Lap steels, resonators, multi-neck consoles and acoustic steel guitars
Moderator: Brad Bechtel
HowardR
Posts: 8318 Joined: 3 Apr 1999 1:01 am
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by HowardR » 26 Mar 2009 1:20 pm
Twayn Williams
Posts: 1471 Joined: 12 Jun 1999 12:01 am
Location: Portland, OR
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by Twayn Williams » 26 Mar 2009 1:31 pm
Primitive Utility Steel
Russ Tkac
Posts: 2486 Joined: 28 Feb 2005 1:01 am
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by Russ Tkac » 26 Mar 2009 1:35 pm
Well Howard. There are some guys that can play and then some that rent them the instruments!
John Dahms
Posts: 559 Joined: 14 Feb 2005 1:01 am
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by John Dahms » 26 Mar 2009 1:46 pm
You casually say "picked up". That must have set you back a pot of gold.
Few and far between and beautiful to boot.
Time flies like an eagle
Fruit flies like a banana.
HowardR
Posts: 8318 Joined: 3 Apr 1999 1:01 am
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by HowardR » 26 Mar 2009 2:15 pm
John Dahms wrote: You casually say "picked up". That must have set you back a pot of gold.
Few and far between and beautiful to boot.
Well,....this was something that came about at the last minute and incidental with regard to a project in the works with Carroll Benoit....I know, I'm being rather vague.....but I'll explain in detail when the finished project is unveiled here in the near future......
I'll put it this way.....I couldn't NOT buy it.....
Doug Beaumier
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by Doug Beaumier » 26 Mar 2009 2:43 pm
if I could only play half as well as Mike Neer....that would be 50% better than how I play now......
It's okay Howard, playing steel is 90% mental. The other half is physical.
Edward Meisse
Posts: 2833 Joined: 19 Jul 2005 12:01 am
Location: Santa Rosa, California, USA
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by Edward Meisse » 26 Mar 2009 3:49 pm
Aman of your experience and with your guitar collection ought to be able to play Neerly as well, eh?
Amor vincit omnia
Mike Neer
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by Mike Neer » 26 Mar 2009 4:03 pm
Oh, my lord. I'm in awe. I always wanted one of those!
Links to streaming music, websites, YouTube:
Links
HowardR
Posts: 8318 Joined: 3 Apr 1999 1:01 am
Location: N.Y.C.-Fire Island-Asheville
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by HowardR » 26 Mar 2009 6:16 pm
Mike Neer wrote: Oh, my lord. I'm in awe. I always wanted one of those!
Mike,....I'd swap you this guitar in a New York minute for your musical talent.....
Scott Thomas
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by Scott Thomas » 26 Mar 2009 6:29 pm
A Style 4--that is just stunning. Wow. Thanks for sharing those gorgeous pics!
Mike Neer
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by Mike Neer » 26 Mar 2009 6:47 pm
HowardR wrote: Mike Neer wrote: Oh, my lord. I'm in awe. I always wanted one of those!
Mike,....I'd swap you this guitar in a New York minute for your musical talent.....
Deal, when can I pick it up.
Really, congrats, that's a real beauty!
Links to streaming music, websites, YouTube:
Links
Dan Eason
Posts: 31 Joined: 25 Apr 2006 12:01 am
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by Dan Eason » 26 Mar 2009 6:48 pm
It is great to see that Howard is finally picking up some nice stuff.
And he is far too humble about his playing, as we all know. Thanks for those beautiful photos. Very few things are that breathtaking after 80 years!!
AJ Azure
Posts: 957 Joined: 5 Sep 2005 12:01 am
Location: Massachusetts, USA * R.I.P.
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by AJ Azure » 26 Mar 2009 6:49 pm
Doug Beaumier wrote: if I could only play half as well as Mike Neer....that would be 50% better than how I play now......
It's okay Howard, playing steel is 90% mental. The other half is physical.
you tryin to say Howard is 90% mental..? ehehe
Rick Alexander
Posts: 3904 Joined: 12 Jun 2004 12:01 am
Location: Florida, USA, R.I.P.
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by Rick Alexander » 27 Mar 2009 12:50 am
Howard was kind enough to let me take it for a test run, and believe me - this Tricone has the mojo.
It's in unbelievable condition - it's looks like it's almost new . .
Fontaine Burnett
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by Fontaine Burnett » 27 Mar 2009 2:41 am
I think that's the most beautiful tricone I've ever seen. I had a 1928 style one a few years back but I sold it... still kicking myself for that one
Alan Brookes
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by Alan Brookes » 27 Mar 2009 6:36 am
Wow ! I'm in envy !
...now put it back in the case before it gets dusty and you have to spend an hour polishing it....
Fred Kinbom
Posts: 1230 Joined: 28 Sep 2005 12:01 am
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by Fred Kinbom » 27 Mar 2009 7:14 am
Beautiful! And in such great condition!
Steve Branscom
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by Steve Branscom » 27 Mar 2009 5:14 pm
Simply stunning. I can see how it sucked you in. An excellent purchase.
Steve
John Billings
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by John Billings » 28 Mar 2009 9:31 am
"with regard to a project in the works with Carroll Benoit..."
Now Howard! Ya already let that shoe drop elsewhere!
Robert Salomone
Posts: 115 Joined: 3 Jun 2004 12:01 am
Location: Carefree, Arizona
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by Robert Salomone » 29 Mar 2009 12:46 pm
Judging from the headstock overlay I'd say that National tricome is from 1930, the ones from '28 had plain wood no covering. Beautiful instrument!
Here's my 1930 Style 3
HowardR
Posts: 8318 Joined: 3 Apr 1999 1:01 am
Location: N.Y.C.-Fire Island-Asheville
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by HowardR » 29 Mar 2009 2:39 pm
Robert Salomone wrote: Judging from the headstock overlay I'd say that National tricome is from 1930, the ones from '28 had plain wood no covering. Beautiful instrument!
]
That's good to know.......and very nice guitar.....
Eric Ebner
Posts: 238 Joined: 3 Aug 2007 2:39 pm
Location: Texas Republic
State/Province: Texas
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by Eric Ebner » 29 Mar 2009 6:04 pm
I got to play that guitar at the show and considered buying it myself but couldn't afford it. It's a nice one and in fine shape. I'm glad to see that it was Howard that took it home. I got to listen to Howard play some acoustic steel during the week and enjoyed his talent. Don't dare leave it in the case Howard!!! It's meant to be played
Robert Salomone
Posts: 115 Joined: 3 Jun 2004 12:01 am
Location: Carefree, Arizona
State/Province: Arizona
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by Robert Salomone » 29 Mar 2009 6:39 pm
The serial number on my style 3 is S-2720 and Bob Brozman placed it around June 1930. Usually the serial numbers are located right below the endpin, or in some cases stamped into the wood on the edge of the headstock.
It's interesting to note that many of these ornate and expensive instruments were built during the height of The Great Depression. If I remember correctly the price on the Style 4 was just under
$200. when new.
It's amazing that considering the amount of time that went into building and engraving, along with the rarity of the engeved models that they don't command more in the vintage market.