Nice '50s Dual 8 Stringmaster Just Up on Ebay
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Doug Freeman
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VINTAGE 1950's FENDER STRINGMASTER DUAL 8 STR LAP STEEL
It didn't last long...
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Jim Newberry
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Yep, somebody saw it...
So, serial #1074 should put that 1954-1955? To be sure, I'll (er, I mean whoever bought it will) pop the tuner pans off to be sure. Darn thing looks almost new.
So, serial #1074 should put that 1954-1955? To be sure, I'll (er, I mean whoever bought it will) pop the tuner pans off to be sure. Darn thing looks almost new.
"The Masher of Touch and Tone"
-1950 Fender Dual Pro 8
-1950's Fender Dual Pro 6
-Clinesmith D8
-Clinesmith 8-string Frypan
-Clinesmith Joaquin
-~1940 National New Yorker
-~1936 Rickenbacher B6
-Homebuilt Amps
-1950 Fender Dual Pro 8
-1950's Fender Dual Pro 6
-Clinesmith D8
-Clinesmith 8-string Frypan
-Clinesmith Joaquin
-~1940 National New Yorker
-~1936 Rickenbacher B6
-Homebuilt Amps
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Ron Whitfield
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Hugh Holstein
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Ron Whitfield
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Erv Niehaus
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Jim Newberry
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I've had experience with the lollypops on my trap-pickup D-6. They don't taste very good. Sorta like solder, if you know what I mean.
"The Masher of Touch and Tone"
-1950 Fender Dual Pro 8
-1950's Fender Dual Pro 6
-Clinesmith D8
-Clinesmith 8-string Frypan
-Clinesmith Joaquin
-~1940 National New Yorker
-~1936 Rickenbacher B6
-Homebuilt Amps
-1950 Fender Dual Pro 8
-1950's Fender Dual Pro 6
-Clinesmith D8
-Clinesmith 8-string Frypan
-Clinesmith Joaquin
-~1940 National New Yorker
-~1936 Rickenbacher B6
-Homebuilt Amps
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chas smith R.I.P.
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Jim Newberry
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Doug, I read the last three digits of two of those pots as 547, so I guess that's late-ish 1955. Hopefully, the tuner cavities still have the pencil dates. I love the mystery. By the fingerboard dot-method, I see it's a short scale, not like Erv's long monsters!Doug Freeman wrote:As I recall the pots on the eBay guitar are dated 1955. What scale neck is that one, btw?
Did they shield pickup cavities back then? I've never had a Stringmaster before...
(This is the seller's picture)

"The Masher of Touch and Tone"
-1950 Fender Dual Pro 8
-1950's Fender Dual Pro 6
-Clinesmith D8
-Clinesmith 8-string Frypan
-Clinesmith Joaquin
-~1940 National New Yorker
-~1936 Rickenbacher B6
-Homebuilt Amps
-1950 Fender Dual Pro 8
-1950's Fender Dual Pro 6
-Clinesmith D8
-Clinesmith 8-string Frypan
-Clinesmith Joaquin
-~1940 National New Yorker
-~1936 Rickenbacher B6
-Homebuilt Amps
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Erv Niehaus
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Jim Newberry
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Erv Niehaus
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I would also like to hear some feedback on whether or not the pickup cavities on Fenders were shielded. I recently picked up a '56 Stringmaster with foil shielding much like yours, Jim. I also have a '57 Studio Deluxe with no shielding in the cavity. My guess is that this was done by a previous owner. I guess it couldn't hurt and probably doesn't compromise the value of the guitar. My Sringmaster was in pretty good shape but I think you scored the Holy Grail.
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Hugh Holstein
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The aluminum foil shielding is original, glued down with a real dark shellac.
Noteworthy is the yellow wire connecting the switch, and I would like to know what is the black material that is between the switch and bridge plate (mine is missing that).
BTW Erv, I will have one just like that when mine is done, it will be a 24.5" scale that I will make from an orphaned 1955 stringmaster neck.
Noteworthy is the yellow wire connecting the switch, and I would like to know what is the black material that is between the switch and bridge plate (mine is missing that).
BTW Erv, I will have one just like that when mine is done, it will be a 24.5" scale that I will make from an orphaned 1955 stringmaster neck.


