Small Rig Question
Moderator: Dave Mudgett
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Boo Bernstein
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Small Rig Question
I am doing a lot of "fly-to" dates at the moment -- most of them in Mexico. Unfortunately, the backline amps are usually terrible. Generally, they are Roland Chorus amps -- but really bad ones that distort very easily especially on a big stage.
I have been thinking about the idea of getting a powerful small amp -- like the GK MB200 that was recently discussed -- and using the speakers of the Roland. How easy/difficult would that be? I usually have a very short period of time to set up so it would have to be a very simple process. Also, does anyone know the impedance of the two 12's in a Roland would be?
Thanks -- I look forward to your input.
Boo
I have been thinking about the idea of getting a powerful small amp -- like the GK MB200 that was recently discussed -- and using the speakers of the Roland. How easy/difficult would that be? I usually have a very short period of time to set up so it would have to be a very simple process. Also, does anyone know the impedance of the two 12's in a Roland would be?
Thanks -- I look forward to your input.
Boo
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Bo Borland
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Dave Grafe
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Boo Bernstein
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Thanks so much for the kind words, Bo. I shared steel duties with an old friend, Gary Morse, on the record!
Bo, not to highjack my own post, but I'm originally from NJ ... "Bo" and "Boo" would surely get mixed up if I still lived there!
Dave -- thanks for that info. Very helpful.
If anyone has any input on the original post about the ease -- or lack thereof -- of hooking up to the Roland speakers, that would be greatly appreciated.
Boo
Bo, not to highjack my own post, but I'm originally from NJ ... "Bo" and "Boo" would surely get mixed up if I still lived there!
Dave -- thanks for that info. Very helpful.
If anyone has any input on the original post about the ease -- or lack thereof -- of hooking up to the Roland speakers, that would be greatly appreciated.
Boo
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Raybob Bowman
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I'm building a nice 2x6L6 head that is similar to the Super Reverb and the Vibroverb in a head only cabinet. There is a selectable ohms switch on the back to run 2,4, or 8 ohms, depending on the cabinet you use. There's also a switch on rear changing capacitors and resistor from Super to Vibroberb. That's easily transportable and can be used with most any speaker combination and works real good with pedal steel.

http://tube-tone.com/supervibe.php

http://tube-tone.com/supervibe.php
Last edited by Raybob Bowman on 22 Jul 2010 2:30 pm, edited 1 time in total.
Mullen S10 Dmaj9 uni / Sierra U12 4+5 / 1933 Dobro / homemade Tele B-bender
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Jerry Hayes R.I.P.
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Raybob Bowman
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Yes Jerry, these are for sale. Two sold in US and one in Croatia to pedal steel/slide guitarist Davor Rodik. Davor uses it for slide guitar. $1370 plus shipping.
Mullen S10 Dmaj9 uni / Sierra U12 4+5 / 1933 Dobro / homemade Tele B-bender
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Bill Myers
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If you would like a nice power little amp...I have used a Genz Benz shuttle 6.0 with a EH holy grail in the effects loop. It's about as big as a cigar box and weighs 3-4 pounds. You can get a nice little gig bag they make for them that will let you put you cables, volume pedal and reverb pedal with in the gig bag. YOu would need to make a cable to plug onto the Roland speakers...and watch that you don't blow them. The old JC120's wouldn't handle too much power. The little shuttle amps can be had in 300, 600 and 900 watt versions.
Carter D10 9 x 5, Nashville 112, Goodrich L10K
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Boo Bernstein
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Thanks for the suggestion, Bill. The real question is whether it would be easy/feasible to tap into the speakers in the Roland. There's never a lot of time during line-check/soundcheck to play around with things -- it's often pretty down and dirty.
That said, a friend of mine who plays bass has one of those GB amps and loves it. Ultimately, I think I'll end up with a rig like that for playing in the States where I can stuff the whole thing into a gig bag and just tote a speaker!
That said, a friend of mine who plays bass has one of those GB amps and loves it. Ultimately, I think I'll end up with a rig like that for playing in the States where I can stuff the whole thing into a gig bag and just tote a speaker!
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Scott Appleton
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have U tried the Lunchbox or the club by ZT
ZT amplifiers makes one called The Club 200 watts 12" speaker .. external speaker jack EFX loop .. vintage tone stack .. sounds great ..22 lbs 12" by 15 by 19.25.
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Olli Haavisto
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Boo,
I`ve played gigs using the Roland as a powered speaker, using just a preamp and effects , plugged into the effects return of the Roland. I don`t remember how it is labeled but I think the return is stereo since the amp has two power amps.
My fly-in rig now is just a Sansamp Blonde preamp pedal with Digitech delay and rev pedals on a little pedaboard that fits in a pack-a-seat.
http://tinyurl.com/2e2w4z2
I`ve played gigs using the Roland as a powered speaker, using just a preamp and effects , plugged into the effects return of the Roland. I don`t remember how it is labeled but I think the return is stereo since the amp has two power amps.
My fly-in rig now is just a Sansamp Blonde preamp pedal with Digitech delay and rev pedals on a little pedaboard that fits in a pack-a-seat.
http://tinyurl.com/2e2w4z2
Olli Haavisto
Finland
Finland
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Alexa Gomez
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Lunchbox Amp
Hi Boo,
Don't know if you've heard of the lunchbox amp. I haven't tried one, but they look like what you describe...
http://www.lunchboxamp.com/
Hope this helps.
Alexa
Don't know if you've heard of the lunchbox amp. I haven't tried one, but they look like what you describe...
http://www.lunchboxamp.com/
Hope this helps.
Alexa
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David Griffin
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Boo: I think the biggest problem in Mexico/Central America is lousy power. Hopefully it's better now,but I doubt it. I did some touring in the early '80s in Honduras and the low voltage made our amps sound like toys. We used the old Peterson strobe tuners back then & they were totally unusable. You might look into some sort of voltage regulator,I think Furman has 3 models. They're pricy,but they might make the rented backline sound tolerable. And you wouldn't have to worry about packing an amp along. 
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Matthew Carlin
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Hey Boo,
I took a nod from the Randy Beavers/Olli post on this one and I've found it to be a nice grab and go rig...
http://bb.steelguitarforum.com/viewtopi ... ch++blonde
Tech 21 Blonde Pre and The Furlong SPLIT Powered Cab... Just add a reverb or delay pedal of your choosing and your in business ....500 watts under 40lbs.
Contact TC he'd be glad to give you the low down on his amps....
http://www.tcfurlongcustom.com/
I took a nod from the Randy Beavers/Olli post on this one and I've found it to be a nice grab and go rig...
http://bb.steelguitarforum.com/viewtopi ... ch++blonde
Tech 21 Blonde Pre and The Furlong SPLIT Powered Cab... Just add a reverb or delay pedal of your choosing and your in business ....500 watts under 40lbs.
Contact TC he'd be glad to give you the low down on his amps....
http://www.tcfurlongcustom.com/
"Just tryin to make some music in the money business"
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Randy Beavers
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Bill Dobkins
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Re: Lunchbox Amp
Alexa, How did you like the Lunch box.Alexa Gomez wrote:Hi Boo,
Don't know if you've heard of the lunchbox amp. I haven't tried one, but they look like what you describe...
http://www.lunchboxamp.com/
Hope this helps.
![]()
Alexa
BD
Custom Rittenberry SD10
Boss Katana 100 Amp
Positive Grid Spark amp
BJS Bars
Z~Legend Pro,Custom Tele
Honor our Vet's.
Now pass the gravy.
Boss Katana 100 Amp
Positive Grid Spark amp
BJS Bars
Z~Legend Pro,Custom Tele
Honor our Vet's.
Now pass the gravy.
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Darvin Willhoite
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Here's my lightweight rig, an Acoustic Image SL-R amp and a 15" Eminence Neo speaker in a lightweight custom cabinet. The whole rig weighs about 20 lbs. and sounds great in my opinion. The amp puts out 350 watts at 2 ohms, and this speaker is 4 ohms so I'm probably getting 200 - 250 watts. I know it was plenty loud on an outside gig I played a while back. This amp model has been discontinued, but they pop up used occasionally on Ebay.


Darvin Willhoite
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, a restored MSA Classic SS, several amps, new and old, and a Kemper Powerhead that I am really liking. Also a Zum D10, a Mullen RP, and a restored Rose S10, named the "Blue Bird". Also, I have acquired and restored the plexiglass D10 MSA Classic that was built as a demo in the early '70s. I also have a '74 lacquer P/P, with wood necks, and a showroom condition Sho-Bud Super Pro.
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, a restored MSA Classic SS, several amps, new and old, and a Kemper Powerhead that I am really liking. Also a Zum D10, a Mullen RP, and a restored Rose S10, named the "Blue Bird". Also, I have acquired and restored the plexiglass D10 MSA Classic that was built as a demo in the early '70s. I also have a '74 lacquer P/P, with wood necks, and a showroom condition Sho-Bud Super Pro.
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Darvin Willhoite
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Randy, I couldn't find a pedalboard like I wanted, so I built my own. It won't fit in a pack-a-seat, but it is small. I've changed pedals in it a few times, but the picture of it sitting by the Super Pro is the current configuration, that I'm happy with it. It has a Boss RV-3, a Boss CE-5 Chorus, an Electro Harmonix Nano Small Stone Phase Shifter, and an old non-LED Proco Ratt distortion. I put a volume pedal loop in it so I could feed the distortion ahead of the VP. The pedal jacks are normalled so I can use the pedal ahead of it if I want. All of the wiring is hid under a false bottom and the power supply stores in the lid with a velcro strip. I use long zip ties to hold the pedals down, velcro is too unreliable to hold the pedals in place.












Darvin Willhoite
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, a restored MSA Classic SS, several amps, new and old, and a Kemper Powerhead that I am really liking. Also a Zum D10, a Mullen RP, and a restored Rose S10, named the "Blue Bird". Also, I have acquired and restored the plexiglass D10 MSA Classic that was built as a demo in the early '70s. I also have a '74 lacquer P/P, with wood necks, and a showroom condition Sho-Bud Super Pro.
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, a restored MSA Classic SS, several amps, new and old, and a Kemper Powerhead that I am really liking. Also a Zum D10, a Mullen RP, and a restored Rose S10, named the "Blue Bird". Also, I have acquired and restored the plexiglass D10 MSA Classic that was built as a demo in the early '70s. I also have a '74 lacquer P/P, with wood necks, and a showroom condition Sho-Bud Super Pro.
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Alexa Gomez
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Lunchbox Amp
Hi Bill,
Haven't had a chance to drop by Guitar Center and try the Lunchbox amp, but will so, soon. I'm interested in comparing the Lunchbox electric versus acoustic amps, since the latter has all the features of the former, with the addition of feedback control and a plate reverb. Will let you all know what I discover.
That said, I did an impromptou gig last evening using a Pignose and it filled the bar area rather nicely with decent bass and this super bright treble with it turned up about half way.
I got several compliments, so I'm thinking the only real advantage the Lunchbox may be it's volume and features. Plus it being so portable.
Haven't had a chance to drop by Guitar Center and try the Lunchbox amp, but will so, soon. I'm interested in comparing the Lunchbox electric versus acoustic amps, since the latter has all the features of the former, with the addition of feedback control and a plate reverb. Will let you all know what I discover.
That said, I did an impromptou gig last evening using a Pignose and it filled the bar area rather nicely with decent bass and this super bright treble with it turned up about half way.
I got several compliments, so I'm thinking the only real advantage the Lunchbox may be it's volume and features. Plus it being so portable.
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Steve Alcott
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Olli Haavisto
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Hi Randy,
I feel silly posting a pic of my board since all my boards are just carpet covered pieces of plywood. Velcro on the pedals attaches to the carpet. I have several in different sizes and just drop in the pedals I need for the job at hand. I use One Spot for power. I`ve removed one divider from the seat to fit the board.
So, here it is anyway.
BTW, have you used the Blondie on gigs ? Still happy with it?

I feel silly posting a pic of my board since all my boards are just carpet covered pieces of plywood. Velcro on the pedals attaches to the carpet. I have several in different sizes and just drop in the pedals I need for the job at hand. I use One Spot for power. I`ve removed one divider from the seat to fit the board.
So, here it is anyway.
BTW, have you used the Blondie on gigs ? Still happy with it?

Olli Haavisto
Finland
Finland
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Randy Beavers
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Olli, I love simplicity! That's all you need. Easy to trace down a bad cable cause you can see everything. And you don't have to plug and unplug everything, every time you set up and tear down.
Yes, I've used the "Blonde" on some fly gigs and it sounded great. It doesn't have the output of my other preamps, but enough to get the job done. I have to be careful not to hit it with too much signal or it breaks up.
I had a great fly-in gig with backline this last weekend. We were in Lisle, IL, which is a suburb of Chicago. The Backline company rented the steel rig from TC Furlong.
It included a Sarno Classic Tube Pre, Lemay pre, Lexicon MPX1, TC Electronic Classic Delay, and two VB12 SPLIT powered speaker cabinets! For me this was the ultimate backline!
Yes, I've used the "Blonde" on some fly gigs and it sounded great. It doesn't have the output of my other preamps, but enough to get the job done. I have to be careful not to hit it with too much signal or it breaks up.
I had a great fly-in gig with backline this last weekend. We were in Lisle, IL, which is a suburb of Chicago. The Backline company rented the steel rig from TC Furlong.
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Roger Crawford
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Olli Haavisto
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