Auction: Estate of Ray Krick, INDIANA
Moderator: Dave Mudgett
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Rick Abbott
- Posts: 2215
- Joined: 20 Feb 2007 4:10 pm
- Location: Indiana, USA
Auction: Estate of Ray Krick, INDIANA
Here is a link to the sale in Rochester Indiana:
http://www.manitourealty.com/krick.html
Ray built his own steels, there are three in the sale. All are pull release, all sound great. The odd looking one was a sort of joke. He used barn hinges and cables on a plank of wood, very very primitive, but it sounds great. The fake vomit and other glued on debris is free with the guitar. I believe they are standard height, and the two single necks have lighted fret markers. There is a Session 500 that looks showroom new and a Session 400LTD that looks as good, but needs the volume pot cleaned. The K-Ped pedals are light-beam technology that Ray patented in 1964, the one with the electrical cord is the original. There are a couple other pedals; a Shobud and a Goodrich L120. There are some other electronics and whatnot.
He sand cast all the parts, pedals, ends, keyplates. He made all the pickups, usually wound to about 18K.
See the handbill and pictures on the link above. I took a few pictures, but many are too shaky to use...tremors from a medicine. I'll upload some below.
http://www.manitourealty.com/krick.html
Ray built his own steels, there are three in the sale. All are pull release, all sound great. The odd looking one was a sort of joke. He used barn hinges and cables on a plank of wood, very very primitive, but it sounds great. The fake vomit and other glued on debris is free with the guitar. I believe they are standard height, and the two single necks have lighted fret markers. There is a Session 500 that looks showroom new and a Session 400LTD that looks as good, but needs the volume pot cleaned. The K-Ped pedals are light-beam technology that Ray patented in 1964, the one with the electrical cord is the original. There are a couple other pedals; a Shobud and a Goodrich L120. There are some other electronics and whatnot.
He sand cast all the parts, pedals, ends, keyplates. He made all the pickups, usually wound to about 18K.
See the handbill and pictures on the link above. I took a few pictures, but many are too shaky to use...tremors from a medicine. I'll upload some below.
RICK ABBOTT
Sho~Bud D-10 Professional #7962
Remington T-8, Sehy #112
1975 Peavey Pacer 1963 Gibson Falcon
Sho~Bud D-10 Professional #7962
Remington T-8, Sehy #112
1975 Peavey Pacer 1963 Gibson Falcon
-
Rick Abbott
- Posts: 2215
- Joined: 20 Feb 2007 4:10 pm
- Location: Indiana, USA
-
Rick Abbott
- Posts: 2215
- Joined: 20 Feb 2007 4:10 pm
- Location: Indiana, USA
-
Rick Abbott
- Posts: 2215
- Joined: 20 Feb 2007 4:10 pm
- Location: Indiana, USA

I have NO idea what the D-10 has as a second tuning. Ray used the C6 chromatic for decades. He could play ANY style on it. E9 stuff sounded correct, C6 stuff was probably compromised on the low end. He was an E9 player really, but with THIS tuning...he did stuff his own way...always!
It seems that he described the function of the change and not a typical "copedant" the way we think of it.
RICK ABBOTT
Sho~Bud D-10 Professional #7962
Remington T-8, Sehy #112
1975 Peavey Pacer 1963 Gibson Falcon
Sho~Bud D-10 Professional #7962
Remington T-8, Sehy #112
1975 Peavey Pacer 1963 Gibson Falcon
-
Rick Abbott
- Posts: 2215
- Joined: 20 Feb 2007 4:10 pm
- Location: Indiana, USA












