Al Perkins Fender 1000 copedent/tuning
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Jim Sliff
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Al Perkins Fender 1000 copedent/tuning
Does anybody have the copedent Al was using back in the Burrito Days on his 1000? I remember seeing it somewhere, but it's not in anything I have. I wanted to mess around with it on the 1000.
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No chops, but great tone: Fender 400, 1000, '39 Ric 59 and 70's Dobro
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No chops, but great tone: Fender 400, 1000, '39 Ric 59 and 70's Dobro
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James Pennebaker
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Tucker Jackson
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Al Perkins 8-string E7 copedent
<font face="monospace" size="3">
<pre> LKR P1 P2 P3 RKR
G# A
E F# Eb
B C#
G# A
E F#
D
B
E
</font>
Many thanks to Winnie Winston's book for this information.<font size="1" color="#8e236b"><p align="center">[This message was edited by Tucker Jackson on 15 December 2005 at 12:46 PM.]</p></FONT>
<font face="monospace" size="3">
<pre> LKR P1 P2 P3 RKR
G# A
E F# Eb
B C#
G# A
E F#
D
B
E
</font>
Many thanks to Winnie Winston's book for this information.<font size="1" color="#8e236b"><p align="center">[This message was edited by Tucker Jackson on 15 December 2005 at 12:46 PM.]</p></FONT>
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Jim Sliff
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Interestingly, I just got an email from Al - that copedent is wrong. I still can't get a copedent formatted right, but here are the correct changes:
The pedals should be a standard Day configuration (I'm not exactly sure what that should be - still too new at this).
The left knee lever is LKL, not LKR, and lowered the top E to Eb.
RKR he varied between lowering the B to Bb or raising the 5th string E to F#.
The pedals should be a standard Day configuration (I'm not exactly sure what that should be - still too new at this).
The left knee lever is LKL, not LKR, and lowered the top E to Eb.
RKR he varied between lowering the B to Bb or raising the 5th string E to F#.
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Tucker Jackson
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Does this look better?
<font face="monospace" size="3">
<pre> LKL P1 P2 P3 RKR
G# A
E Eb F#
B C#
G# A
E F#
D
B
E
</font>
Hmmm, this is almost a negative-image of the one listed in Winston's book. That's odd.<font size="1" color="#8e236b"><p align="center">[This message was edited by Tucker Jackson on 15 December 2005 at 05:54 PM.]</p></FONT>
<font face="monospace" size="3">
<pre> LKL P1 P2 P3 RKR
G# A
E Eb F#
B C#
G# A
E F#
D
B
E
</font>
Hmmm, this is almost a negative-image of the one listed in Winston's book. That's odd.<font size="1" color="#8e236b"><p align="center">[This message was edited by Tucker Jackson on 15 December 2005 at 05:54 PM.]</p></FONT>
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Jim Sliff
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Tucker Jackson
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"For some reason I was thinking the C# raise would be on both pedals 1 and 3"
Yeah, that would definitely be the case on a 10-string guitar.
But I'm not sure about how Al had his 8-stringer setup. Since the Winston book listing of his copendent was roughly correct, except for having everything reversed (things on right were listed as being on the left, etc), I'm thinking maybe he didn't have that C# raise on Pedal 1.
Maybe another e-mail to Al is in order?
Yeah, that would definitely be the case on a 10-string guitar.
But I'm not sure about how Al had his 8-stringer setup. Since the Winston book listing of his copendent was roughly correct, except for having everything reversed (things on right were listed as being on the left, etc), I'm thinking maybe he didn't have that C# raise on Pedal 1.
Maybe another e-mail to Al is in order?

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Jim Sliff
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Tucker Jackson
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