Delay pedal that doesn't thin tone?
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Dan Beller-McKenna
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Delay pedal that doesn't thin tone?
I use a DD-3, which I'm pretty happy with as a simple, inexpensive delay box. However, in noticeably thins my tone, which I find problematic. I had the same problem (perhaps more so) with the Boss RV-3.
Is there a delay pedal that doesn't alter tone? Maybe the DL-8? I find that the RV-7 doesn't affect my tone.
Any suggestions are welcome. Thanks.
Dan
Is there a delay pedal that doesn't alter tone? Maybe the DL-8? I find that the RV-7 doesn't affect my tone.
Any suggestions are welcome. Thanks.
Dan
Last edited by Dan Beller-McKenna on 26 Apr 2011 12:45 pm, edited 1 time in total.
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Tim Marcus
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Check out the Malekko Ekko. It's got a buffer on the front end that you can switch on and off. Usually it's an impedance mismatch that will thin you out. It's the best delay pedal I've heard yet thats not a vintage one.
Otherwise I love my Ibanez AD99.
I find that many of the new pedals can't handle the impedance of the PSG pickups. They either thin the sound or crackle. Neither is good.
http://malekkoheavyindustry.com/index.p ... edals/ekko
Otherwise I love my Ibanez AD99.
I find that many of the new pedals can't handle the impedance of the PSG pickups. They either thin the sound or crackle. Neither is good.
http://malekkoheavyindustry.com/index.p ... edals/ekko
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Kevin Hatton
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chas smith R.I.P.
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You might look into the Pigtronix Echolution. I have one and it's served me well.
http://www.pigtronix.com/products08/echolution.html
The Boss Giga Delay is also decent.
http://www.pigtronix.com/products08/echolution.html
The Boss Giga Delay is also decent.
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Daniel Morris
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I agree with Chas, the Echolution is a good choice.
I just sold my Damage Control TimeLine delay, and if you find one of those used - or just wait for the second version, as I am - you'll be very pleased with the rich sound you get. Damage Control morphed into Strymon, and many posters on The Gear Page love their Brigadier (analog sim) or El Capistan (tape sim) delays.
Haven't had good luck with analog delays, but there are quite a few options. Dealers like www.tonefactor.com or www.proguitarshop.com are very reputable, and if you really don't like something you bought, they offer a return/refund policy that's great.
I just sold my Damage Control TimeLine delay, and if you find one of those used - or just wait for the second version, as I am - you'll be very pleased with the rich sound you get. Damage Control morphed into Strymon, and many posters on The Gear Page love their Brigadier (analog sim) or El Capistan (tape sim) delays.
Haven't had good luck with analog delays, but there are quite a few options. Dealers like www.tonefactor.com or www.proguitarshop.com are very reputable, and if you really don't like something you bought, they offer a return/refund policy that's great.
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Effectrode, Empress, Eventide, Pigtronix.
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Franklin
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Daniel Morris
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Strymon is certainly a top-shelf builder. I have a blueSky Reverberator that offers a range of quality reverbs; with the MOD switch, you get thicker (modulated) reverb. www.strymon.net
One reason I still have an Echolution is that a delay can be tapped in up to something like 15 seconds.
Really nice for creating a sort of loop, although it has a separate looping function.
One reason I still have an Echolution is that a delay can be tapped in up to something like 15 seconds.
Really nice for creating a sort of loop, although it has a separate looping function.
1979 MSA U12 Pedal Steel
1982 Kline U12 Pedal steel
2019 Sierra U12 Pedal Steel
2011 Bear Creek MK Weissenborn
Milkman 40W Mini amp w/Telonics 15" speaker.
Dr. Z Surgical Steel w/TT 15" speaker.
Frenzel MB-50 head.
Effectrode, Empress, Eventide, Pigtronix.
1982 Kline U12 Pedal steel
2019 Sierra U12 Pedal Steel
2011 Bear Creek MK Weissenborn
Milkman 40W Mini amp w/Telonics 15" speaker.
Dr. Z Surgical Steel w/TT 15" speaker.
Frenzel MB-50 head.
Effectrode, Empress, Eventide, Pigtronix.
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Dan Beller-McKenna
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Thanks for all the great feedback folks. The Echolution and Strymon pedals look fabulous, but might be overkill for the little bit of delay I use and the Bar-room-acoustical-reality I tend to work in.
I might start with the Malekko and go from there.
Daniel, thanks for the links to the Proguitarshop and tonefactor sites. Their return policies will allow me to try out some options. Who knows, I might end up with one of the more professional pedals when all is said and done.
Thanks,
Dan
Daniel, thanks for the links to the Proguitarshop and tonefactor sites. Their return policies will allow me to try out some options. Who knows, I might end up with one of the more professional pedals when all is said and done.
Thanks,
Dan
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Jerry Overstreet
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I'm not aware that the Boss series digital pedals and delays thin tone. I know the sort of doubling effect may enhance the overall sound in all frequencies, unless you're using so much as to wash out the initial sound.....but I defer to your ears.
As mentioned, the analog delays would probably be your ticket or any one of those that are modded with or have the HI-CUT circuitry built in.
Sounds like you're just using a halo of delay anyway, so these hi end units would appear to be overkill. Anyway, most stomp boxes darken your tone, so I would think that would be the biggest issue rather than adding hi end.
The analog units like the AD9, AD80, AD99 Ibanez units are great, but good luck finding one at a decent price.
Best of luck in getting it sorted out.
As mentioned, the analog delays would probably be your ticket or any one of those that are modded with or have the HI-CUT circuitry built in.
Sounds like you're just using a halo of delay anyway, so these hi end units would appear to be overkill. Anyway, most stomp boxes darken your tone, so I would think that would be the biggest issue rather than adding hi end.
The analog units like the AD9, AD80, AD99 Ibanez units are great, but good luck finding one at a decent price.
Best of luck in getting it sorted out.
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Tom Wolverton
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I had Analogman do a mod to my DD-3. I think the tone is great.
http://www.buyanalogman.com/Boss_DD_3_H ... -hicut.htm
http://www.buyanalogman.com/Boss_DD_3_H ... -hicut.htm
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Bill Moore (RIP)
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Franklin
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Dan Beller-McKenna wrote:Thanks for all the great feedback folks. The Echolution and Strymon pedals look fabulous, but might be overkill for the little bit of delay I use and the Bar-room-acoustical-reality I tend to work in.I might start with the Malekko and go from there.
Daniel, thanks for the links to the Proguitarshop and tonefactor sites. Their return policies will allow me to try out some options. Who knows, I might end up with one of the more professional pedals when all is said and done.
Thanks,
Dan
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Michael Brebes
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Usually Boss pedals won't thin tone. You haven't given us any idea as to what you are using equipment wise, and how it is all hooked up. More detail will help us to help you solve the problem.
Does it sound thin no matter if the effect is turned off or on? If so, the delay pedal could be acting as a buffer and giving you back highs that normally are being attenuated through your cables, etc.
Does it sound thin no matter if the effect is turned off or on? If so, the delay pedal could be acting as a buffer and giving you back highs that normally are being attenuated through your cables, etc.
Michael Brebes
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Dan Beller-McKenna
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Hi Michael,
Fessy E9 with Trutone, Goodrich 120, Digitech RV-7 reverb, DD-3 delay, Twin Reverb (either a '77 135w or '71 100w): all connected with George-L cables. The thinness is just when the delay is engaged. I only use it for a mild slap-back on rock-a-billy type numbers where I turn off the RV-7.
I just had my '71 twin tweaked by Bob Metzger and was using the on board reverb to see how it sounded (which was quite good). The thinning effect of the DD-3 was far more pronounced when applied to the amp's own reverb than when it is paired with the RV-7, but it's noticeable then too.
Dan
p.s.-I made a significant typo in my initial post(!): it was with the Boss RV-3 with which I had the same thinning problem, not the (Digitech)RV-7 (as I originally typed), where the tone of the reverb is adjustable.
Fessy E9 with Trutone, Goodrich 120, Digitech RV-7 reverb, DD-3 delay, Twin Reverb (either a '77 135w or '71 100w): all connected with George-L cables. The thinness is just when the delay is engaged. I only use it for a mild slap-back on rock-a-billy type numbers where I turn off the RV-7.
I just had my '71 twin tweaked by Bob Metzger and was using the on board reverb to see how it sounded (which was quite good). The thinning effect of the DD-3 was far more pronounced when applied to the amp's own reverb than when it is paired with the RV-7, but it's noticeable then too.
Dan
p.s.-I made a significant typo in my initial post(!): it was with the Boss RV-3 with which I had the same thinning problem, not the (Digitech)RV-7 (as I originally typed), where the tone of the reverb is adjustable.
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Bill Leff
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I just ordered an El Capistan today. After reading lots of reviews and clips I'm convinced this is the delay I've been waiting for.Franklin wrote:Echolution is very nice...It was my favorite in the stable until the El Capistan came out......The El Capistan is much more user friendly and has the very best tape delay sound......To my ears a good sounding tape delay actually fattens the tone.......Paul
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Brett Lanier
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I like to use my old boss dm-2. It's an anolog pedal so it sounds pretty fat, but it has very clean repeats like a digital pedal. It also does very good full oscillating sounds like a real echoplex. The ibanez ad9 sounds more like a dirtbike in full oscillation, which is cool too. I always hear a highend chirp with digital delays, which I can't stand.
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Dan Beller-McKenna
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Scott Swartz
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I have an El Capistan, and find its overall tone works very well with steel guitar. I like it much better with steel than 6 string guitar.
I find it cleaner than a real tape delay, and the Wow and Flutter sounds fake to me (I just turn it down), but overall I am happy with it.
Here is a track that I used it on, you can hear it gives an atmospheric vibe like a tape delay does. The dry and delay signals are hard panned, delay is in the left channel.
http://www.prairierehabmusic.com/Music/ ... Sample.mp3
I find it cleaner than a real tape delay, and the Wow and Flutter sounds fake to me (I just turn it down), but overall I am happy with it.
Here is a track that I used it on, you can hear it gives an atmospheric vibe like a tape delay does. The dry and delay signals are hard panned, delay is in the left channel.
http://www.prairierehabmusic.com/Music/ ... Sample.mp3
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Tim Marcus
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Malekko is the professional pedal! It's a boutique an along delay that can also serve as vibrato and chorus, and that switchable buffer is no small thing. Let us know what you think when it arrives!Dan Beller-McKenna wrote:Who knows, I might end up with one of the more professional pedals when all is said and done
Oh yeah, the Malekko is US made too. They are based out of Austin I think.
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Michael Brebes
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You also might want to try the Line 6 DL4. It has a pretty good emulation of both an Echoplex and a RE301. More rounded delayed signal.
Michael Brebes
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Cartwright Thompson
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Dan Beller-McKenna
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