I played the #8 Emmons PP
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Larry Behm
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I played the #8 Emmons PP
Russ Blake (Portland, Or) has the #8 Emmons PP, I had a chance to play 8 notes on it and heard him play for 2 hours. It is a bolt on wraparound, with wood necks. Sounded just great through a Standel SS/tube amp with a JBL 15.
Thanks Russ for some great music.
Larry Behm
Thanks Russ for some great music.
Larry Behm
Last edited by Larry Behm on 4 Sep 2009 6:05 am, edited 1 time in total.
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Re: I played the #8 Emmons PP
Larry, I hesitate to bring this up, but you misspelled your own last name.Larry Behm wrote:Russ Blake (Portland, Or) has the #8 Emmons PP, I had a chance to play 8 notes on it and heard him play for 2 hours. It is a bolt on wraparound, with wood necks. Sounded just great through a Standel SS/tube amp with a JBL 15.
Thanks Russ for some great music.
Larry Bem
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Herb Steiner
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I used to own that guitar. Terminology problem. It's not a wraparound, it's a wood neck with a bolt-on changer. Excellent sounding instrument.
I had too many 64-65 Emmonses that I never played and got tired of hoarding them. So I sold some stuff to a collector and bought a new bass boat, which I use much more than the gear that just sat in my living room. These things should be played by working players... anyway, it's just "stuff."
I still have my two wraparounds, which are metal neck guitars, that are my main working horns.
I had too many 64-65 Emmonses that I never played and got tired of hoarding them. So I sold some stuff to a collector and bought a new bass boat, which I use much more than the gear that just sat in my living room. These things should be played by working players... anyway, it's just "stuff."
I still have my two wraparounds, which are metal neck guitars, that are my main working horns.
Last edited by Herb Steiner on 4 Sep 2009 4:59 am, edited 1 time in total.
My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
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Hey Herb,Let's go fishin'!!!!!!!!Herb Steiner wrote:I used to own that guitar. Terminology problem. It's not a wraparound, it's a wood neck with a bolt-on changer. Excellent sounding instrument.
I had too many 64-65 Emmonses that I never played and got tired of hoarding them. So I sold some stuff to a collector and bought a new bass boat, which I use much more than the gear that just sat in my living room. These things should be played by working players... anyway, it's just "stuff."
I still have my two wraparounds, which are metal neck guitars, that are my main working horns.
I know wome places over here in Louisiana where the bass are hittin' BIG TIME
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Chris Lucker
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The reason why this guitar may be called a Wraparound Bolt-on is to distinguish it from the Bolt-ons made in late 1965 through 1967.
This #8 guitar, which I got from Herb Steiner last summer and sold to Russ last month, has a changer with the 1964 fat fingers and skinnier axles as generally found on the 1964 Wraparounds, and the changer is bolted to a wraparound neck section. The neck does not have a milled ledge for the axle pillows as found on the 1966-1967 Bolt-ons and the 1970s wood neck Bolt-ons. Compare the photos -- the newer Bolt-ons have bigger axle pillows to hold the larger diameter axles and to raise the strings to the correct height because there is a milled ledge in the neck insert. See how Emmons #8 has no milled ledge for the axle pillows? See #8s fat fingers with no washers?
Wood necks were an option on Emmons guitars in the 1964 brochure.
The only 1964 Emmons I know of with a full cast aluminum Wraparound neck and a Bolt-on changer is #14.
This #8 guitar, which I got from Herb Steiner last summer and sold to Russ last month, has a changer with the 1964 fat fingers and skinnier axles as generally found on the 1964 Wraparounds, and the changer is bolted to a wraparound neck section. The neck does not have a milled ledge for the axle pillows as found on the 1966-1967 Bolt-ons and the 1970s wood neck Bolt-ons. Compare the photos -- the newer Bolt-ons have bigger axle pillows to hold the larger diameter axles and to raise the strings to the correct height because there is a milled ledge in the neck insert. See how Emmons #8 has no milled ledge for the axle pillows? See #8s fat fingers with no washers?
Wood necks were an option on Emmons guitars in the 1964 brochure.
The only 1964 Emmons I know of with a full cast aluminum Wraparound neck and a Bolt-on changer is #14.
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Jay
Here ya go...

It's a Skeeter SX190, 18'6" with a 150 Yamaha V-Max, running a 23M prop. I got it up to 56.5 on the GPS at 5400 rpms with me only and a half tank of gas, but that's as fast as I want to go anyway. I'm in St.Louis now but I'll post a better photo when I get back home.
Here ya go...

It's a Skeeter SX190, 18'6" with a 150 Yamaha V-Max, running a 23M prop. I got it up to 56.5 on the GPS at 5400 rpms with me only and a half tank of gas, but that's as fast as I want to go anyway. I'm in St.Louis now but I'll post a better photo when I get back home.
My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
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The boltswhat is the difference in this one and a bolt on??
Larry Bell - email: larry@larrybell.org - gigs - Home Page
My CD's: 'I've Got Friends in COLD Places' - 'Pedal Steel Guitar'
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My CD's: 'I've Got Friends in COLD Places' - 'Pedal Steel Guitar'
2021 Rittenberry S/D-12 8x7, 1976 Emmons S/D-12 7x6, 1969 Emmons S/D-12 6x6, 1971 Dobro, Quilter ToneBlock 202 TT-12
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