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Topic: Tyler hall copdent |
Paul Wade
From:
mundelein,ill
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Posted 9 Aug 2018 5:56 am |
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does any one have Tyler hall's copdent for E9th & C6th
thanks
p.w
steelplayer72@gmail.com |
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scott murray
From:
Asheville, NC
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Posted 9 Aug 2018 10:11 am
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Tyler might
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1965 Emmons S-10, 3x5 • Emmons LLIII D-10, 10x12 • JCH D-10, 10x12 • Beard MA-8 • Oahu Tonemaster |
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Paul Wade
From:
mundelein,ill
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Posted 9 Aug 2018 6:04 pm
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Ok Scott would like to get in touch with him
Paul |
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Larry Baker
From:
Columbia, Mo. U.S.A.
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Posted 10 Aug 2018 3:29 am
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Paul, you can probably reach him at Steel Guitars of Nashville music store. Tyler is also a member here.
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Mullen G2 SD10 3 & 5 The Eagle
NV112 amp===Earnie Ball V.P. |
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scott murray
From:
Asheville, NC
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Posted 10 Aug 2018 4:28 am
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I was just bein funny, figured Tyler might chime in by now. you could also do a search, I know he has talked about his copedent on here fairly recently
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1965 Emmons S-10, 3x5 • Emmons LLIII D-10, 10x12 • JCH D-10, 10x12 • Beard MA-8 • Oahu Tonemaster |
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Tyler Hall
From:
Mt. Juliet, TN
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Posted 11 Aug 2018 10:26 am
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Sorry fellas. Been a busy week. Let me figure out how to post a copedent and I'll share it with y'all. It's all ideas I've taken from other players, so I'd love to see someone take something from it and make it their own.
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www.joshturner.com
www.ghsstrings.com |
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Tyler Hall
From:
Mt. Juliet, TN
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Posted 11 Aug 2018 11:06 am
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Here's E9
| Tab: |
LKL LKL2 LKV LKR P1 P2 P3 P4 RKL RKR
F# G#
D Eb C#* E*
G# A
E F/F# F# Eb
B C# C# A Bb
G# F#* A*
F# G#
E F/F# Eb
D C#
B C#* Bb A*
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*Splits.
That's the gist of it. The RKR looks strange but I think of it as two separate knees and I try not to let 5 ring when lowering 10, vice versa...
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www.joshturner.com
www.ghsstrings.com
Last edited by Tyler Hall on 11 Aug 2018 7:42 pm; edited 1 time in total |
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Tyler Hall
From:
Mt. Juliet, TN
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Posted 11 Aug 2018 11:23 am
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C6
| Tab: |
CKL CKV CKR P4 P5 P6 P7 P8 P9 RKR RKL
G
E D F
C C#* D B*
A B Bb
G F# F
E D Eb F
C C#
A B
F E F# Eb
C A D D
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*splits
I don't have a guitar set up at the moment but I'm 99.9% sure this is right.
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www.joshturner.com
www.ghsstrings.com |
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Roger Rettig
From:
Naples, FL
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Posted 11 Aug 2018 4:41 pm
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Tyler:
I also lower 5 to Bb and 10 to an A - works for me.
I'm intrigued, though, by your C pedal also lowering the 10th.
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Roger Rettig - Emmons D10s, Quilter TT-12, B-bender Teles and old Martins.
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John Macy
From:
Rockport TX/Denver CO
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Posted 11 Aug 2018 6:02 pm
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Nice to see a second string D man!
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John Macy
Rockport, TX
Engineer/Producer/Steel Guitar |
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Tyler Hall
From:
Mt. Juliet, TN
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Posted 11 Aug 2018 7:37 pm
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Roger, tune your 10th down a half and use it with the C pedal. I almost guarantee you'll find things you like right away. Bethel told me a very long time ago about Crawford doing that, so I tried it and love it.
John, funny enough, I did that before I met Bethel (who also does that) but he really showed me the potential in it. I've never changed my p/p over but the open D makes so much more sense to me and no pesky halfstops. When I do play the p/p it's like a constant battle with dyslexia.
**Edited the E9 copedent. I forgot to mention I have a half stop on the LKL that gives me E-F-F# on 4&8.
_________________
www.joshturner.com
www.ghsstrings.com
Last edited by Tyler Hall on 11 Aug 2018 7:47 pm; edited 2 times in total |
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Roger Rettig
From:
Naples, FL
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Posted 11 Aug 2018 7:42 pm
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Thanks, Tyler - I'll try that in the morning!
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Roger Rettig - Emmons D10s, Quilter TT-12, B-bender Teles and old Martins.
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Roger Rettig
From:
Naples, FL
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Posted 12 Aug 2018 5:26 am
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That's clever!
Open, it's an F#add9 with the 3rd in the bass. If I also lower the 9th string there's a nice 8-string 9th chord 'two below zero'.
I don't see a downside to this clever change yet. Of course, I'm only detuning the 10th for now so my explorations are limited. If I lived around the corner, Tyler, I'd be pestering you to hook my guitar up for me!
Your E9 set-up also tempted me to, once again, detune my 2nd string and try the D note. I love it at the zero position but it complicates things when I go up three frets and use the F-lever - those lovely cadences are gone over the first four strings. I have no doubt that you've compensated for that loss somehow but I can't see how at the moment.
Boy, Jimmy C really understood E9, didn't he? He showed me the value of lowering the 9th string and it opened things up for me. Thanks to you too, Tyler.
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Roger Rettig - Emmons D10s, Quilter TT-12, B-bender Teles and old Martins.
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John Macy
From:
Rockport TX/Denver CO
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Posted 13 Aug 2018 5:26 pm
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Jimmie Crawford put me on to the D on the second string in 1979 when he built my 10x10 PP, and I have it on most of my guitars. I have a couple of PP's with the D# that I play a lot, too, and it's easier than I thought going back and forth. Kinda good to have to think differently, at least that's what I keep telling myself...
Also, on the 10x10 he had pedals 9 and 10 that work on both necks. Pedal 9 raises 5 to C# and lowers 10 to Bflat...
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John Macy
Rockport, TX
Engineer/Producer/Steel Guitar |
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Mike Mantey
From:
Eastern Colorado, USA
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Posted 14 Aug 2018 8:34 am Here you go :)
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Tyler Hall
From:
Mt. Juliet, TN
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Posted 14 Aug 2018 8:44 pm
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Thank you sir. Tried to talk to Del today. Not much luck. Tell him to call me back tomorrow on the shop phone. I hope Santa Clause brings y'all a cell tower this year.
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www.joshturner.com
www.ghsstrings.com |
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