How Many Steelers Can You Recognize Just By Their Playing?
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Dave A. Burley
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How Many Steelers Can You Recognize Just By Their Playing?
Just how many steel guitar players can you recognize by their playing on tape or cd? I don't believe that there are too many that are so blessed. Most of us Classic Country fans can recognize a singer almost immediately by his voice. Just who has that great of a voice in the steel guitar world? Think about it....It's not that many. Personally, Julian Tharpe, Buddy Emmons and Maurice Anderson are about the only ones I can recognize. Especially Julian.
Thanks,
Dave Burley
Thanks,
Dave Burley
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John Floyd
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A Few More
Curly Chalker, Hal Rugg, John Hughey, Jimmy Crawford, Weldon Myrick, Russ Hicks, Bill Stafford, Herby Wallace, Jerry Byrd, Lloyd Green.
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Charlie McDonald
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Mike Perlowin RIP
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Reece,
Chalker,
Jimmy Crawford,
Joe Goldmark
Susan Alcorn
Demola Adepoju
Robert Randolph
Marshall Hall (Is Marshall still alive?)
Chalker,
Jimmy Crawford,
Joe Goldmark
Susan Alcorn
Demola Adepoju
Robert Randolph
Marshall Hall (Is Marshall still alive?)
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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Ray Montee (RIP)
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Again, relating to those good ole days...............
In the decades PRIOR to everyone wanting to sound exactly ALIKE......
it was fairly easy to recognize a significant musical talent, not only by his styling but his tuning as well:
Noel Boggs
Joaquin Murphy
Roy Wiggins
Herb Remington
Leon McAuliff
Don Helpms
Howard White
Bud Issacs
the early Buddy Emmons
and of course, JERRY BYRD!
In those days, "YOUR SOUND" was the IMPORTANT ISSUE that each of them really took pride in establishing.
But alas, those great and wonderful days have eluded us.
it was fairly easy to recognize a significant musical talent, not only by his styling but his tuning as well:
Noel Boggs
Joaquin Murphy
Roy Wiggins
Herb Remington
Leon McAuliff
Don Helpms
Howard White
Bud Issacs
the early Buddy Emmons
and of course, JERRY BYRD!
In those days, "YOUR SOUND" was the IMPORTANT ISSUE that each of them really took pride in establishing.
But alas, those great and wonderful days have eluded us.
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Alan Miller
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Seems like this is a subject similar to the TONE debate , But when it comes to a distinct unmistakable "sound" , Lloyd green and Pete Drake way back when.
Now I bet some one again will say " Ah but is that sound or style ? , and you are mistaking tone with style".
Im only thinking "sound" like Mr Montee was talking about and those two in my humble opinion are top of the heap in the ministry of very recognizable noises.
Now I bet some one again will say " Ah but is that sound or style ? , and you are mistaking tone with style".
Im only thinking "sound" like Mr Montee was talking about and those two in my humble opinion are top of the heap in the ministry of very recognizable noises.
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Ray Montee (RIP)
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You made a good point.............
Alan..........
You're very correct about the 'sound' that Lloyd Green has achieved on so many of his wonderful recordings. His 'sound' is most unique! No one has ever fully answered it for me either, as to whether it's his GUITAR, the year of that guitar or design of that model, or his amp or some affects box that he might be using.
And yes, I know it's NOT his right hand over the left hand; and it's NOT a black mica; and he doesn't use right angle cords for his 'signal' to the amp., nor does he use a YELLOW cord.
Sarah Jory will from time to time, pop out WITH THAT SAME or NEARLY SAME LLOYD GREEN uniqueness in sound but she is NOT consistant, so I can't help but wonder if it's a 'chance' thingy in their playing.
You're very correct about the 'sound' that Lloyd Green has achieved on so many of his wonderful recordings. His 'sound' is most unique! No one has ever fully answered it for me either, as to whether it's his GUITAR, the year of that guitar or design of that model, or his amp or some affects box that he might be using.
And yes, I know it's NOT his right hand over the left hand; and it's NOT a black mica; and he doesn't use right angle cords for his 'signal' to the amp., nor does he use a YELLOW cord.
Sarah Jory will from time to time, pop out WITH THAT SAME or NEARLY SAME LLOYD GREEN uniqueness in sound but she is NOT consistant, so I can't help but wonder if it's a 'chance' thingy in their playing.
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Charlie McDonald
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I find John Hughey easy to recognize. Same with Sneaky Pete and Don Helms. Lloyd is pretty easy to spot as well, and of course the big E. These days, two of the more recognizable are Robert Randolph and Cindy Cashdollar.
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Jim Peters
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Terry Wood
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Used to be you could almost name them all and now days they sound alot alike.
Julian Tharpe, Reece Anderson, Herb Remington, Zane Beck, Buddy Emmons, Lloyd Green, Curly Chalker, Jerry Byrd, Don Helms, Speedy West, Bob White, Ralph Mooney, Little Roy Wiggins, Leon McAuliffe, Pete Drake, John Hughey, Jimmie Crawford Hal Rugg, Tom Brumley, you could recognize them.
Terry
Julian Tharpe, Reece Anderson, Herb Remington, Zane Beck, Buddy Emmons, Lloyd Green, Curly Chalker, Jerry Byrd, Don Helms, Speedy West, Bob White, Ralph Mooney, Little Roy Wiggins, Leon McAuliffe, Pete Drake, John Hughey, Jimmie Crawford Hal Rugg, Tom Brumley, you could recognize them.
Terry
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Donny Hinson
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IMHO, like a lot of players, Lloyd had lots of sounds! Most non-steelers would find it hard to believe that that guy playing on the Warner Mack records, the guy playing on the Byrds record (Sweetheart Of The Rodeo), the guy playing on the Charlie Pride records, and the guy playing on the Don Williams records were, in fact, all the same player.You're very correct about the 'sound' that Lloyd Green has achieved on so many of his wonderful recordings. His 'sound' is most unique!
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Brett Day
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Eddie Cunningham
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I'm from the "Old School "
IMHO most pedal players all sound alike to my old ears !! But Alvino Rey , Jerry Byrd , Roy Wiggins , Speedy West , Don Helms , Johnny Sibert , Dickie Harris , Bud Isaacs , Noel Boggs , Leon McCauliffe , Herb Remmington , Frankie Marvin , Pete "Brother Oswald" Kirby , Dick McIntire and maybe a couple others I can't remember , all had a very distinctive sound and style that was easily recognized !! Eddie "C" ( the old non-pedal no reverb geezer )
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Pat Comeau
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Only one = Me

Comeau SD10 4x5, Comeau S10 3x5, Peavey Session 500,Fender Telecaster,Fender Stratocaster, Fender Precision,1978 Ovation Viper electric. Alvarez 4 strings Violin electric.
Click the links to listen to my Comeau's Pedal Steel Guitars.
http://www.youtube.com/watch?v=hIYiaomZx3Q
http://www.youtube.com/watch?v=P2GhZTN_ ... re=related
http://www.youtube.com/watch?v=TvDTw2zNriI
Click the links to listen to my Comeau's Pedal Steel Guitars.
http://www.youtube.com/watch?v=hIYiaomZx3Q
http://www.youtube.com/watch?v=P2GhZTN_ ... re=related
http://www.youtube.com/watch?v=TvDTw2zNriI
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Charles Davidson
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Most can reconize the ledgends like Mr. Helms,Wiggens,Byrd,etc,Some of the GREAT players today on some of the songs[if they are playing a hot E9th solo] on a song ,you don't know who's doing it,[how many times do you here the question here on the forum,who's playing on that song?]The one still with us that has the most original style of his own,and my favorite player is Mr.Seymore,He can take a song that has been done by EVERYBODY and put the Seymore touch and improve it.DYKBC.
Hard headed, opinionated old geezer. BAMA CHARLIE. GOD BLESS AMERICA. ANIMAL RIGHTS ACTIVIST. SUPPORT LIVE MUSIC !
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