Steel Guitar Never Had Chance
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Ronnie Boettcher
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This happened to me 3 weeks ago. I have been going to a acoustic jam every Wed., for over a year. It's hard to do songs with no real intros, turn-arounds, or fills. So I took my steel. This old guy, in his 8o's, has been playing music all his life, from West Virginia. He said to me that my steel sounded like a organ. I played traditional country since 1959, and I am not fancy, just do what it takes to play country music. I'll just leave it at home and when I go there, I'll just lump it and do my songs when it is my time. All the others loved it.
Sho-Bud LDG, Martin D28, Ome trilogy 5 string banjo, Ibanez 4-string bass, dobro, fiddle, and a tubal cain. Life Member of AFM local 142
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James Cann
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Bent Romnes
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James, I respectfully disagree. It has been called the Pedal Steel Guitar ever since its infancy.James Cann wrote:Sorry, guys, but I have to say it: 'steel guitar' and 'steel player' work, but 'pedal steel' (with or without 'guitar') has an elitist, trying-to-impress-someone ring to it.
If I can refer back to my post about promoting the pedal steel guitar to kids. When they see and hear the it, I think the farthest thing from their mind is "elitist, trying to impress" attitude. All they hear is the beauty and want to learn to play it.
Sure, maybe some middle aged and young adults think like that, but we can disregard that. These people are not the future. The kids are.
BenRom Pedal Steel Guitars
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Alexa Gomez
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Rick Kreuziger
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They were fascinated Alexa... 
There was also a girl not seen on the picture too, btw.
When you have a thick skull like I do, you have to have an abundance of patience or I would've given up while trying to learn how to setup a guitar.
Questions were firing away, like "Why do you have those things on your fingers?", "What do those do? (fingers pointed at the floor pedals)?", "What's that for? (as I moved the bar)"
We started the set and I was nervous like I was being scrutinized on my every move at a steel guitar show!!
In ref to Bent's age comments: certainly the future is with the young, but I'm surprised at the number of fellow 6-string guitarists I meet at shows that come & ask about learning to play steel. As mentioned by someone else in this thread, though, the cost of getting started is often asked and the main deterrent.
As for the general public, the response I see is vivid... people love it and every night I get at least a couple people talking to me with questions, compliments and quite a few are fully aware of what it is.
I had a night last month with a table of late 20's-early 30's age folks who were hootin' and occasionally applauding after my lead breaks. At first I wasn't sure what was going on... lol... I was high from that for weeks.
The point is... there are younger people that appreciate steel guitar; when they get to hear it.
For the occasional "what's that thing" comments, I can't resist saying it's an electric cheese slicer first...
Rick
There was also a girl not seen on the picture too, btw.
When you have a thick skull like I do, you have to have an abundance of patience or I would've given up while trying to learn how to setup a guitar.
Questions were firing away, like "Why do you have those things on your fingers?", "What do those do? (fingers pointed at the floor pedals)?", "What's that for? (as I moved the bar)"
We started the set and I was nervous like I was being scrutinized on my every move at a steel guitar show!!
In ref to Bent's age comments: certainly the future is with the young, but I'm surprised at the number of fellow 6-string guitarists I meet at shows that come & ask about learning to play steel. As mentioned by someone else in this thread, though, the cost of getting started is often asked and the main deterrent.
As for the general public, the response I see is vivid... people love it and every night I get at least a couple people talking to me with questions, compliments and quite a few are fully aware of what it is.
I had a night last month with a table of late 20's-early 30's age folks who were hootin' and occasionally applauding after my lead breaks. At first I wasn't sure what was going on... lol... I was high from that for weeks.
The point is... there are younger people that appreciate steel guitar; when they get to hear it.
For the occasional "what's that thing" comments, I can't resist saying it's an electric cheese slicer first...
Rick
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Michael J Pfeifer
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Bill McCloskey
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Teach the old style and you'll get some converts. Probably not many, but you will get some converts. But if you want to reach a lot of young people, start exposing them to folks like Robert Randolph. They'll eventually work their way back to the old stuff and there will be a hell of a lot more of them.
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Rick Schacter
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I agree with this.Bill McCloskey wrote:Teach the old style and you'll get some converts. Probably not many, but you will get some converts. But if you want to reach a lot of young people, start exposing them to folks like Robert Randolph. They'll eventually work their way back to the old stuff and there will be a hell of a lot more of them.
It's because of people like Skunk Baxter, Rick Derringer, Jerry Garcia, etc.,etc. that I wound up discovering players like Ralph Mooney and Tom Brumley.
Not to mention players like Lloyd Green and Pete Drake who played with rock groups which lead me to the music of Charlie Pride and Pete Drake's talking guitar and the list of great music that goes on and on.
They busted open the door to a whole new world of music for me.
Rick
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Michael J Pfeifer
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Dave Hopping
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I don't mind at all when somebody wants to know what it is,bc then I can play a little something and show them what they've been hearing without knowing it.If the curious person has some six-string knowledge I can give him an instant PSG primer.I figure every person curious enough to inquire is a potential convert.
....And back during my delightfully misspent middle age it was quite the ice-breaker with the ladies.
....And back during my delightfully misspent middle age it was quite the ice-breaker with the ladies.
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Michael J Pfeifer
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Rick Schacter
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Stringy the talking guitar
Michael,Michael J Pfeifer wrote:Rick,
In case you didn't know Alvino Rey was inventor of the talking steel. If you can find the song,"I Don't Know Why I Love You Like I Do," by the King Sisters with Alvino,you will hear the orginal talking steel.
I've been searching for "I Don't Know Why I Love You Like I Do" on the internet and so far I'm not having an easy time finding it. I'll keep searching.
I did discover a couple of videos on Youtube with Stringy the talking guitar though.
Now I'm interested in the music of Alvino Rey.
Thanks!
Rick
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Michael J Pfeifer
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John Macy
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Michael J Pfeifer
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Tim Tyner
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Alan Brookes
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The ignorance isn't confined to the steel guitar. Most people think the lute is a wind instrument, and the cittern is an Indian instrument. Very few people know what a hummel is.
How many of you steel guitarists out there cannot identify the names of all the instruments of the orchestra, let alone folk instruments ?
You've all seen mariachi bands. They're all over the place. Name the instruments...
How many of you steel guitarists out there cannot identify the names of all the instruments of the orchestra, let alone folk instruments ?
You've all seen mariachi bands. They're all over the place. Name the instruments...
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Dave Giegerich
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Alan Brookes
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Brint Hannay
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Danny Bates
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Brint Hannay
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Alan Brookes
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Well done, Brint, and you also know what a steel guitar is, and I bet you also know what citterns and lutes are, but unfortunately the general public aren't the enthusiasts that we are, so we'll never be able to educate many of them as to what a pedal steel is. Remember than 99% of them don't even know that the concert harp has pedals, let alone some horizontal thingummy that looks like an electric keyboard.
Come to think of it, how many pedal steel guitarists know that the concert harp has pedals, let alone that the pedal mechanism that they use originated with the harp...
Come to think of it, how many pedal steel guitarists know that the concert harp has pedals, let alone that the pedal mechanism that they use originated with the harp...
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Joe Yednasty
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I was 19 when I decided it was time to spend my life savings on a pedal steel guitar and the reason I wanted to start playing so bad is because of two far-from-average guys: Ralph Mooney and Tom Brumley.Rick Schacter wrote:I agree with this.Bill McCloskey wrote:Teach the old style and you'll get some converts. Probably not many, but you will get some converts. But if you want to reach a lot of young people, start exposing them to folks like Robert Randolph. They'll eventually work their way back to the old stuff and there will be a hell of a lot more of them.
It's because of people like Skunk Baxter, Rick Derringer, Jerry Garcia, etc.,etc. that I wound up discovering players like Ralph Mooney and Tom Brumley.
Not to mention players like Lloyd Green and Pete Drake who played with rock groups which lead me to the music of Charlie Pride and Pete Drake's talking guitar and the list of great music that goes on and on.
They busted open the door to a whole new world of music for me.
Rick
It was really the "Waylon Live: The Expanded Edition" album that got me hooked on steel in an irreversable way. Ralph Mooney's amazing sound was my primary inspiration for wanting to play steel. With that said, I never got into Robert Randolph...
"Eskimo" Joe
Emmons P/P S-10
1973 Fender Twin Reverb
Emmons P/P S-10
1973 Fender Twin Reverb
