Worst advice you ever received?
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Steve Becker
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Worst advice you ever received?
Following up on a previous thread...
What's the worst advice you've received regarding learning to play the steel guitar?
I was encouraged to buy an old piece of s##t steel from a 'reputable' music store. I not only got ripped off, but I played it for a very long time before I realized that it shouldn't have to be retuned every 5 minutes, and that it wasn't 'normal' to break the 3rd string every other day! But I was just so enthralled with the SOUND that I HAD to have it, and overlooked everything else. But even though it was a bad investment, I think in the long run it strengthened my resolve and my patience toward learning to play this crazy, wonderful instrument!
What's the worst advice you've received regarding learning to play the steel guitar?
I was encouraged to buy an old piece of s##t steel from a 'reputable' music store. I not only got ripped off, but I played it for a very long time before I realized that it shouldn't have to be retuned every 5 minutes, and that it wasn't 'normal' to break the 3rd string every other day! But I was just so enthralled with the SOUND that I HAD to have it, and overlooked everything else. But even though it was a bad investment, I think in the long run it strengthened my resolve and my patience toward learning to play this crazy, wonderful instrument!
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Wayne Franco
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From the fiddle player in a bluegrass band
I was about 35 years old when I started playing steel. She suggested I was too old to start playing a complicated instrument at that age. Glad I didn't take her advise!
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Charles Davidson
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Steve Gorman
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Clyde Mattocks
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Dave Hopping
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Jim Lindsey (Louisiana)
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When I first started learning steel (advice from a Cajun steel player that I met early on):
"If you get lost in a song, just go to "C" and wait. The rest of the band will end up there sooner or later."
"If you get lost in a song, just go to "C" and wait. The rest of the band will end up there sooner or later."
1986 Mullen D-10 with 8 & 7 (Dual Bill Lawrence 705 pickups each neck)
Two Peavey Nashville 400 Amps (with a Session 500 in reserve) - Yamaha SPX-90 II
Peavey ProFex II - Yamaha R-1000 Digital Reverb - Ross Time Machine Digital Delay - BBE Sonic Maximizer 422A
ProCo RAT R2DU Dual Distortion - Korg DT-1 Pro Tuner (Rack Mounted) - Furman PL-8 Power Bay
Goodrich Match-Bro by Buddy Emmons - BJS Steel Bar (Dunlop Finger Picks / Golden Gate Thumb Picks)
Two Peavey Nashville 400 Amps (with a Session 500 in reserve) - Yamaha SPX-90 II
Peavey ProFex II - Yamaha R-1000 Digital Reverb - Ross Time Machine Digital Delay - BBE Sonic Maximizer 422A
ProCo RAT R2DU Dual Distortion - Korg DT-1 Pro Tuner (Rack Mounted) - Furman PL-8 Power Bay
Goodrich Match-Bro by Buddy Emmons - BJS Steel Bar (Dunlop Finger Picks / Golden Gate Thumb Picks)
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ray qualls
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Larry Bell
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"All the girls go for the steel player"

Larry Bell - email: larry@larrybell.org - gigs - Home Page
My CD's: 'I've Got Friends in COLD Places' - 'Pedal Steel Guitar'
2021 Rittenberry S/D-12 8x7, 1976 Emmons S/D-12 7x6, 1969 Emmons S/D-12 6x6, 1971 Dobro, Quilter ToneBlock 202 TT-12
My CD's: 'I've Got Friends in COLD Places' - 'Pedal Steel Guitar'
2021 Rittenberry S/D-12 8x7, 1976 Emmons S/D-12 7x6, 1969 Emmons S/D-12 6x6, 1971 Dobro, Quilter ToneBlock 202 TT-12
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David Griffin
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Mike Perlowin RIP
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Get a (rather than start a controversy, I will not name the brand.)
I got my green MSA instead.
I got my green MSA instead.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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Pete Burak
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Stu Schulman
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I threw my back out one time extreme pain a friend of mine said take two of these[pain killers]you'll need two because your a big guy...I woke up about three days later! 
Steeltronics Z-pickup,Desert Rose S-10 4+5,Desert Rose Keyless S-10 3+5... Mullen G2 S-10 3+5,Telonics 206 pickups,Telonics volume pedal.,Blanton SD -10,Emmons GS_10...Zirctone bar,Bill Groner Bar...any amp that isn't broken.Steel Seat.Com seats...Licking paint chips off of Chinese Toys since 1952.
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Bob Kagy
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Stu Schulman
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Bob,A woman came up to me a while ago and told me that I should be in Nashville...I said what did I ever do to you. 
Steeltronics Z-pickup,Desert Rose S-10 4+5,Desert Rose Keyless S-10 3+5... Mullen G2 S-10 3+5,Telonics 206 pickups,Telonics volume pedal.,Blanton SD -10,Emmons GS_10...Zirctone bar,Bill Groner Bar...any amp that isn't broken.Steel Seat.Com seats...Licking paint chips off of Chinese Toys since 1952.
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Wayne Franco
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You guys are very funny!
I'm laughing more at you guys remarks than when I do when I go to the humor section... 
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Ryan Barwin
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Not gonna say who it was, but he told me: "You should upgrade from that 60s wraparound PP you've got. None of the pros play PP's anymore...even Buddy hasn't played one in years."
What's worse is I actually took the advice (since I was a new steel player). I ended up with a nice all-pull, but I'm still kicking myself for it.
What's worse is I actually took the advice (since I was a new steel player). I ended up with a nice all-pull, but I'm still kicking myself for it.
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Mike Perlowin RIP
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Mega dittos Jim. Many many mega dittos.Jim Cohen wrote:Worst advice? "You don't need to learn to read music on steel guitar. Just learn tab."
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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Morgan Scoggins
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Ben Jones
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Jim Lindsey (Louisiana)
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Ryan, I feel your pain and you're not alone in that scenario ... I had something very similar happen to me and ended up losing out on a very good deal on an Emmons because of listening to someone else.Ryan Barwin wrote:Not gonna say who it was, but he told me: "You should upgrade from that 60s wraparound PP you've got. None of the pros play PP's anymore...even Buddy hasn't played one in years."![]()
What's worse is I actually took the advice (since I was a new steel player). I ended up with a nice all-pull, but I'm still kicking myself for it.
Shortly after I bought my first D-10 guitar, a red MSA Classic back in 1976, the guitar player in the band I was in bought himself a white mica Emmons D-10 with 8 & 5. I think it was like a 1974 or 1975 model, but I'm not sure. I just know it was still pretty new at the time. He tooled around with it for a few weeks, but started reconsidering his purchase.
Deciding he didn't want to learn steel after all, he put the guitar up for sale for only $650 just to try to move it quickly. Not a bad deal for an Emmons that was still almost new at the time! He let me keep the guitar for a couple of weeks to try it and see if I'd like to buy it. I was so excited I even took a picture of it ...

Naturally, I didn't know the ins-&-outs of tuning a push/pull Emmons at the time, so I tried to tune it like my all-pull MSA and ended up getting things a bit out of whack before it was over with.
I took it over to a friend of mine, the only other steel player in the area that I knew and who'd first taught me how to tune a steel, and the moment he saw it his advice was "Oh, man, don't tell me you're thinking of buying this hunk of junk! They're a nightmare to play and you'll spend more time trying to tune it than playing it. You should give it back to that guy and avoid this brand at all costs."
Well, I was torn. This guitar had such a beautiful tone, but I was terrified of my buddy's prognosis that the guitar wouldn't stay in tune, so, being the newbie that I was and not knowing much about steels at the time, I took his advice and gave the Emmons back to our guitar player and missed out on a great deal on a guitar that would soon after become one of my two all-time favorite brands of steel. Here it is some 34 years later and I'm still kicking myself for passing on that guitar.
You know, thinking back on it, I'd have to say that his advice to not buy that Emmons pretty well ties right up there with "If you get lost in a song, just go to 'C' and wait. The rest of the band will end up there sooner or later" as the worst advice anyone ever gave me.
1986 Mullen D-10 with 8 & 7 (Dual Bill Lawrence 705 pickups each neck)
Two Peavey Nashville 400 Amps (with a Session 500 in reserve) - Yamaha SPX-90 II
Peavey ProFex II - Yamaha R-1000 Digital Reverb - Ross Time Machine Digital Delay - BBE Sonic Maximizer 422A
ProCo RAT R2DU Dual Distortion - Korg DT-1 Pro Tuner (Rack Mounted) - Furman PL-8 Power Bay
Goodrich Match-Bro by Buddy Emmons - BJS Steel Bar (Dunlop Finger Picks / Golden Gate Thumb Picks)
Two Peavey Nashville 400 Amps (with a Session 500 in reserve) - Yamaha SPX-90 II
Peavey ProFex II - Yamaha R-1000 Digital Reverb - Ross Time Machine Digital Delay - BBE Sonic Maximizer 422A
ProCo RAT R2DU Dual Distortion - Korg DT-1 Pro Tuner (Rack Mounted) - Furman PL-8 Power Bay
Goodrich Match-Bro by Buddy Emmons - BJS Steel Bar (Dunlop Finger Picks / Golden Gate Thumb Picks)
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George McLellan
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worst advise
I would have to say it was "quit you day job and go on the road with us". That was 1968. I didn't quit my day job but still played weekends. Now that I'm retired, I'm glad I didn't take his advise.
BTW Jim Lindsey, your old lead guitar player, Darin Johnson was up to see his folks and we got together for a jam, good time.
Geo
BTW Jim Lindsey, your old lead guitar player, Darin Johnson was up to see his folks and we got together for a jam, good time.
Geo
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Jim Lindsey (Louisiana)
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Re: worst advise
Hey, George, good to see you! If you get a chance, drop me an email and let me know how Darin's doing. I haven't seen or heard from Ty or anyone in the band since I left the group.George Mc Lellan wrote:BTW Jim Lindsey, your old lead guitar player, Darin Johnson was up to see his folks and we got together for a jam, good time. Geo
1986 Mullen D-10 with 8 & 7 (Dual Bill Lawrence 705 pickups each neck)
Two Peavey Nashville 400 Amps (with a Session 500 in reserve) - Yamaha SPX-90 II
Peavey ProFex II - Yamaha R-1000 Digital Reverb - Ross Time Machine Digital Delay - BBE Sonic Maximizer 422A
ProCo RAT R2DU Dual Distortion - Korg DT-1 Pro Tuner (Rack Mounted) - Furman PL-8 Power Bay
Goodrich Match-Bro by Buddy Emmons - BJS Steel Bar (Dunlop Finger Picks / Golden Gate Thumb Picks)
Two Peavey Nashville 400 Amps (with a Session 500 in reserve) - Yamaha SPX-90 II
Peavey ProFex II - Yamaha R-1000 Digital Reverb - Ross Time Machine Digital Delay - BBE Sonic Maximizer 422A
ProCo RAT R2DU Dual Distortion - Korg DT-1 Pro Tuner (Rack Mounted) - Furman PL-8 Power Bay
Goodrich Match-Bro by Buddy Emmons - BJS Steel Bar (Dunlop Finger Picks / Golden Gate Thumb Picks)