Porter Wagoner's guitar player Buck
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- Lefty
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Porter Wagoner's guitar player Buck
I was watchng an old episode and caught Porter's guitar player playing the electric banjo. He was playing a song called "Poppin Corn", and bending some strings that would have turned Clarence White's head. Looks like he used a pick-up and maybe played through an old Standel. He was also bending some strings on the Mosrite. Does anybody have any information on him? Did he do any solo albums?
Goo stuff. I have to watch that show, The Wilburn Brothers and Marty Stuart show on the RFD channel.
The real country music in my opinion.
Lefty
Goo stuff. I have to watch that show, The Wilburn Brothers and Marty Stuart show on the RFD channel.
The real country music in my opinion.
Lefty
- Bob Knight
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Buck Trent
You can probably find out more than you want to know about ol' Buck right here.
www.bucktrent.com
Bob

www.bucktrent.com
Bob


- Walter Stettner
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- Jerry Hayes
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Lefty, that electric banjo of Bucks had a wooden head in it instead of the regular banjo head. I think it was a hard maple ply type and had a single P-90 type of guitar pickup in it. He also had a set of benders on it which were large "buttons" that he pushed with the heel of his right hand "into" the banjo to activate them. I remember seeing him in an interview once where he said that Shot Jackson of ShoBud had made the changer system for him. He also had (and used) four of the Keith/Scruggs tuners on the headstock for various changes along with the benders. He was the epitome of a "bender" player and preceded Clarence White by a number of years.
What was always puzzling to me was that he was a pretty fair guitar picker too, yet I never saw him use any benders on a standard guitar. I think he could have done some serious damage to some bender players ego if he had..........JH in Va.
What was always puzzling to me was that he was a pretty fair guitar picker too, yet I never saw him use any benders on a standard guitar. I think he could have done some serious damage to some bender players ego if he had..........JH in Va.
Don't matter who's in Austin (or anywhere else) Ralph Mooney is still the king!!!
- Bari Smith
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All that.........
And he was a good old Spartanburg boy too.Actually from a little community called"Arcadia",took banjo lessons from a gentleman named Manual Ward which actually made the first"Scruggs"type tuner here at Mayfair Mills from a ball bearing used in textile machinery drilled off center to act as a cam and was mounted in the headstock between the tuning pegs as to press against the strings and release the string as need be.



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Here's a link showing Buck using those "heel levers" and "Scruggs Pegs"!
http://www.youtube.com/watch?v=GorLVsgO ... re=related
And here's a link that lets you hear Buck using them alongside a good pedal steel (this shows how similar his technique is to ours)...
http://www.youtube.com/watch?v=0rNbqmZK ... re=related
GOOD STUFF!
http://www.youtube.com/watch?v=GorLVsgO ... re=related
And here's a link that lets you hear Buck using them alongside a good pedal steel (this shows how similar his technique is to ours)...
http://www.youtube.com/watch?v=0rNbqmZK ... re=related
GOOD STUFF!

- Steve Alonzo Walker
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- Bent Romnes
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[quote="Jerry Hayes"]Lefty, that electric banjo of Bucks had a wooden head in it instead of the regular banjo head. I think it was a hard maple ply type and had a single P-90 type of guitar pickup in it. He also had a set of benders on it which were large "buttons" that he pushed with the heel of his right hand "into" the banjo to activate them.
I often wondered what Buck's set up would sound like with a five-string neck on a Tele and his benders set-up.
I often wondered what Buck's set up would sound like with a five-string neck on a Tele and his benders set-up.
- Jerry Hayes
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Andy, it actually sounds pretty cool, or at least as close as I could get it. I once had an Ibanez Artist solid body guitar set up with six Keith/Scruggs banjo tuners and a set of Bigsby Palm pedals on it. I found that I could get his stuff with that set up. I had every string lowering a whole tone with the pegs except for the 3rd string which only lowered a half tone. The biggest problem with it (at least to me) was getting it in tune and then, keeping it in tune. With the pegs I could get an open G, open D, dropped D, double dropped D and DADGAD tunings. I also used to lower the 4th string to C and the 5th to G and use them for "drone notes" while doing the melodies on the first three strings. I really miss having that set up so I think I'll just get off the computer and get my Les Paul with the Bigsby Palm Pedal and put six Keith/Scruggs tuners on it, I still have 'em in a drawer in my work shop.........JH in Va.
Don't matter who's in Austin (or anywhere else) Ralph Mooney is still the king!!!
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