
Volume pedal string
Moderator: Dave Mudgett
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Bud Angelotti
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Volume pedal string
Thought this would make a good sticky - Thanks Lane, it helped me!


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Lane Gray
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If I were going to "Sticky" something in this forum, I'd do
"Guide to setting your Peavey amp."
I don't recall where I got this from, but I STILL use this procedure if I'm fighting my tone and just decide to start all over.
Lows first: while picking the strings, run this up until the bottom end gets "boomy" and back it off a bit. Note: obviously an E9 only player can run more bass than a D-10 or universal player
Mids, the most crucial (put highs and presence at 12 o'clock for this step):
Since steel pickups have a strong peak around 800-900 Hz, we need to tame them here. Set the shift just above 800, then lower the level from 12 o'clock til the "honkiness" goes away. Then slowly move the shift knob one way, then the other. There'll be one point at which it sounds sweeter. Don't be surprised if you end up with around 6 dB cut at 800-850 Hz.
Highs and Presence: Presence is basically an ultra-high. I think of highs as adding "brightness" to the sound and Presence as putting a sharp edge on it. from 12 o'clock, raise the high til you have your brightness.
Picking up around the 15th or 17th fret, run the presence up til you have your edge.
At that point, you should be done and have the sound you like
"Guide to setting your Peavey amp."
I don't recall where I got this from, but I STILL use this procedure if I'm fighting my tone and just decide to start all over.
Lows first: while picking the strings, run this up until the bottom end gets "boomy" and back it off a bit. Note: obviously an E9 only player can run more bass than a D-10 or universal player
Mids, the most crucial (put highs and presence at 12 o'clock for this step):
Since steel pickups have a strong peak around 800-900 Hz, we need to tame them here. Set the shift just above 800, then lower the level from 12 o'clock til the "honkiness" goes away. Then slowly move the shift knob one way, then the other. There'll be one point at which it sounds sweeter. Don't be surprised if you end up with around 6 dB cut at 800-850 Hz.
Highs and Presence: Presence is basically an ultra-high. I think of highs as adding "brightness" to the sound and Presence as putting a sharp edge on it. from 12 o'clock, raise the high til you have your brightness.
Picking up around the 15th or 17th fret, run the presence up til you have your edge.
At that point, you should be done and have the sound you like
2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects
More amps than guitars, and not many effects
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Bud Angelotti
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Lane Gray
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For most amps, yes. If you have the good fortune to own an Evans, its knobs run 0-10. And they function weird. The bottom end will want to run almost all the way open. The knob marked "body" got designed with mid cut for steel in mind. I run mine nearly wide open for best tone.
The highs knob? I DARE you to run it above 3.
I've never run a Webb.
The highs knob? I DARE you to run it above 3.
I've never run a Webb.
2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects
More amps than guitars, and not many effects
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John Booth
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Lane, you got that right !Lane Gray wrote:For most amps, yes. If you have the good fortune to own an Evans,
The highs knob? I DARE you to run it above 3.
I've never run a Webb.
Boost the treble on an Evans and you can slice truck tires in half.
JB
Jb in Ohio
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GFI S10 Ultra, Telecaster, a Hound Dog, and an Annoyed Wife
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GFI S10 Ultra, Telecaster, a Hound Dog, and an Annoyed Wife
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Donny Hinson
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Richard Keller
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Lane Gray
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Richard, on mine (except the Super Twin, which has both a tone stack AND a 5 band active EQ), I set the tone knobs to 10, and turn the knobs down to eliminate undesirables.
Bass/Lows - decrease til the boom/woof goes away.
Mids - decrease til honk goes away
High/treble - decrease til not shrill.
If your hands and guitar are anything like mine, you'll end up with Lows:8, mids:6 or 7, highs: 5 or 6.
I've found that as long as lows are greater than mids which are greater than highs, I CAN'T get a bod tone from a Twin.
Bass/Lows - decrease til the boom/woof goes away.
Mids - decrease til honk goes away
High/treble - decrease til not shrill.
If your hands and guitar are anything like mine, you'll end up with Lows:8, mids:6 or 7, highs: 5 or 6.
I've found that as long as lows are greater than mids which are greater than highs, I CAN'T get a bod tone from a Twin.
2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects
More amps than guitars, and not many effects
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Donny Hinson
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Jim Bob Sedgwick
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