Day setup........an eastern thing?.........
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Jerry Hayes R.I.P.
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Day setup........an eastern thing?.........
I've often wondered if the Day setup of floor pedals one through three in the E9 tuning was an eastern or east coast thing.....
I played on the west coast for many years and I really don't remember ever seeing anyone who used the Day setup out there but since moving to the east coast (Virginia) it seems that at least 50% or more of the players back in this end of the country use Day over Emmons........
Are there any West Coast players who use the Day setup. This doesn't include players who learned to play elsewhere and then moved to California, but players who learned to play out there..............JH in Va.
I played on the west coast for many years and I really don't remember ever seeing anyone who used the Day setup out there but since moving to the east coast (Virginia) it seems that at least 50% or more of the players back in this end of the country use Day over Emmons........
Are there any West Coast players who use the Day setup. This doesn't include players who learned to play elsewhere and then moved to California, but players who learned to play out there..............JH in Va.
Don't matter who's in Austin (or anywhere else) Ralph Mooney is still the king!!!
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Dick Wood
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Jerry,
All I can add is that after many years of asking why various people I met played the Day setup,the answer was universally,that's how my first guitar was set up so that's how I learned.
Not one person ever said it was because they liked Buddy or Jimmy.
My first guitar was set up Emmons and I didn't know any better so that's my reason.
All I can add is that after many years of asking why various people I met played the Day setup,the answer was universally,that's how my first guitar was set up so that's how I learned.
Not one person ever said it was because they liked Buddy or Jimmy.
My first guitar was set up Emmons and I didn't know any better so that's my reason.
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Larry Hamilton
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When I started in southeast Oklahoma in the early 70's everyone that I knew played the Day setup. When I moved to Oklahoma City a couple years later, pretty much everyone there played the Emmons setup. One of the drawbacks to the Day way is that most guitars at conventions are set up Emmons. Therefore about I can do is push pedals except for when I try out the C6th neck.
Keep pickin', Larry
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Roger Shackelton
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Billy McCombs
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Day steup
I know of four guys here in Bakersfield that play the Day setup includeing my friend Larry Petree. My first Steel that I bought from Larry about 18 yrs ago was Day setup,Im sure that Larry can add more numbers to the list because he teaches Steel. Billy
78 Emmons PP,Great tone.82 Emmons SKH #56
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Max W. Thompson
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Day Setup
My first psg was a starter psg with a "standard Emmons setup". After 8 months I got a Blanton that was already in a Day setup. I just left it the way it was to try the Day setup, and had no trouble getting used to it. I can't imagine ever changing back.
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Alan Harrison
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Day Setup
Like many of you Day setup players, My first professional Guitar, a D-10 ZB had the Day Setup on it when I bought it from Mr Larry Petree in Bakersfield California in 1972. I have never seen any reason to change to the Emmons setup.
Larry is a fantastic player and unless he has changed in the last ten months, he still plays the
Day setup on his Zum's. And very well I might add.
Larry is a fantastic player and unless he has changed in the last ten months, he still plays the
Day setup on his Zum's. And very well I might add.
Mullen (Black) Pre G-2 9x7, B.L. 705 PUP's, Evans SE 200 Telonics NEO 15-4, BJS Bar, Peterson Strobo Flip, Steelers Choice Seat, Folgers Coffee and Hilton Pedals.
"I Steel Without Remorse"
"I Steel Without Remorse"
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Jerry Roller
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Wayne Wallett
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Interesting! I am from Pennsylvania and play Day setup. There are several other players I know that play Day as well. I was at Chas Stepps Derby plant and he said a lot of the guitars he builds/sells in KY are Day set up including his own guitar. Don't think there is an advantage one way over another. I like Day because the flow of the knees match the logical flow of the neck. LKL lowers E's and logically your flow is to the left or down the neck the same direction as my thinking. E to F lever is LKR or up the neck. Just my way of thinking.
Regards,
Wayne
Regards,
Wayne
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Billy McCombs
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chris ivey
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Dan Burnham
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I Play Both
I have Day Setup on my BMI Zane Beck Model. I have a Sierra S-12 that has Emmons setup. I play both of these guitars and I'd have to say the Day setup works better for me. I would agree I think the Day setup is more comfortable. I started out on Emmons Setup.
Dan
Dan
BMI S12 Zane Beck's Tuning
www.danburnham.com
www.danburnham.com
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Roger Crawford
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Andy Hinton
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Jimmy Day setup
The late, Great,John Hughey & Jack Mathews both played Day. That's good enough for me.
Andy H.
Andy H.
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Darvin Willhoite
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My first guitar was setup with Day style floor pedals, and I never saw any reason to change. Knee levers are a different story. I just added changes wherever I thought they would work, like lowering the E's on the RKR, and raising them on the LKR. I also use two RKL's and a few others.
Darvin Willhoite
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, a restored MSA Classic SS, several amps, new and old, and a Kemper Powerhead that I am really liking. Also a Zum D10, a Mullen RP, and a restored Rose S10, named the "Blue Bird". Also, I have acquired and restored the plexiglass D10 MSA Classic that was built as a demo in the early '70s. I also have a '74 lacquer P/P, with wood necks, and a showroom condition Sho-Bud Super Pro.
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, a restored MSA Classic SS, several amps, new and old, and a Kemper Powerhead that I am really liking. Also a Zum D10, a Mullen RP, and a restored Rose S10, named the "Blue Bird". Also, I have acquired and restored the plexiglass D10 MSA Classic that was built as a demo in the early '70s. I also have a '74 lacquer P/P, with wood necks, and a showroom condition Sho-Bud Super Pro.
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Tracy Sheehan
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E or D set ups.
Many of us started out before ever hearing of Day or Emmons.Use the set up and tuning that works for you.It is really that simple.
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Roger Rettig
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Most of the ZBs that were sold out of Eric Snowball's music store in Maidstone in south-east England were set-up 'Day'. I'm pretty sure that it was Gordon Huntley's influence that was responsible, as he was a sometime steel-tech for Eric.
That's certainly what started me off, and I'm happy with it.
Tommy White is a notable 'Day' player, as well as Weldon Myrick, Rusty Young and Norm Hamlett. So was John Hughey....
I'm convinced that it's an easier motion for the human ankle, but I've been ridiculed on here before for that suggestion, so please ignore it....
That's certainly what started me off, and I'm happy with it.
Tommy White is a notable 'Day' player, as well as Weldon Myrick, Rusty Young and Norm Hamlett. So was John Hughey....
I'm convinced that it's an easier motion for the human ankle, but I've been ridiculed on here before for that suggestion, so please ignore it....
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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James Quackenbush
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I started on the Emmons setup, but went to U-12 and discovered how much easier the Day setup was on my ankles , so I switched from 10 to 12 strings, and from Emmons setup to Day setup all at the same time ... I see various players playing a particular brand of pedal steel who are in various area's, but I find it interesting that you bring up the East/West concept concerning the Day/Emmons setup ... I've never thought about it in that light before ...Interesting ...Things that make you go hmmmmmmm !!....Jim
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Darvin Willhoite
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I agree with Roger, it seems much easier to roll my ankle to the outside than to the inside. Maybe Jimmy discovered the same thing when he split up the Isaacs pedal.
Darvin Willhoite
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, a restored MSA Classic SS, several amps, new and old, and a Kemper Powerhead that I am really liking. Also a Zum D10, a Mullen RP, and a restored Rose S10, named the "Blue Bird". Also, I have acquired and restored the plexiglass D10 MSA Classic that was built as a demo in the early '70s. I also have a '74 lacquer P/P, with wood necks, and a showroom condition Sho-Bud Super Pro.
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, a restored MSA Classic SS, several amps, new and old, and a Kemper Powerhead that I am really liking. Also a Zum D10, a Mullen RP, and a restored Rose S10, named the "Blue Bird". Also, I have acquired and restored the plexiglass D10 MSA Classic that was built as a demo in the early '70s. I also have a '74 lacquer P/P, with wood necks, and a showroom condition Sho-Bud Super Pro.
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Gary Walker
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Jerry Hayes R.I.P.
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From the replies so far it still looks like the Day thing is more common the farther east you go.
Here's a good question, what would you call Ralph Mooney's setup as he splits his two G# strings and has one on each side of his "A" pedal?.....JH in Va.
Here's a good question, what would you call Ralph Mooney's setup as he splits his two G# strings and has one on each side of his "A" pedal?.....JH in Va.
Don't matter who's in Austin (or anywhere else) Ralph Mooney is still the king!!!
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Jody Sanders
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b0b
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There are a lot of Day players on the west coast. It's not a regional thing.
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Gary Walker
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