How often do you change your copedent?
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b0b
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How often do you change your copedent?
Some people stick with one copedent forever.
At the other extreme are people who change their pulls every other week.
I thought a poll would be fun.
At the other extreme are people who change their pulls every other week.
I thought a poll would be fun.
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Tony Smart
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I added a vertical in 2000!
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Jeremiah Wade
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I've found the setup I like and doubet I will change it in the near future. However since I have only played for a couple of years I've changed the guitar around several times. Experiment after check all the varied schools of thought. What a great instrument, it seems fairly limitless. Cheers from A-Town
I'd rather be pickin'
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Jerry Overstreet
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I voted 3 to 10. That's allowing for adding extra pulls here and there. F.I., raise 1 & 2 whole tone, raise 7 whole tone, etc.
Not revamping the entire setup. I would consider a copedent change as moving changes from one pedal/lever device to another.
My basic D10 pedal/lever positions haven't changed for several years. Only adds like the ones mentioned previously.
Not revamping the entire setup. I would consider a copedent change as moving changes from one pedal/lever device to another.
My basic D10 pedal/lever positions haven't changed for several years. Only adds like the ones mentioned previously.
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Roger Rettig
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I've just switched two C6th changes on my guitar - I've now decided I want to lower the As to Ab, so I took the A-B raises off my C6 vertical and put it in the more-usual place (P4), and now I lower the As to Ab on that vertical.
All this probably goes to prove that I don't know that neck as well as I should....
I don't like changing things - in this case I don't think I've got the slack right as tuning the 'raise' with the nylon-hex is actually sharpening the string's tuning!!! This'll mean a trip to Dave Robbins so he can take it all off and do it properly!
All this probably goes to prove that I don't know that neck as well as I should....
I don't like changing things - in this case I don't think I've got the slack right as tuning the 'raise' with the nylon-hex is actually sharpening the string's tuning!!! This'll mean a trip to Dave Robbins so he can take it all off and do it properly!
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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Rick Winfield
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Every year or two
I've owned a D12, sold it, and missed the C6th. So...I changed my SD10 to a C6th. Now I'm looking to make "another change" to it, so I can get some of the E9th sounds I miss.
I've also missed the low range of the D12, so I've experimented with strings 9 & 10.
In the end, I suppose I need a Universal SD12.
Rick
I've also missed the low range of the D12, so I've experimented with strings 9 & 10.
In the end, I suppose I need a Universal SD12.
Rick
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When I bought my MSA Classic I had the "E's" levers on the right knee. After realizing this was non that common, I inverted the left and right levers.
Then added a vertical lever, then a PF pedal...
Lately I've bought a D10 Zum and I meant to change its levers to have on it the same copedent I was used too.
But it was set up perfectly and was playing great... so got used to it quickly and I ended up modifying the MSA again to have the same copedent of the Zum.
I bet it won't take so long before I install three pulls on pedal 4 to have a PF pedal on the Zum too...
Quite restles, I'd say...
Then added a vertical lever, then a PF pedal...
Lately I've bought a D10 Zum and I meant to change its levers to have on it the same copedent I was used too.
But it was set up perfectly and was playing great... so got used to it quickly and I ended up modifying the MSA again to have the same copedent of the Zum.
I bet it won't take so long before I install three pulls on pedal 4 to have a PF pedal on the Zum too...
Quite restles, I'd say...
Gianni
Zum D-10 9x8, MSA S-10 4x5, Quilter Steelaire combo, Peavey Nashville 112 (w/Ken Fox mod & Jensen Neo), Hilton volume pedals, Sarno Tonic Preamp, Lexicon MPX-1
Zum D-10 9x8, MSA S-10 4x5, Quilter Steelaire combo, Peavey Nashville 112 (w/Ken Fox mod & Jensen Neo), Hilton volume pedals, Sarno Tonic Preamp, Lexicon MPX-1
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Roger Rettig
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I should add that my basic E9 set-up - 'Day', with three pedals and four 'knees' - hasn't changed in thirty years. Raise and lower both 'E's, lower 2 and 9, and lower both Bs to Bb. I have an extra two KLs on the E neck, but they're subject to change.
They're also subject to being totally ignored when I'm working for my living.

They're also subject to being totally ignored when I'm working for my living.
Last edited by Roger Rettig on 11 Apr 2011 12:50 pm, edited 1 time in total.
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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Mike Perlowin RIP
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I experimented a lot in the beginning (didn't we all?) but have had basically the same setup now for many years. I recently added a zero pedal. and am toying with the idea of changing one of my knee levers, but have not actually done so yet.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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Larry Bell
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I'm a universal player and have been forever. In 1975 Bud Carter built me an MSA I played for 5 or 6 years, then Bruce Z built my Zumsteel in 1980 with the same 7 pedal changes and 6 knee lever changes as the MSA; it had 7x7 with a G# to G lever added. My Fessenden guitar has 8x8 but those 6 or 7 pedals and 6 knee changes are identical. My push-pull has 6x6 with (you guessed it) those same 6 pedals and 6 knees. It is my minimum setup -- no Franklin pedal -- no G# to G -- no 2nd string raise to E -- but I have no problem playing gigs or sessions with it -- it is my best sounding guitar. My Show Pro is set up almost exactly the same as the Fessy with one less lever.
So, basically, the core of my setup has been the same for almost 40 years but I have added an optional pedal or lever a couple of times.
Before the ZumSteel was traded, I did experiment with an E13 universal tuning and scrapped it and went back to my old faithful setup. I only used it on a few gigs and was playing primarily the push-pull at that time. FWIW.
All this stuff is on my website if anyone is interested
http://www.larrybell.org
and click on Equipment
So, basically, the core of my setup has been the same for almost 40 years but I have added an optional pedal or lever a couple of times.
Before the ZumSteel was traded, I did experiment with an E13 universal tuning and scrapped it and went back to my old faithful setup. I only used it on a few gigs and was playing primarily the push-pull at that time. FWIW.
All this stuff is on my website if anyone is interested
http://www.larrybell.org
and click on Equipment
Larry Bell - email: larry@larrybell.org - gigs - Home Page
My CD's: 'I've Got Friends in COLD Places' - 'Pedal Steel Guitar'
2021 Rittenberry S/D-12 8x7, 1976 Emmons S/D-12 7x6, 1969 Emmons S/D-12 6x6, 1971 Dobro, Quilter ToneBlock 202 TT-12
My CD's: 'I've Got Friends in COLD Places' - 'Pedal Steel Guitar'
2021 Rittenberry S/D-12 8x7, 1976 Emmons S/D-12 7x6, 1969 Emmons S/D-12 6x6, 1971 Dobro, Quilter ToneBlock 202 TT-12
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b0b
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Apparently not. See the poll.Mike Perlowin wrote:I experimented a lot in the beginning (didn't we all?) ...
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Fear not, Buck - we're still firm friends!
Your change is now on my RKL...
It's been there a while, and P4 has only been working on E9 (Isaacs pull - raising 5 to C# and 6 to A; I love that for gettinga 4 chord over a 5 in the bass!) I found two P4 rods, so I was able to reinstate the As to Bs on there....

Your change is now on my RKL...
It's been there a while, and P4 has only been working on E9 (Isaacs pull - raising 5 to C# and 6 to A; I love that for gettinga 4 chord over a 5 in the bass!) I found two P4 rods, so I was able to reinstate the As to Bs on there....
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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b0b
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