What size bar do you use?
Moderator: Dave Mudgett
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Mike Perlowin RIP
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What size bar do you use?
I use a 3&1/2 by 1".
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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Jerry Overstreet
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Jim Pitman
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Bent Romnes
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I use a 15/16 X 3 1/2" 17PH stainless steel bar.
Had it custom turned and finished to a silky smoothness& checked with an ultrasound machine for smoothness
Had it custom turned and finished to a silky smoothness& checked with an ultrasound machine for smoothness
BenRom Pedal Steel Guitars
https://www.facebook.com/groups/212050572323614/
https://www.facebook.com/groups/212050572323614/
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Donny Hinson
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Daniel Policarpo
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I assumed when I got my Dunlop bar that it was a 920, but now I am not so sure. It's pretty heavy, and a buddy of mine, the only other steeler I know personally, his bar is lighter and easier to move around for faster stuff. He says his is a Dunlop 920. But I do like how my bar sounds.
3 1/4" X 7/8", weight ???.
3 1/4" X 7/8", weight ???.
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Ken Byng
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3&3/8" x 7/8" BJS, but would use a 1" dia. bar when I can get hold of one made by BJS. The extra weight does make a difference.
Show Pro D10 - amber (8+6), MSA D10 Legend XL Signature - redburst (9+6), Sho-Bud Pro 111 Custom (8+6), Emmons black Push-Pull D10 (8+5), Zum D10 (8x8), Hudson pedal resonator. Telonics TCA-500, Webb 614-E,
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Lane Gray
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Joe Naylor
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my 2 cents worth
I made a bunch of bars a few years ago. If you want to hear lots of opinions just start trying to sell bars.
The hollow bar discussion got real funny, just like the people that would say "I can't believe anyone would use _______ " fill in the blank with their favorite bar.
On at least 2 or 3 occasion I had players that I would class as people that are very particular about their tone. I simply ask them to try a hollow bar that was the same diameter and length as the one they had used for many years. On each occasion they were surprised there was no change in tone (according to them) also NONE of them could believe it.
I decided that bars are like women, politics and religion - DO NOT TRY TO CHANGE SOMEONE'S MIND ON ANY OF THE FOUR.
My observation was just listen to all the people's ideas and sell them what THEY told you was the best.
Oh, by the way steelseats is the same way.
Joe Naylor
www.steelseat.com
The hollow bar discussion got real funny, just like the people that would say "I can't believe anyone would use _______ " fill in the blank with their favorite bar.
On at least 2 or 3 occasion I had players that I would class as people that are very particular about their tone. I simply ask them to try a hollow bar that was the same diameter and length as the one they had used for many years. On each occasion they were surprised there was no change in tone (according to them) also NONE of them could believe it.
I decided that bars are like women, politics and religion - DO NOT TRY TO CHANGE SOMEONE'S MIND ON ANY OF THE FOUR.
My observation was just listen to all the people's ideas and sell them what THEY told you was the best.
Oh, by the way steelseats is the same way.
Joe Naylor
www.steelseat.com
Joe Naylor, Avondale, AZ (Phoenix) Announcer/Emcee owner www.steelseat.com *** OFFERING SEATS AND Effects cases with or without legs and other stuff ****** -Desert Rose Guitar S-10, Life Member of the Arizona Carport Pickers Assoc., Southwest Steel Guitar Assoc., Texas Steel Guitar Assoc., GA Steel Guitar Assoc., KS Steel Guitar Assoc. (Asleep at the Steel) tag line willed to me by a close late friend RIP
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Joseph Meditz
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Michael Hummel
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So...in complete naivete (that's a French word for you 'mericans) I bought my guitar 6 months ago from a nice fellow up the valley. Because I was paying the full asking price, he threw in a Goodrich pedal, a couple of decent cables, an instructional video, some thumb and finger picks, and a bar. All of these to get me started. Everything seemed pretty fine to me.
Turns out the bar is one of those super-duper BJs bars, which according to most, is the best bar going.
Darn, I guess those bad notes are due to me still learning and not the bar!
Mike H.
Turns out the bar is one of those super-duper BJs bars, which according to most, is the best bar going.
Darn, I guess those bad notes are due to me still learning and not the bar!
Mike H.
MSA Classic 5+4
Too many 6-strings and amps to list
Too many 6-strings and amps to list
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Roger Rettig
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I have three BJS 15/16" bars in rotation. I find that the 7/8" bars I used to use no longer seem to 'fill my hand'.
I once bought another BJS from someone here on the Forum - he'd said it was a 15/16" but, when it arrived, it turned out to be a 1" bar. There was no malice intended, he just was mistaken. I didn't send it back, however, but tried it and found I quite liked it.
Whether or not it's true I remain convinced that the more weight in the bar the more satisfactory is my tone. The 1" bar does make the upper frets 'disappear' but I'm getting better with it.
I once bought another BJS from someone here on the Forum - he'd said it was a 15/16" but, when it arrived, it turned out to be a 1" bar. There was no malice intended, he just was mistaken. I didn't send it back, however, but tried it and found I quite liked it.
Whether or not it's true I remain convinced that the more weight in the bar the more satisfactory is my tone. The 1" bar does make the upper frets 'disappear' but I'm getting better with it.
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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Mike Perlowin RIP
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Jim, you obviously didn't see the 1998 Godzilla
movie starring Matthew Broderick. It was made very clear, size does matter.
But seriously, I have a reason for asking. My friend Mary Faith Pearse (John's widow) is thinking of making more of the cryogenically frozen bars, and wants to know what size to make them.
I think that the John Pearse frozen bar is at least as good as the BJS, and maybe even a little bit better. It seems to me that it produces a slightly brighter and louder tone.
But seriously, I have a reason for asking. My friend Mary Faith Pearse (John's widow) is thinking of making more of the cryogenically frozen bars, and wants to know what size to make them.
I think that the John Pearse frozen bar is at least as good as the BJS, and maybe even a little bit better. It seems to me that it produces a slightly brighter and louder tone.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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Jim Priebe
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I use a 3 5.8” X 15/16” stainless bar hollowed out (drilled to reduce the weight). It suits me better than any others I have used and I certainly didn’t notice any reduction in tone. You just need one that has sufficient mass (see below) and suits your hand and muscle co-ordination – that’s why one bar suits ‘Bil’l and another suits ‘Ben’.
Sorry if I move slightly off the subject of the post but, I find the statement that Mass = Tone to be – well, misguided or perhaps an over simplification to be kind. So to take this to a logical progression – if I had a 4” (long) x 4” round (lots of mass) with a suitable hand grip, the tone would surpass any thing on the planer – I think not. Obviously the material the bar is made of can effect the tone.
I am no scientist but I do love watching an oscilloscope hooked to the output signal as they tend to take the dreaming out of people’s ears. The bar for a pedal steel only needs to have sufficient mass to overcome any rapid transference of energy from the string/s (is not too light) so that the string vibration does not decay into the bar ie. It maintains the maximum sustain that the particular guitar is capable of. It also needs to suit the player’s hand etc. as above. That’s why dobro players (or when using a Dobro simulator) etc. use their type of bar to get the tone they want or a slide player uses a bottle neck – to get ‘that’ tone – they want a particular type of string vibration decay and why we see so many variations of favourite bars as per this post.
Sorry if I move slightly off the subject of the post but, I find the statement that Mass = Tone to be – well, misguided or perhaps an over simplification to be kind. So to take this to a logical progression – if I had a 4” (long) x 4” round (lots of mass) with a suitable hand grip, the tone would surpass any thing on the planer – I think not. Obviously the material the bar is made of can effect the tone.
I am no scientist but I do love watching an oscilloscope hooked to the output signal as they tend to take the dreaming out of people’s ears. The bar for a pedal steel only needs to have sufficient mass to overcome any rapid transference of energy from the string/s (is not too light) so that the string vibration does not decay into the bar ie. It maintains the maximum sustain that the particular guitar is capable of. It also needs to suit the player’s hand etc. as above. That’s why dobro players (or when using a Dobro simulator) etc. use their type of bar to get the tone they want or a slide player uses a bottle neck – to get ‘that’ tone – they want a particular type of string vibration decay and why we see so many variations of favourite bars as per this post.
Priebs GFI ('09)Short-Uni10. GFI ('96)Short-Uni SD11. ('86)JEM U12
www.steelguitardownunder.com
www.steelguitardownunder.com
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Adrian Wang
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