There's also a vid of that same show with "Love Bug," and it shows Paycheck's rather unorthodox picking style on bass, more like a finger picker in right hand position than a bassist. Many bassists of that era used straight (flat) picks, in fact.
My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
John, how nice hearing from you! I didn't read the notes, obviously. Very informative stuff.
Also interesting is the sparse guitar playing of Jack Watkins. It looked from his right hand like he was playing single notes doubling the bass line, a la tic-tac.
My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Wow ! What a great band. I love that perfectly arranged elegant sound. Not a note played that didn't have something to say. Those triplet ghost beats coming off the snare is something you need to be a total bad ass to pull off right.
I bought a Teisco bass like that one for one of my sons when he started his first band. It was playable, lightweight, sounded like a bass, and was cheap.
I was thinking Baldwin as well, but the rocker switches made me think Japanese; I'll buy the Teisco attribution, especially with that goofy headstock.
JP's picking technique is pretty common among people who played guitar first-thumb on the E string and index on the rest while palm muting. The really cool part was the guitarist, who played tictac with the flat pick AND the other half of the shuffle beat with his fingers.
I bought a Teisco bass like that one for one of my sons when he started his first band. It was playable, lightweight, sounded like a bass, and was cheap.
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro (D tuning), Recording King Professional Dobro (G tuning), NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .
Cool clip...
Is it just me or does anyone else think that Paycheck reminds you of a younger Dale Watson?
Not so much in appearance, but more in gestalt...
This is a cool clip Herb! I was just listening yesterday to a bunch of Johnny Paycheck I have from the "Real Mr. Heartache" era with Lloyd Green all over it. I think Ricky Davis turned me onto it years ago, and said "Go learn this stuff and you'll be good to go on steel." It's a clinic.
There are some really 'odd' songs from that era, "(Pardon Me), I've Got Someone To Kill","The Cave" ???? along with all the classics "Apt. #9", "Jukebox Charlie", etc. The CD I bought was called the "The Real Mr. Heartache: The Little Darlin' Years". It's a must have for any steel player.
Sonny Curtis is one of my very favorite people in the world of pedal steel guitar. He is a great player, has a most unique style with pedals A and B engaged to play open E9th chord, pedals up for an A, exactly backwards to the rest of us. A wonderful friendly guy. If I were getting a steel show together he would be my first call as a performer. I would think that he would be in great demand for any and all steel shows. Talk about history, artistry, personality, Sonny is the guy and his wife sings great also. Herb, thanks for starting this thread.
Jerry
chas smith wrote:Wonderful, and I still like the reference of A-11, because juke boxes stopped at A-10.
Having grown up in an era mostly void of jukeboxes, I just noticed that fact this weekend when my girlfriend and I were in a Johnny Rockets restaurant and I was looking to see which song A-11 was so that I could crack wise about it. Joke's on me.