ACM House Player
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Dave Ristrim
- Posts: 1168
- Joined: 4 Aug 1998 11:00 pm
- Location: Whites Creek, TN
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Steve Hinson
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- Location: Hendersonville Tn USA
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Jim Sliff
- Posts: 7060
- Joined: 22 Jun 2005 12:01 am
- Location: Lawndale California, USA
- State/Province: California
- Country: United States
Bob -
"Piece of...."
So it was a prop - No reason to call the instrument a piece of...dung. Unless you feel it's beneath you to appear near such a pathetic excuse for an instrument.
That's how it comes across.
Dave - if it's in such bad shape...even used as a prop...why wouldn't some steel player feel it might be beneficial...even fun...to fix it up a bit? Heck, it *might* even be playable. Or is the whole environment so fake nobody gives a darn?
"Piece of...."
So it was a prop - No reason to call the instrument a piece of...dung. Unless you feel it's beneath you to appear near such a pathetic excuse for an instrument.
That's how it comes across.
Dave - if it's in such bad shape...even used as a prop...why wouldn't some steel player feel it might be beneficial...even fun...to fix it up a bit? Heck, it *might* even be playable. Or is the whole environment so fake nobody gives a darn?
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
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Bob Snelgrove
- Posts: 3453
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- Location: san jose, ca
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Not to me. No need to attack Paul or his Dad, either.Jim Sliff wrote:Bob -
"Piece of...."
So it was a prop - No reason to call the instrument a piece of...dung. Unless you feel it's beneath you to appear near such a pathetic excuse for an instrument.
That's how it comes across.
?
Sounds personal, Jim?
bob
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Dave Ristrim
- Posts: 1168
- Joined: 4 Aug 1998 11:00 pm
- Location: Whites Creek, TN
- State/Province: Tennessee
- Country: United States
Hi Jim,
I don't know where the Fender comes from, must be in a package of rental stuff for the ACM's. It would work fine if someone worked on it, but I think it fun to mime great tracks with something in such pathetic shape. I think it was a CMA award show where Jim Bob (with Chesney) set up an old Electroharp to mime with. Good stuff if you ask me.
I don't know where the Fender comes from, must be in a package of rental stuff for the ACM's. It would work fine if someone worked on it, but I think it fun to mime great tracks with something in such pathetic shape. I think it was a CMA award show where Jim Bob (with Chesney) set up an old Electroharp to mime with. Good stuff if you ask me.
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Steve Hinson
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Earnest Bovine
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- Location: Los Angeles CA USA
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Bruce Bouton
- Posts: 895
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Sometimes artists and producers feel more comfortable with tracks on tv shows because of the obvious ease of control of the audio. The singers are live .
As far as the rental steels go, none of them are playable. I played the fender because I didn't want to drag my good steel across the country for a three minute appearance. Paul was rehearsing with George Strait at another facility so he played whatever.
We all made good money for our three minutes of deception.In Paul's case he was fakin his own parts. I thought it was funny that we all played the crappy Fender.
I actually own a Fender but I would much rather play the Franklin steel that I own , or my Zum or my Push Pull. They are much better instruments.
As far as the rental steels go, none of them are playable. I played the fender because I didn't want to drag my good steel across the country for a three minute appearance. Paul was rehearsing with George Strait at another facility so he played whatever.
We all made good money for our three minutes of deception.In Paul's case he was fakin his own parts. I thought it was funny that we all played the crappy Fender.
I actually own a Fender but I would much rather play the Franklin steel that I own , or my Zum or my Push Pull. They are much better instruments.
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Earnest Bovine
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Steve Hinson
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- Location: Hendersonville Tn USA
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Earnest Bovine
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- Location: Los Angeles CA USA
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Steve Hinson
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- Joined: 4 Aug 1998 11:00 pm
- Location: Hendersonville Tn USA
- State/Province: Tennessee
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Bruce Bouton
- Posts: 895
- Joined: 4 Aug 1998 11:00 pm
- Location: Nash. Tn USA
- State/Province: Tennessee
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Bruce Bouton
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- Joined: 4 Aug 1998 11:00 pm
- Location: Nash. Tn USA
- State/Province: Tennessee
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Gaylon Mathews
- Posts: 833
- Joined: 4 Aug 1998 11:00 pm
- Location: Jasper, Georgia
- State/Province: Georgia
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I've seen that same ole worn out Fender at the ACM's, CMA's and the AMA's. It gets around.
Gaylon's Homepage
www.facebook.com/gaylonmathews
gaylonmathews@yahoo.com
Show Pro Steel Guitars, 2Ds Guitars, Peavey Electronics, Gallien Krueger MB Series Amps, GHS Strings, Rick Johnson Cabinets, D2F Covers, Eminence Double-T Speakers, Weber Speakers, Cedar Creek Cases.
www.facebook.com/gaylonmathews
gaylonmathews@yahoo.com
Show Pro Steel Guitars, 2Ds Guitars, Peavey Electronics, Gallien Krueger MB Series Amps, GHS Strings, Rick Johnson Cabinets, D2F Covers, Eminence Double-T Speakers, Weber Speakers, Cedar Creek Cases.
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Bill Cunningham
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Tommy White
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Earnest Bovine
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At first gave them a single 12 but they called back and said "This one has only one thing on it. Do you have a steel pedal with two things on it?" so I gave them the double 12.Bill Cunningham wrote:Doug wrote:Yes, but that guitar is a single 12 isn't it? No way that would have been believeable to the average ACM viewer!I let them rent my Sho-Bud for a couple of awards shows and it is very playable.
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James Cann
- Posts: 1651
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Reminds me of days in sales, when we all agreed, "The closer to company HQ, the further away from reality."OK, let's say a guy really busts his butt half his life or more to get good enough to run with the big dogs, only to realize that someone else will be doing the master sessions and someone else will be doing the tracks to which he will be "playing" to onstage, and so on. To me that's ironic, to others it might sound something like sour grapes, . . .
Last edited by James Cann on 8 Apr 2009 6:36 pm, edited 2 times in total.
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Tyler Hall
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Bob Snelgrove
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Steve Hinson
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