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Topic: D6th almost Universal - for your consideration. |
Jack Stanton
From: Somewhere in the swamps of Jersey
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Posted 29 Sep 2018 9:46 am
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Very cool, b0b |
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Tom Gorr
From: Three Hills, Alberta
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Posted 29 Sep 2018 8:47 pm
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b0b wrote: |
Tom,
I'm not saying it's impossible, just that it would be a challenge on a push-pull. The tunable splits won't work, of course, but that's no big deal. The main problems are the triple raises and the half-stop lever RKR.
LKV2 is just there for completion of the standard 4-lever C6th. Very handy in jazz, but I played for years without it. You really don't need it. Leaving it out would simplify the 4th string quite a bit.
I say go for it! |
My regular Uni coped has your LV1 on a knee as well. But thinking the "P7" (your P5) in the 6/9 uni model is basically analogous to the Mooney approach to the C pedal..
I am a two foot C6 player.. So I would never get lost going A+B + P7.. I do use the vol pedal more with E9 playing particularly on the songs where the C change is on a knee, it glides in soulfully. So not ideal, but given the 6th orientation of the coped... May be passable.
Thoughts about this condensation? I know the 6 to 7 degree change going on also with "p7"... But for E9 style playing, the grip has to avoid that string anyways.
Tough one... |
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b0b
From: Cloverdale, CA, USA
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Posted 29 Sep 2018 10:57 pm
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I use P5 (the C6th P7) when I want the fast, Mooney-style bounce, but I've also had the E9th E to F# on LKV for over 30 years. I'm very comfortable with raising the root a full step on my vertical lever. I often use it with P2 and the half-stop on RKR (making C E G notes on the open strings).
On the middle 8 strings, P2 makes the G chord with an A in the middle: G.B.D.G.A.B.D.G. Adding the LKV and RKR raises it to a full C6th: G.C.E.G.A.C.E.G. Look familiar?
Here's another interesting feature for Hawaiian players. P5+P6 produces the classic 6-string B11th tuning: B.D#.F#.A.C#.E. "Sand", anyone?
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