Effects box on steel
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Curtis G. Greene
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Effects box on steel
Who uses a Effect box on their steel and which one do you prefer? Thanks, C.G.G
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Glen Derksen
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Brian McGaughey
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I'm probably in the minority on this one, but I've been getting into using an MXR Carbon Copy stomp box.
It's an analog delay, real warm with a modulated or non-modulated delay, user choice.
Almost gotten away from reverb completely, not quite.
I suppose the music you play would dictate what direction to go in effecting your sound.
It's an analog delay, real warm with a modulated or non-modulated delay, user choice.
Almost gotten away from reverb completely, not quite.
I suppose the music you play would dictate what direction to go in effecting your sound.
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b0b
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If the band doesn't have a keyboard, I use an H&K Rotosphere.
I've been using a Line6 Pod XT lately for delay and rock effects (phaser, auto-wah, distortion), mainly because it's easier than hooking up a bunch of different boxes. I can't seem to get a good Leslie sound out of it, though. It can't compete with the Rotosphere.
I've been using a Line6 Pod XT lately for delay and rock effects (phaser, auto-wah, distortion), mainly because it's easier than hooking up a bunch of different boxes. I can't seem to get a good Leslie sound out of it, though. It can't compete with the Rotosphere.
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Jim Walker
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Bill Ford
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Jim Sliff
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An "effects box" is a wide open statement, covering everything from multi-effects units to distortion to reverb.
What do you mean? What sound are YOU looking for?
Effects are used to achieve certain sounds - without knowing what your "target" is it's impossible to give an answer.
What do you mean? What sound are YOU looking for?
Effects are used to achieve certain sounds - without knowing what your "target" is it's impossible to give an answer.
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
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Erv Niehaus
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Cliff Kane
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Sometimes I use a pedalboard that has a typical collection of old analog pedals. It sounds good and gets some good effects, but the tone is better plugging straight into my amp. I use the amp's spring reverb because it sounds good and I can't see using a pedal when a good reverb is already there in the amp. I also have a Roland Space Echo tape echo that works fine and sounds great. What I've been doing lately is ditching the pedalboard and just using the tape echo in front of the amp. The amp I've been using lately is a Magnatone M13--a clean and loud tube amp with an enclosed Jensen 15" speaker. The Magnatone has spring reverb and also a great sounding pitch vibrato. Right now this setup sounds best, as I've got verb and modulation from the amp, and a tape machine with a good sounding preamp if I need echo/delay.


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Mark MacKenzie
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Hey Cliff!
I have a suitcase Magnatone... M 15 with stereo 6" speakers with tweeters. Looks exactly like yours.
The old Magnatone vibrato is amazing especially in stereo. It pans back and forth like a Fender Rhodes. I wonder if your M13 has stereo external speakers?
Is there a stomp vibrato that is both pitch and stereo?
I think, but am not sure, that Magnatone achieved its vibrato by modulating a sub aural tone instead of just varying the volume by playing with the bias on the output tubes ala Fender.
It would be great to get this stereo vibrato in a stomp box but I don't know of one.
Happy Holidays, y'all!
Mark
I have a suitcase Magnatone... M 15 with stereo 6" speakers with tweeters. Looks exactly like yours.
The old Magnatone vibrato is amazing especially in stereo. It pans back and forth like a Fender Rhodes. I wonder if your M13 has stereo external speakers?
Is there a stomp vibrato that is both pitch and stereo?
I think, but am not sure, that Magnatone achieved its vibrato by modulating a sub aural tone instead of just varying the volume by playing with the bias on the output tubes ala Fender.
It would be great to get this stereo vibrato in a stomp box but I don't know of one.
Happy Holidays, y'all!
Mark
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b0b
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Curtis asked which effects you (the reader) prefer for steel, Jim. Not an impossible question at all. I answered it, as did several others.Jim Sliff wrote:An "effects box" is a wide open statement, covering everything from multi-effects units to distortion to reverb.
What do you mean? What sound are YOU looking for?
Effects are used to achieve certain sounds - without knowing what your "target" is it's impossible to give an answer.
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Steve Norman
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Lee Baucum
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I use a DigTech RP-150. Both my Evans FET-500 and my Fender Steel King have great spring reverbs; however, once you get a taste of beautiful Lexicon digital reverb, it's hard to go back. The RP-150 has several Lexicon reverbs. I can also blend in a little bit of digital delay or very subtle chorus with the reverb. All in one box.
Lee, from South Texas - Down On The Rio Grande
There are only two options as I see it.
Either I'm right, or there is a sinister conspiracy to conceal the fact that I'm right.
Williams Keyless S-10, BMI S-10, Evans FET-500LV, Fender Steel King, 2 Roland Cube 80XL's,
Sarno FreeLoader, Goodrich Passive Volume Pedals, Vintage ACE Pack-A-Seat
There are only two options as I see it.
Either I'm right, or there is a sinister conspiracy to conceal the fact that I'm right.
Williams Keyless S-10, BMI S-10, Evans FET-500LV, Fender Steel King, 2 Roland Cube 80XL's,
Sarno FreeLoader, Goodrich Passive Volume Pedals, Vintage ACE Pack-A-Seat
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Cliff Kane
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Hi Mark,
very cool! I used to have an M15A (like your M15 but with two 12" speakers). That amp had two seperate output transformers for the true stereo vibrato, as you describe. Getting rid of that amp ranks on the "four most regrettable sales of my life" list (the others being a '65 Tele, a '71 Les Paul, and a '61 "pre-unit" Triumph 650 Bonneville with factory magneto
). The pitch modulating vibrato is awesome, and in panning stereo is reallly fantastic. My M13 has a 15" with four 3" tweeters, and it has a huge sound, but alas it is not stereo. Rivera made an amp called an S120 that had two output tranformers for sereo output, an effects loop with stereo returns, and a stereo chorus that sounded pretty cool, too. I think Vibroworld may make a rackmount Magnatone type of stereo vibrato. If this amp also had tremolo it would be the ultimate amp. I'm kind of surprised that Magnatone did not add a tremolo to their amps because they had so many other deluxe features and appointments.
very cool! I used to have an M15A (like your M15 but with two 12" speakers). That amp had two seperate output transformers for the true stereo vibrato, as you describe. Getting rid of that amp ranks on the "four most regrettable sales of my life" list (the others being a '65 Tele, a '71 Les Paul, and a '61 "pre-unit" Triumph 650 Bonneville with factory magneto
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Greg Wisecup
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What Lee said. $85.00 Guitar Center. Tons of stuff and it's a very good recording interface. My 2 cents. Greg
http://www.guitarcenter.com/DigiTech-RP ... e=4WWRWXGB
http://www.guitarcenter.com/DigiTech-RP ... e=4WWRWXGB
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Chris LeDrew
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I always have a stomp box reverb unit in my pac seat in case the stage is bouncy and the amp 'verb is exploding all over the place. Sometimes I'll use it anyway, just to take advantage of some different types of 'verbs for different applications. It depends on whether or not I'm in the mood to plug it in. That's about it for me. I don't use delay, chorus, overdrive, or any other effects.[/i]
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Donny Hinson
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Jerry Bull
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I just got a RP150 and I really like it. Its so easy to program and there are a few guys on here that use them, so we can share settings. once the new wears off of it and you learn how to manually program it, you can dial in your own personal tastes, but when you first get started you can use someone elses patches to get up and running instantly. Greg Wisecup helped me get started. Buy the way Greg, I haven't changed any of those settings you sent. Out of all the "boxes" I've used, this one is my favorite. It has some excellent "rock" capabilities also. And from what I can tell it is very quiet. I played with two different bands the other night. The first set was a blues band(SRV style) and the other was a country cover band, and I just sat right there in one spot and pushed one buttona couple of times, and shazamm, I fit right in with the next band. Totally different tone in seconds.
www.psgpicker@gmail.com (Sierra Crown D-10 keyless)2-Nashville 112's, Steelers Choice, Hilton VP, Digitech RP150, Bobro, GeorgeL's cables, BJS Bars and Picks.
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Jerry Bull
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I just got a RP150 and I really like it. Its so easy to program and there are a few guys on here that use them, so we can share settings. once the new wears off of it and you learn how to manually program it, you can dial in your own personal tastes, but when you first get started you can use someone elses patches to get up and running instantly. Greg Wisecup helped me get started. Buy the way Greg, I haven't changed any of those settings you sent. Out of all the "boxes" I've used, this one is my favorite. It has some excellent "rock" capabilities also. And from what I can tell it is very quiet. I played with two different bands the other night. The first set was a blues band(SRV style) and the other was a country cover band, and I just sat right there in one spot and pushed one buttona couple of times, and shazamm, I fit right in with the next band. Totally different tone in seconds.
www.psgpicker@gmail.com (Sierra Crown D-10 keyless)2-Nashville 112's, Steelers Choice, Hilton VP, Digitech RP150, Bobro, GeorgeL's cables, BJS Bars and Picks.
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Pete Burak
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Which Mu-Tron?
Hi Donny,Donny Hinson wrote:I have about 20 stomps, but my amp has built-in verb, echo, and chorus, so about the only things extra I might use are a Phase 100, a Bosstone, and a Mu-Tron.
Which Mu-Tron pedal do you have?
I have a MuTron III, a MuTron octave divider, and a Mu-Tron Phasor II (the rate knob went out on the Phasor, so i have to send it off for rehab).
Love 'Em!!!