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Topic: John Peter Bonvillain |
Joe Rogers
From:
Lake Charles, LA USA
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Mitch Drumm
From:
Frostbite Falls, hard by Veronica Lake
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Posted 21 Nov 2017 12:17 pm |
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That is sad news.
He's not well known, but was a major inspiration to Tom Morrell and I'm sure others after being heard on radio out of New Orleans in the early 50s. No doubt John Hughey heard him as well. I get the feeling his steel playing was mostly for live performances rather than in recording studios.
Here's a bio I found a few years ago and some pictures. I think I met him at his music/record shop in Gretna around 1970, but I had no idea of his steel background at the time.
John Peter Bonvillain was born on November 26, 1931, in Ashland, Louisiana, raised in Houma and New Orleans, and now resides in Gretna, Louisiana.
He's been playing steel guitar for 61 years. His first job was with Irvin Tuttle and has played with many bands around New Orleans, Houma, and in Mississippi.
He played on WWL radio with Bill Cason from 1948 til 1955 and at that time recorded with many bands at the Blue Room of the Roosevelt (Fairmont) Hotel. He wrote and played on the Dr. Tishner commercial, and made the first Charman Tissue commercial at WDSU radio.
He has played with Elvis Presley, Marty Robbins, Hank Williams, Tex Williams, Sam Butera, Joe Jones, Barbara Lynn, Johnny Horton, Jeannie Pruett, Little Jimmy Dickens, Russ "C.J. Cheramie" Wayne, Vin Bruce, Leroy Martin, Russ Russell, and Billy Fayard.
He also wrote and recorded songs for "Gyp the Jitter Bug" and Russ Wayne (aka C.J. Cheramie,) and recorded on Capitol records.
Mr. Bonvillain played just about every club on the Westbank. He wrote and recorded campaign songs for Vernon Wilty, Assessor of Jefferson Parish, Jack Riley, Sheriff of St. Bernard Parish, and played and campaigned for Earl K. Long, Governor of Louisiana.
From 1963 till the present, Mr. Bonvillain has taught music and operates his music store located on Lafayette Street in Gretna, Louisiana.
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Herb Steiner
From:
Spicewood TX 78669
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Posted 21 Nov 2017 2:31 pm
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Morrell told me that Johnny Bonvillain was the closest you could get to sounding like Joaquin Murphey. I've never heard him play though, to my knowledge anyway.
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My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg? |
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Mitch Drumm
From:
Frostbite Falls, hard by Veronica Lake
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Todd Clinesmith
From:
Lone Rock Free State Oregon
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Mike Neer
From:
NJ
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Tommy Shown
From:
Denham Springs, La.
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Posted 8 Dec 2017 2:38 pm
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| Cleat Wooley used to talk to me about Johnny all the time, Sad to say another institution of New Orleans music is gone. He used to have a shop on the West bank. |
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Arthur Dickerson
From:
New Orleans,Louisiana, USA
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Posted 7 Jan 2018 8:07 am Who needs pedals?
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I spent a lot of Wednesday’s with Johnny from 2010 to 2014. I have some recordings on an old iPad but they are lessons, so he's mostly just showing examples and not playing whole songs. And you sure don't want to hear me since I was learning C6th from him. His back really got the best of him and he had a hard time feeling whether he was touching the pedals or not. As a result he played more and more without pedals and I learned a lot more single string melody and slant bar workarounds. He kne2 every one of the legends but was never bragging about-just mentioned it in passing. He said this one guy told him, 'I just like listening to you tune up'. That was Jimmy Day. But the mind blower was when he told me tha Buddy came to stay with him for awhile in the early 60’s or late 50's to ‘brush up on the C6th'. He could play any country song you like any body’s version, but it was jazz that loved. Those recordings are on a 1st gen iPad that I need to find and resurrect. As soon as I do, I’ll post them
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Fessenden D10
Emmons re-issue push-pull D10 d10
Sierra d10
Sierra artist series s10 |
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