settle in.
Only when when I played 6-7 nights/week, was I relaxed enough to play fluidly and get my thoughts across.........but,never satisfied. I always thought my chops could improve.
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Mark van Allen
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Great thread, and thanks everyone for the contributions.
I never got caught up in too much desire for speed, beyond what I wanted to express my feelings at the moment, and concentrated instead on tone and more fluid expression. But after a cervical injury a few years back, I found myself mostly recovered except for some numbness in my right hand, and a slowly worsening disconnect between what my brain "sends" and the fingers "receive". I'm not sure it matters much to anyone but me, but it's hard to no longer be able to play everything I want, and have to make adjustments. I see a definite loss of speed and articulation, and a few "licks" or movements I simply can't do at all any more. Aging sucks... but I'm doing my best to reframe my own expectations.
I never got caught up in too much desire for speed, beyond what I wanted to express my feelings at the moment, and concentrated instead on tone and more fluid expression. But after a cervical injury a few years back, I found myself mostly recovered except for some numbness in my right hand, and a slowly worsening disconnect between what my brain "sends" and the fingers "receive". I'm not sure it matters much to anyone but me, but it's hard to no longer be able to play everything I want, and have to make adjustments. I see a definite loss of speed and articulation, and a few "licks" or movements I simply can't do at all any more. Aging sucks... but I'm doing my best to reframe my own expectations.
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Rick Schacter
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Jim Hoke
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Hey Larry - Now you'll sound better because you'll be playing what's good for the song rather that what shows you off as a player. Make better choices for what you can still do. For me, steel guitar is about the sound, emotion and expression, which have nothing to do with speed. Leave the hot licks to the young hotshots.
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Damir Besic
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Herb Steiner
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I thought I was doing okay, until I read a Bill Hankey post in which he confronted one of his critics and challenged his antagonist's ability on steel guitar by saying "let's see how fast you play Orange Blossom Special,"
When I read that, I knew I was in the deep end of the pool without my water wings, and realized that, if that's the criteria for steel proficiency, I'm sunk and might as well sell all my gear.
The hunt, as you might well imagine, is over.

When I read that, I knew I was in the deep end of the pool without my water wings, and realized that, if that's the criteria for steel proficiency, I'm sunk and might as well sell all my gear.
The hunt, as you might well imagine, is over.
My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
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Donny Hinson
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