Your opinion on the Emmons Legrandes
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Daniel McKee
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Your opinion on the Emmons Legrandes
I have heard a couple of these in person and was very impressed with what I heard and even though I really like Shobuds I wanna know more about the emmons LL2 and the one before that the Legrande I tried a pushpull once and also liked it a lot but I found a lot of info on them its the later emmons guitars I cant find much on so tell me why you like your emmons LL2 or legrande are these guitars good in your opinion just tell me a little about them.
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Daniel McKee
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Hook Moore
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Bent Romnes
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Daniel,
A good friend of mine, Peewee Charles is a recording artist and touring steel player. He played a LG III from 2002- 2011 He told me that this was the best recording guitar he has ever had. IMHO, that means a lot. I have had the opportunity to listen to this guitar on many occasions and also compare to another known brand. The Emmons sounds great and has a marked difference in tone compared to the other brand.
A good friend of mine, Peewee Charles is a recording artist and touring steel player. He played a LG III from 2002- 2011 He told me that this was the best recording guitar he has ever had. IMHO, that means a lot. I have had the opportunity to listen to this guitar on many occasions and also compare to another known brand. The Emmons sounds great and has a marked difference in tone compared to the other brand.
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Jerry Roller
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Bent Romnes
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Billy, I agree, that sums it up.
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Herb Steiner
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I will chime in to say that I have owned 4 guitars of the LeGrande series including 2 SKH models. My current one is a Lashley LeGrande with 9p/8k, and the 4-hole bellcranks and Emmons single coil pickups wound to 17.5k. Since I don't have the others here anymore, I can't compare them to each other, but I do enjoy the sound of the Lashley and it's a fully loaded guitar.
That said, I still prefer the sound of my Push-pulls, of which I own five. To me, they have the classic Emmons sound that represents the brand. But of the current herd of all-pull guitars on the market, the LeGrande series is the most representative in vibe, feel, and tone of what the seekers of the Emmons experience are looking for.
That said, I still prefer the sound of my Push-pulls, of which I own five. To me, they have the classic Emmons sound that represents the brand. But of the current herd of all-pull guitars on the market, the LeGrande series is the most representative in vibe, feel, and tone of what the seekers of the Emmons experience are looking for.
My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
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Tim Tyner
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Daniel McKee
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Glenn Thompson
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Thanks to Billy Knowles, I am now the proud owner of a new black LeGrande III! It plays and sounds great. I have previously had a P/P and a LeGrande and they were good guitars as well. After many years of playing in all kinds of venues, I can say they're very durable. And Billy is a very nice and knowledgeable guy to deal with, setting my pedals exactly as I wanted.
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Larry Gerdeman
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Daniel McKee
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Larry Gerdeman
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Daniel McKee
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Herb Steiner
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Daniel
Really, all guitars are individuals and sound different from each other in various ways. Density of the wood planks, the torque of the screws holding the metal components to the cabinet, the brand and age of the strings (whether nickel or stainless, for example), the pickups on the guitar, and more.
I've had PP's that sounded radically different from each other, and I've heard LeGrandes that sounded different from each other, even within the same vintage.
So asking which guitar operates best, sounds best, etc. is really an unanswerable question. All the LeGrandes basically can operate the same and be setup to perform the same. The tone of each individual guitar can vary because of the factors I listed above and more.
One important factor not discussed but factors into a picker's decision is actually a visual one; namely, do you visualize yourself, in your mind's eye, behind an Emmons guitar? If so, that's the brand you will find yourself returning to time and time again.
Like me. I've owned and professionally played Fenders, Sho~Buds, Marlens, Mullen, and Star guitars. I keep returning to the Emmons Original (the so-called "push-pull") because of its sound, its familiarity, and its vibe. Good Lord willing and the creek don't rise, it's the guitar upon which I'll be picking my way into the sunset of my years.
Really, all guitars are individuals and sound different from each other in various ways. Density of the wood planks, the torque of the screws holding the metal components to the cabinet, the brand and age of the strings (whether nickel or stainless, for example), the pickups on the guitar, and more.
I've had PP's that sounded radically different from each other, and I've heard LeGrandes that sounded different from each other, even within the same vintage.
So asking which guitar operates best, sounds best, etc. is really an unanswerable question. All the LeGrandes basically can operate the same and be setup to perform the same. The tone of each individual guitar can vary because of the factors I listed above and more.
One important factor not discussed but factors into a picker's decision is actually a visual one; namely, do you visualize yourself, in your mind's eye, behind an Emmons guitar? If so, that's the brand you will find yourself returning to time and time again.
Like me. I've owned and professionally played Fenders, Sho~Buds, Marlens, Mullen, and Star guitars. I keep returning to the Emmons Original (the so-called "push-pull") because of its sound, its familiarity, and its vibe. Good Lord willing and the creek don't rise, it's the guitar upon which I'll be picking my way into the sunset of my years.
My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
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Per Berner
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I owned a D-10 Legrande II for about five years, until I got my Hybrid Zum. Here's my opinions, for what they're worth:
1. Sounds really good
2. Looks really good
4. Plays well, stays in tune and feels precise.
3. The vertical knee lever was awkward and uncomfortable to use.
4. The little e-clips that fix the rods to the bellcranks are very annoying. You'll need a big stash of them if your'e going to change things around. They will fly across the room and you will never find them.
5. The way the cross shafts are mounted in the aprons, spring loaded and near impossible to get out, is NOT a good idea.
1. Sounds really good
2. Looks really good
4. Plays well, stays in tune and feels precise.
3. The vertical knee lever was awkward and uncomfortable to use.
4. The little e-clips that fix the rods to the bellcranks are very annoying. You'll need a big stash of them if your'e going to change things around. They will fly across the room and you will never find them.
5. The way the cross shafts are mounted in the aprons, spring loaded and near impossible to get out, is NOT a good idea.
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Daniel McKee
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Daniel McKee
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Jake L
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Daniel McKee
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