Yes, and it's made it world wide. Now you don't know if your getting ripped off by some kid down the street or someone in Indonesia(no offense to any of the Indonesian music pirates).Jim Cohen wrote:Truly, it's done both, don't you think?Alvin Blaine wrote:The Internet hasn't so much made it easier to rip off music, it's just made it harder to catch the folks doing it.
CD Packaging Preferences?
Moderator: Dave Mudgett
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Alvin Blaine
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Mike Perlowin RIP
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Alvin Blaine wrote: Now you don't know if your getting ripped off by some kid down the street or someone in Indonesia(no offense to any of the Indonesian music pirates).
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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Tony Prior
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How about a Brown Paper Bag Cd Holder ? Just thinking about the cost factor.
regarding the Internet ,( where we are right now if you are reading this ) it has done a few amazing things for artists...
Self promotion..
Incredible exposure to millions
Sales of things we never dreamed we could sell
and of course made crooks out of normally good honest folks who now are trying to figure out how to bypass the $.89 downloads.
And of course those of us who have purchased the small hand held MP3 type recorders NEVER record streamed audio direct from the Internet, they were not made for that purpose
Personally I like the small CD sized cardboard kinda thing
tp
regarding the Internet ,( where we are right now if you are reading this ) it has done a few amazing things for artists...
Self promotion..
Incredible exposure to millions
Sales of things we never dreamed we could sell
and of course made crooks out of normally good honest folks who now are trying to figure out how to bypass the $.89 downloads.
And of course those of us who have purchased the small hand held MP3 type recorders NEVER record streamed audio direct from the Internet, they were not made for that purpose
Personally I like the small CD sized cardboard kinda thing
tp
Last edited by Tony Prior on 28 Mar 2008 7:07 am, edited 1 time in total.
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John Roche
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Roger Rettig
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James Taylor's last two releases have been packaged in a fold-out cardboard thingie. There is a plastic insert to cradle the discs, but they seem really durable and, in my opinion, they're very attractive.
As someone has already said, there's plenty of room for liner-notes, too. Are these what you mean by 'digipaks'?
I've never liked the full-size jewel-cases - far too fragile, and they feel cheap. As for the thin jewel-cases - YUK!!! It's impossible these days not to end up with dozens of home-recorded discs (often rehearsal materials), and these usually arrive in the thin case; I soon transfer them to one of those big CD 'books' (kind-of photo-album zip-up affairs) and toss out the jewel-case.
Bill C. wrote:
"please press three vinyl copies for Roger, Donny, and myself. I'll be playing with my slide rule while I listen."
That was good! (Hi, Bill!!!)
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A general note.....
I've always felt that an album of someone's music remains the best value-for-money there is - whatever the medium. Wherever I might hear a sample (on the radio, or via a sound-clip relayed through my e-mail or via a Forum 'link'), if it pleases me sufficiently, then I'm only too happy to lay out the $15 - $25 required to add it to my collection.
That investment, in terms of pleasure and inspiration to me as a musician, has no equal anywhere.
As someone has already said, there's plenty of room for liner-notes, too. Are these what you mean by 'digipaks'?
I've never liked the full-size jewel-cases - far too fragile, and they feel cheap. As for the thin jewel-cases - YUK!!! It's impossible these days not to end up with dozens of home-recorded discs (often rehearsal materials), and these usually arrive in the thin case; I soon transfer them to one of those big CD 'books' (kind-of photo-album zip-up affairs) and toss out the jewel-case.
Bill C. wrote:
"please press three vinyl copies for Roger, Donny, and myself. I'll be playing with my slide rule while I listen."
That was good! (Hi, Bill!!!)
================================================
A general note.....
I've always felt that an album of someone's music remains the best value-for-money there is - whatever the medium. Wherever I might hear a sample (on the radio, or via a sound-clip relayed through my e-mail or via a Forum 'link'), if it pleases me sufficiently, then I'm only too happy to lay out the $15 - $25 required to add it to my collection.
That investment, in terms of pleasure and inspiration to me as a musician, has no equal anywhere.
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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John Roche
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Roger, here is a link you will enjoy. right click on Ollie and save image as... you got an avatar...JR

http://www.truveo.com/search.php?query= ... Hardy&uqs=

http://www.truveo.com/search.php?query= ... Hardy&uqs=
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Donny Hinson
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Oh yeah they will. It's as much an ego thing as it is an earnings tool. Countless people have invested countless dollars, even when their chances of success were ridiculously small. Fact is, most would probably have better luck at a casino.Because the truth is that, if players can't recover their out of pocket costs, let alone make a few bucks, they're just not going to be motivated to release their creative product to others...
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Jim Cohen
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Well, Donny, maybe some will, but many will not. I personally know of several incredible players who have been deterred in recording even their first solo CD for exactly this economic reason. The sad thing is we'll probably never get to hear much of what they have to say musically, unless we happen to live close to where they gig.
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Edward Meisse
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John Steele (deceased)
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