Looking for info on Pete Drake's Sho-Bud "Goldie"

Instruments, mechanical issues, copedents, techniques, etc.

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robert kramer
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Post by robert kramer »

Just wanted to summarize this topic based on everybody’s input. Also revised the reply about the "Night Life" guitar.

Here is Pete Drake’s Sho-Bud “Permanent” also owned by Buddy Emmons. When Buddy had it was a D-8 and Buddy put his signature “Buddie Emmons” on the front with a wood burning kit. When Pete acquired the guitar he had it converted to a D-10 and put his name on the front over “Buddie Emmons” with a tooled leather patch. In 1983, Buddy donated this guitar to the Country Music Hall of Fame where it is on display:
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This is Pete Drake’s “Permanent” he used on Dylan’s 1969 “Nashville Skyline” album including the #7 Pop Billboard hit “Lay Lady Lay.” Dylan’s Nashville recordings (beginning in 1966 with “Blonde on Blonde”) created a demand for Nashville studios and sideman that continues to this day. Pete Drake’s work on Dylan's “John Wesley Harding” and “Nashville Skyline” helped create a demand for pedal steel by the rock, country rock & folk artists who followed Dylan to Nashville:
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Here is Pete Drake’s “Old Goldie” a Sho-Bud “Crossover” given to him by Shot Jackson and gold plated to acknowledge all the gold records Pete was playing on. Too many credits to list here: George, Tammy, Dolly, Charlie Rich, Jerry Lee, Elvis, George Harrison, Ringo Starr, Johnny Rodriguez, Gary Stewart..... “Old Goldie” was Pete’s favorite guitar and he recorded with it exclusively from the late ‘60’s until he retired. In the Guitar Player interview, Pete tells about taking "Old Goldie" to Shot to have different pedal changes put on to get different sounds for specific artists - like on Tammy Wynette’s “I Don’t Want To Play House.” Later on, Pete would take "Goldie" to Paul Franklin, Sr. for adjustments.
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One more photo: The Pete Drake Show - "The Talking Steel Guitar Man":

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Skip Edwards
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Post by Skip Edwards »

So...where is Old Goldie today?
Jussi Huhtakangas
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Post by Jussi Huhtakangas »

^^Pete Drake Show and the Wall Of Standels 8)
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Johnny Cox
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Post by Johnny Cox »

Just another little note on Old Goldie, it was at the E.T. Record Shop for a time on display. I saw it myself. Then Rose Drake loaned it to The Musician's Hall Of Fame and the Professional that was pictured earlier replaced Goldie at the E.T. shop. I don't know where Goldie is now.
When I was very young, 13 or 14, I got to hang out with Pete some and he let me play Goldie a couple times. The vast majority of his studio work was done on her. Pete was a great guy and I always loved his playing. Later in my life I got to hang out with him some late nights at his studio. It was hard to get him to play but occasionally he would. Those times he would play stuff that you would never think was Pete, totally different than what he played on records.
Pete hired me for a session he was producing once. During that session when we were doing one particular song, I had the fills on the chorus. Well, to me I thought it needed a Pete Drake fill so that's what I played. Half way through the next verse Pete stopped the tape, pressed the talk back button and his words were
"If I wanted to hear that s--t I'd have played on this damn session myself. Now let me hear something of yours." I think I played some Lloyd Green as at the time I didn't have anything of my own. Pete also got me on my first Ernest Tubb session before I was in E.T.'s road band. I really miss Pete Drake and I'll play one or ten of his licks at the drop of a hat to this day.
Johnny "Dumplin" Cox
"YANKIN' STRINGS & STOMPIN' PEDALS" since 1967.
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Jeff Bradshaw
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Post by Jeff Bradshaw »

Pete had a knack for playing something that always fit...always!