OK, folks it's time to try your luck again. We have just posted the new SteelGuitarJazz.com MYSTERY STEELER #2. Come on over and give a listen (on our 'Listening Library' page) and then click the link over there, which will bring you back here to vote for who you think it is. We'll leave the balloting open for 3 days this time, so come on over to: www.SteelGuitarJazz.com
Oh, and while you're there, please stop and sign the Guestbook.
Have fun, and remember: Steel Guitar: It isn't just for country anymore!
Roger, when you get to the website, click on the link on the left called "Listening Library". Then it will be the first song at the top of the list. If not, try refreshing your browser. Let me know if/when you find it; otherwise I'll be worried all day.
The lines don't sound like Chalker to me. I am going to have to go with Maurice Anderson. He is the only steel player who to me really sounds like a musician who plays jazz rather than a steel player who plays jazz. His approach to chords and lines are more in line with the approach of horn players and his chord work is right up there with any piano or guitar player. That is my guess.
I can't tell the tune which is a great testiment to the playing as he had so many interesting things that had nothing to do with the melody of the song. I did hear the Donna Lee lick at the start of his solo.
This will be fun to find out the tune and the player. I wish I knew more about some of the others listed, but I do know that Anderson can play like this. Probably a 60s cut.
I'll go along with Randy and guess Perdido for the song, although a lot of jam type songs use the same progression.
At first it does sound a lot like Curly...with the big fat tone and lots of low string work. But the more I listened, the more it sounded like a very good player trying to sound like Curly....a lot of choruses that sounded like they were played in the same pocket using the same lick. I think if it had been Curly each successive chorus would have flown a little higher until, at the last chorus, he would have been soaring!
Probably for the same reasons, I don't think it is Maurice. His approach would have been more lyrical and not 'lick based'.
I voted for Tom Morrel on a 60's cut as someone already mentioned.
But, then again, I can't even spell Perdeedo let alone play it this well. Interesting choices.