Young (or old) people dancing, clapping, singing along is great--that's one way of reacting to being moved by music in particular ways. But I wouldn't want that to happen at a classical piano recital--obviously, not that it would! I love classical piano, by the way.Ben Jones wrote:yes.... standing, clapping, singing along...these are clearly unaccpetable expressions of a young person enjoying themselves...we must not have this at a steel guitar show! It is indeed shocking that our youth dont want to dress up for church and remain seated quietly with their hands folded in their lap and atend these wonderful events with us. I am actually surprised we have been able to keep them away for as long as we have.Jody Sanders wrote:The younger generation's ( 18 to 28) thing is to stand up, clap, and sing-a-long, while exposing various body parts and listening to a band that dresses like street people playing at 140 decibels and using the F word and other profanities throughout the show. I think I will just hang in with the steel guitar shows as is. Jody.
It seems to me that a "steel show" is, by definition, more like a classical piano recital than a youth-oriented concert. It's not specified in the very term "steel show" what KIND OF MUSIC will be played, but I think it's implicit that the idea behind a show so named is that one comes to LISTEN to the music, paying attention to the details and nuances.
Some young people go to classical concerts of their own volition--a minority, perhaps, but they're there. It may not be generally characteristic of youth in our times, but some few "get" classical music. They may well be some of the most committed members of the audience, given that they're going against the grain of their segment of the culture--which seems to augur well for the survival of classical music among a small but dedicated part of the human race.
If the same situation applies to steel guitar, as far as I'm concerned that's fine. I don't personally see a need for what I love myself to gain mass acceptance.
I am NOT arguing that "steel guitar", and thus "steel shows", should be kept within the narrow confines of a particular style of country music. As far as I'm concerned, anything goes--anything people interested in steel want to play and/or hear. But I agree with those who've said that, realistically, a focus on the steel guitar is almost certainly always going to be a somewhat esoteric thing, and that's not a bad thing. Mass acceptance seldom seems to do much for the integrity of art.
