Alvino Rey on YouTube..............UNBELIEVABLE!!!!
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Ricky Littleton
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Alvino Rey on YouTube..............UNBELIEVABLE!!!!
Emmons LeGrande - 8x4,
Gwin Steel custom tube amplifier ,Goodrich Volume pedal, Peterson VS-II Tuner, E-Bow, Bo-Bro
Gwin Steel custom tube amplifier ,Goodrich Volume pedal, Peterson VS-II Tuner, E-Bow, Bo-Bro
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Kevin Hatton
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Tony Prior
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MUSICO
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Who plays that style nowadays?
If you wanted to hear something like that live, what names would you be looking for?
Jeremy Williams
Barcelona Spain
Jeremy Williams
Barcelona Spain
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Eddie Cunningham
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DOUBLE WOW - WOW !!!
I love Alvino Rey !! My Fender 1000 doesn't sound like that one !! Great clip !! Eddie "C" ( the old geeze )
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Mike Perlowin RIP
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I saw him 2 or 3 times at Scotty's. The first time he had a 17 piece big band with him. It was thrilling to hear hem with them.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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Craig Stock
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Who plays that style today?
For one that I know of, Forumite Jody Carver, he even uses a plastic comb to rake the springs.
Very exciting to watch, great showmanship!

Jody Carver at the 2005 PSGA Show in Norwalk CT.
For one that I know of, Forumite Jody Carver, he even uses a plastic comb to rake the springs.
Very exciting to watch, great showmanship!

Jody Carver at the 2005 PSGA Show in Norwalk CT.
Regards, Craig
I cried because I had no shoes, then I met a man who had no feet.
Today is tomorrow's Good ol' days
I cried because I had no shoes, then I met a man who had no feet.
Today is tomorrow's Good ol' days
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Bill Hatcher
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I think what he means is the difference between someone who is actually playing and someone who has learned a few licks and is acting like he is playing.Tony Prior wrote:"this was when we had real talent"
?????
what does that mean ? there is no more real talent ?
...
Rey is a master of swing, a master of intricate chords, a master of the tone control---nobody does that better, a master of playing the melody, of working with a big band, of arranging tunes, of showmanship, of tone....with a little help from the tweed twin...man had talent. More than todays players.
Last edited by Bill Hatcher on 12 Nov 2007 5:46 pm, edited 1 time in total.
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Steve Norman
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b0b
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Does anyone know his copedent from that era? That was just fantastic playing!
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Alvino Rey-The Father of modern Steel Guitar
Ricky-I thought Alvino was great when I saw him play "Hindustan" in 1938. Of course, he inspired me to play that style. So I learned from then on to play with my D8 Vega and later with my Gibson Electra-Harp when he got his. So I used him as my mentor to play all his recordings, like "St.Louis Blues, "On the Alamo". "Rose Room"."Tiger Rag"."My Buddy", etc etc. I can"t believe that I sill can rememberto play all these songs at my age 86(Dec 10).
Just pure lucky , I guess. I got a lot of work playing those old songs. The tone control was used a lot , I remember playing "Mama Blues" with it in 1947 with a trio I played with .
I wish we could talk the builders to put the control back on their guitars where you can play and get to it with your little finger. That's the way we had it.
The Video looks like he is playing a Fender D10, with a quick change tone control in the right place to use. He used 2 tunings on his D10, one E6 and one E7, with added 9th. Even on his non pedal Gibson Console Grand he had 2 pedals hooked up on the outside of the right side.
He did have a sort of E13 on the one neck. Top down, E-C#-B-G#-F#-D-B-G#-E....then he would change the second string C# to a D and opened up new chordal Possibilities.
Other neck was E6, top down. E-C#-B-G#-E-C#-B-G#-E
I used these tuning for several years before I got my 6 pedal Electra-Harp. I used to copy him by jumping necks all the time during songs to get the chords I wanted. Te Pedal guitar, eliminated the need to jump necks anymore. But the D10 showmanship was a lot better to the audience, looked exciting.
I have heard that Reece, Buddy ,Curly Speedy all took a few ideas from Alvino. He was a musical Genius.....Thanks for showing the Youtube Video, Ricky...al..
:)
Just pure lucky , I guess. I got a lot of work playing those old songs. The tone control was used a lot , I remember playing "Mama Blues" with it in 1947 with a trio I played with .
I wish we could talk the builders to put the control back on their guitars where you can play and get to it with your little finger. That's the way we had it.
The Video looks like he is playing a Fender D10, with a quick change tone control in the right place to use. He used 2 tunings on his D10, one E6 and one E7, with added 9th. Even on his non pedal Gibson Console Grand he had 2 pedals hooked up on the outside of the right side.
He did have a sort of E13 on the one neck. Top down, E-C#-B-G#-F#-D-B-G#-E....then he would change the second string C# to a D and opened up new chordal Possibilities.
Other neck was E6, top down. E-C#-B-G#-E-C#-B-G#-E
I used these tuning for several years before I got my 6 pedal Electra-Harp. I used to copy him by jumping necks all the time during songs to get the chords I wanted. Te Pedal guitar, eliminated the need to jump necks anymore. But the D10 showmanship was a lot better to the audience, looked exciting.
I have heard that Reece, Buddy ,Curly Speedy all took a few ideas from Alvino. He was a musical Genius.....Thanks for showing the Youtube Video, Ricky...al..
Michigan (MSGC)Christmas Dinner and Jam on my 80th Birthday.
My Email.. almarcus@cmedic.net
My Website..... www.cmedic.net/~almarcus
My Email.. almarcus@cmedic.net
My Website..... www.cmedic.net/~almarcus
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Tony Prior
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My comment has nothing to do with Alvino, he is an incredible talent. My comment is only based on the words..Bill Hatcher wrote:I think what he means is the difference between someone who is actually playing and someone who has learned a few licks and is acting like he is playing.Tony Prior wrote:"this was when we had real talent"
?????
what does that mean ? there is no more real talent ?
...
"this was when we had real talent"
What does that mean ?
I'll ask again, did talent end after that , it was NO LONGER a factor ? For anyone ?
even those we consider masters today ?
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Steve Norman
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Alan Miller
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A first for me yet again, seeing this great player . would I be correct in saying Speedy west had a similar style , big slides and rakes ?
Also, back then steel players along with other musicians ( pianists / guitarists )loved to look directly into the camera. I noticed as late as the 60s Tom Brumley did it on some of the buck owens videos , doesnt seem to happen much these days.
Also, back then steel players along with other musicians ( pianists / guitarists )loved to look directly into the camera. I noticed as late as the 60s Tom Brumley did it on some of the buck owens videos , doesnt seem to happen much these days.
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Steve Norman
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Hey Tony,,Just to stir this up, I think the older guys really took the opportunity to showcase themselves in a more playful way than soloists do now. Less look what I can do and more trying to entertain the audience with something cool and unique. Something happened to solos where it became more about the showing off than entertaining I think. I dont think that is a universal truth, just what I have experienced in my limited years. I remember my dad and his friends playing, it was more about "this sounds cool", people would throw things out and everybody would laugh and have a real fun time. I never saw aggressive competition or arrogance the way I do in my contemporaries (obviously not talking about pros here) now.
Steve
Steve
GFI D10, Fender Steel King, Hilton Vpedal,BoBro, National D dobro, Marrs RGS
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Steve Norman
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Tony Prior
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Steve, I hear ya but I was thinking more of the
STYLISTS who were not much further behind than Alvino, in there TIME window,some very note worthy names that we all brag about right here in this forum.
One name starts with a B, one with an L, one with a C one with a J..etc....
Seems like a conflict to separate the era of talent
Imagine where we would be today if the so called "single note" warriors never bothered to execute there styles...
I think it's more of comparing STYLES than it is related to talent.
two totally different and unrelated entities.
I submit that talent did not end after "BACK THEN" .
If we really want to make a rucus, lets consider which STYLE has lasted 5 decades... and which style every player on the planet is chasing...
just a thought
I like it all....
STYLISTS who were not much further behind than Alvino, in there TIME window,some very note worthy names that we all brag about right here in this forum.
One name starts with a B, one with an L, one with a C one with a J..etc....
Seems like a conflict to separate the era of talent
Imagine where we would be today if the so called "single note" warriors never bothered to execute there styles...
I think it's more of comparing STYLES than it is related to talent.
two totally different and unrelated entities.
I submit that talent did not end after "BACK THEN" .
If we really want to make a rucus, lets consider which STYLE has lasted 5 decades... and which style every player on the planet is chasing...
just a thought
I like it all....