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Topic: Single Note E9 lick |
Bill Terry
From:
Bastrop, TX
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Posted 14 Jul 1999 8:31 am |
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I find this very useful in many songs. The trick is to hold the bar at the fifth fret and pick the 6th string.
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Earnest Bovine
From:
Los Angeles CA USA
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Posted 14 Jul 1999 8:55 am
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Here is the same lick transcribed for 12-string extended E9:
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Kevin Walker
From:
Roanoke,VA. UNITED STATES
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Posted 14 Jul 1999 8:59 am
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Bill,
Great thread, brother!
I don't know though, this looks like it might be a little over my head; this lick is
one of those that are best left to the pros!
What do you think? You want to write a few
more along these lines? LOL:-)
Have a good one!
,Kevin |
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Bill Terry
From:
Bastrop, TX
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Posted 14 Jul 1999 10:06 am
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| Thanks Kevin, it's one of my favorites... |
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Dean Forshee
From:
Benicia, California
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Posted 15 Jul 1999 3:36 am
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| Are you gonna do a video of this one? |
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Ernie Renn
From:
Brainerd, Minnesota USA
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Posted 15 Jul 1999 9:48 am
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I think I used to play this lick, only I remember it on the 3rd fret.
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My best,
Ernie
The Official Buddy Emmons Website
www.buddyemmons.com
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Kenny Dail
From:
Kinston, N.C. R.I.P.
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Posted 15 Jul 1999 9:13 pm
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Looks like someone has stolen my lick...I use this in the "One Note Samba". All my friends know its me when they hear this lick. You can also play this on the C6 neck at the 4th fret 4th string. The phrasing is real tricky, but...practice...practice...practice and more practice...
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kd...and the beat goes on...
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Bob Shilling
From:
Berkeley, CA, USA
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Posted 16 Jul 1999 10:10 am
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Gee, I started off on that lick. Sure brings back memories. But it's sometimes useful in the pedals down position. Here it is:
1 __________________________________________
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6 _______________4B__________________________
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8 __________________________________________
9 __________________________________________
10__________________________________________
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Bob Shilling, Berkeley, CA--MSA S10
[This message was edited by Bob Shilling on 07-16-99] [This message was edited by Bob Shilling on 07-16-99] |
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Steven Cherson
From:
Austin, TX.
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Posted 16 Jul 1999 1:10 pm
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Bill, being some what new to playing I was taught that very lick, after months of practicing it I decided to improvise and add this
5_________________
6______5~5B_______
7_________________ |
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Jon Light
From:
Saugerties, NY
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Posted 16 Jul 1999 1:19 pm
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| What FX would you recommend to bring out the nuances? Would you, like, plug into an amp? |
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Robert Todd
From:
Atlanta, Georgia USA
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Posted 16 Jul 1999 8:04 pm
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Advanced courses teach sting 4 12th fret, no bar just a finger for the harmonic chime!
Pedals down.... still an E |
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OD Scudder
From:
oak harbor, Washington USA
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Posted 17 Jul 1999 6:58 am
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| Please, for all of us that aren't so versed on this instrument of puzzlement and mystery, when you tab stuff always include the tuning. scooter |
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Richard Sinkler
From:
aka: Rusty Strings -- Missoula, Montana
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Posted 17 Jul 1999 5:17 pm
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Man. I've spent about 6 hours trying to learn that lick and just can't get it. Maybe I'm using the wrong finger. Am I using the wrong bar? Do I have to be in the same room as the guitar??? Please help!!!! This has me so stressed out. Maybe I should just sell all my stuff and learn how to play the triangle. But then, do you hold it in the left or right hand. Where's my Prozac?
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Carter D10 8p/10k
www.sinkler.com
[This message was edited by Richard Sinkler on 07-17-99] |
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Jack Stoner
From:
Kansas City, MO
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Posted 18 Jul 1999 4:53 am
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I can't seem to master that lick either. It obviously isn't country and must be for one of those NCS songs. 
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Randy Reimer
From:
Ardrossan, AB
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Posted 22 Jul 1999 11:21 pm
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Some of the older tab used to indicate which finger or thumb to use - perhaps you could add this?
Also, do you block this lick with your palm, or your pick?
(Thanks for the post, humor is a great gift!) |
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Richard Sinkler
From:
aka: Rusty Strings -- Missoula, Montana
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Posted 23 Jul 1999 5:53 am
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I don't think it's blocked with the palm or picks. I'm finally starting to get the lick. The best way to block it that I have found, is when my head falls down on the strings from exaustion. Now head blocking takes a lot of practice. You don't want it to slam down too hard. If you do, your head might bounce back up causing sounds you don't necessarily want. Although, if you practice bouncing your forehead off the strings, you can get a sound that is close to the "Speedy West slamming the bar on the strings" sound.
Good luck.[This message was edited by Richard Sinkler on 07-23-99] |
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Richard Sinkler
From:
aka: Rusty Strings -- Missoula, Montana
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Posted 23 Jul 1999 6:26 am
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Oh no guys. I just heard this lick in a Marilyn Manson song my son was playing. And check this out, IT WAS PLAYED ON A REGULAR GUITAR. I even think I heard the Bass Player play this lick. Now that guitar players have copied this lick from us, I think our future is looking pretty bleak.
By the way, does anyone know if you play this lick on the bagpipes? |
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Marty Pollard
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Posted 26 Jul 1999 11:36 am
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| After a couple hours trying to work this one out, my wife blocked it for me... |
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Kenny Dail
From:
Kinston, N.C. R.I.P.
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Posted 26 Jul 1999 6:34 pm
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OK...I give up. I think we shud go to the steel guitar God (Big "E") and ask him for some help...
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kd...and the beat goes on...
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John Steele
From:
Renfrew, Ontario, Canada
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Posted 27 Jul 1999 3:54 pm
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I just don't understand why you !%$#@ Jazz players can't leave the melody alone!
hahahahaha |
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Dean Parks
From:
Sherman Oaks, California, USA
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Posted 18 Sep 2005 7:42 pm
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| I was looking for picking exercises and found this in a forum search, and I intend to start working on this tomorrow morning, after a night's rest. But I'm wondering, what is the tempo on this? |
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Ricky Davis
From:
Bertram, Texas USA
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Posted 18 Sep 2005 8:11 pm
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| Moved to Humor!!! |
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